Suzanne Caporael Paintings

This is the left panel of what was originally a diptych, hence the name, but the right panel is no longer available. A new right panel will be made shortly. This painting in delicate...

"Late Sun" - Carmel by the Sea California Original Oil French Impressionism Thick impasto and textured oil on linen circa 1962 by California artist Harry B. Lachman (American, 1886 - 1975). Besides being an American Impressionist, Harry was a honored French Impressionism artist as well. Lovely scene of Carmel by the Sea California of cottages and trees on a quiet lane. Some minor bowing of the canvas due to age and the heavy paints he used. Signed "Lachman" lower right Exhibited Dalzell Hatfield Galley, Beverly Hills 1959-1962 (partial Label on verso) Image, 18.25"H x 21.75"W Frame, 20.75"H x 24.5"W x 1"D A onetime magazine illustrator, Harry Lachman, born in LaSalle, Indiana June 29, 1886, became one of the leading European Post-Impressionist painters in the teens and twenties. By his late twenties, Lachman had established himself as an artist both in America and Europe. He exhibited in America at the National Academy of Design, New York, as well as the Pennsylvania Academy of Fine Arts. Early on in his career Lachman traveled to Europe to paint and eventually lived at various times in France, Italy, Spain and Switzerland. In Europe, the painter's works were accepted at the annual Parisian Salons. Lachman worked as a set designer with the equally artistically-inclined film maker Rex Ingram...

Beautiful mid-century landscape of upper Young Lake and Ragged Peak in Yosemite National Park by Helen Enoch Gleiforst (American, 1903-1997). The artist uses textural impasto in a pa...

Floating Colors - Abstract Geometric Composition in Oil on Canvas Abstract composition with bright colors by San Francisco artist Richard Turtletaub (American, b. 1959). Various sha...

Mid Century Modern Portrait of Woman in Green Dress Original Oil Painting Evocative mid century modern portrait of woman in green dress by California artist Genevieve Rogers (America...

Ora Coltman (American, 1858-1940) House in Hudson, OH Oil on canvas Signed lower left 22 x 26 inches 27.5 x 31.5 inches, framed 21 Aurora Street is locally known as the Isham-Beebe ...

Wyoming Barn - Plein Aire Landscape in Oil on Masonite Warm ranch landscape by California Plein Aire artist Nick White (American, 1943-2009). A large ...

Provenance: Santambrogio Antichità, Milan; sold, 2007 to: Filippo Pernisa, Milan; by whom sold, 2010, to: Private Collection, Melide, Switzerland De Primi Fine Art, Lugano, Switzerland; from whom acquired, 2011 by: Private Collection, Connecticut (2011-present) Literature: Ferdinando Arisi, “Ancora sui dipinti giovanili del Panini,” Strenna Piacentina (Piacenza, 2009): pp. 48, 57, 65, fig. 31, as by Panini Ferdinando Arisi, “Panini o Ghisolfi o Carlieri? A proposito dei dipinti giovanili,” Strenna Piacentina, (Piacenza, 2010), pp. 100, 105, 116, fig. 101, as an early work by Panini, a variant of Panini’s painting in the Museo Cristiano, Esztergom, Hungary. This architectural capriccio is one of the earliest paintings by Giovanni Paolo Panini, the preeminent painter of vedute and capricci in 18th-century Rome. The attribution to Panini has been endorsed by Ferdinando Arisi, and a recent cleaning of the painting revealed the artist’s signature in the lower right. Like many of his fellow painters working in Rome during his day, Panini was not a native of the Eternal City. He first trained as a painter and stage designer in his hometown of Piacenza and moved to Rome at the age of 20 in November 1711 to study figure painting. Panini joined the workshop of Benedetto Luti (1666-1724) and from 1712 was living on the Piazza Farnese. Panini, like many before and after him, was spellbound by Rome and its classical past. He remained in the city for the rest of his career, specializing in depicting Rome’s most important monuments, as well as creating picturesque scenes like this one that evoked the city’s ancient splendor. The 18th century art historian Lione Pascoli, who likely knew Panini personally, records in his 1730 biography of the artist that when Panini came to Rome, he was already “an excellent master and a distinguished painter of perspective, landscape, and architecture.” Panini’s earliest works from this period still show the evidence of his artistic formation in Piacenza, especially the influence of the view painter Giovanni Ghisolfi (1623-1683). However, they were also clearly shaped by his contact in Rome with the architectural capricci of Alberto Carlieri...

Frolic, 19th Century by Erna Hoppe-Kinross 1875-1964 - close friend of Claude Monet Large 19th Century French Impressionist scene of the children of summer, oil on canvas by Erna H...

"Horse Sketch 2" is an oil painting by Amy Florence, a study of an Alfred Munnings painting, an artist she takes inspiration from. A horse is standing against a pale green ground, c...

Signed and dated, lower right: EL / Nov 34 Provenance: Barbara and Ernest Kafka, New York.

Indigo to Apricot, Sometimes I will start a painting with the idea of wanting to use two blues. On this day the sky was a beautifuly pale and fresh so I set about fining an inky blu...