1830s Statues

The special work of the horse head creates an elegant and dignified aura from compressed marble, while at the same time re-emphasizing the elegance of the horse, one of the most aesthetic animals in the ancient world and our current life. The most important sculptures in world history...

This is a 19th century French reconstituted stone lion statue lying down on a rectangular base. The sculptor who did the original of this statue has...

Set of dining table and armchairs. Garden or Patio Furniture. Indoor and outdoor.

A vintage cast stone windmill garden sculpture with window, doorway and faux patches of worn casing revealing the brick superstructure below. The conical roo...

A good 19th century carved stone bust. The handsome figure in Greco-Roman attire with toga draped across the chest and a laurel wreath around his head. ...

Iconic pair of vintage Art Deco style whippet statues in the seated position, cast and coated in a black gloss finish.

Eros is the Greek god of love and desire. In ancient Greek, four separate words were used for love or amity one of which being “Eros” which meant passionate love. Eros, who is accep...

The marble bust facing frontal with her eyes looking to her right. The hair fastened in a skillfull knot behind, the drapery covers her shoulders and breasts, with another section un...

Our Sphinx is Persephone, and she started as an old kingdom Egyptian relic. I then turned her musculature into mechanical appendages like she was an icon or idol off the set of the 1927 film, “Metropolis”. She was going to be an AI sphinx but I still wanted to incorporate Rhubarb within her adornment as she is a Nordic or Maritime sphinx. Big leafed rhubarb didn’t resonate with the mechanized look I had just executed beautifully. At the very least she is a North American sphinx with feather and wheat motifs. I included for symbolism and beauty (of course), ancient Egyptian and Greek floral references befitting a worldly creature. I took liberties and referenced eighteenth and nineteinth "Orientalism". The Sphinx is a mythological creature and not anything that moved across terrains anywhere that most of us have been. The AI sphinx was too fascist and severe for most gardens. I liked it deeply and may revisit that avenue once this sphinx’s’ plaster dust has settled. I love the Baroque, so I decided to go Baroque by giving the lions coat some seriously carved fur and curly cues. She looked like any one of the seventeenth century Louis’ characters crossed with a French poodle. That was a bad notion. I then created a sphinx that I like, a sphinx from my soul but seriously influenced by other artists. In the end she is uniquely elegant and powerfully poised, with distinct features. Compared to most sphinx throughout history her breasts are too high on her chest but seductive none the less (she is a contemporary sphinx). Her head is elongated, much like the busts of the Armana period in Egypt, but that’s just her hair and headdress, not her skull. Her rump and back are sensual. The Rhubarb Sphinx, embodies a history of sphinxes created by Europeans after the Napoleonic invasion and the extensive survey of Egypt which ignited a design frenzy of all things ancient Egypt. She is an esoteric garden folly...

Life size fiberglass Ram is made of a very strong fiberglass which will withstand the elements. This Ram is fantastic and a perfect addition to any gard...

A tall French garden sculpture of male figure from the early 20th century. This antique cast-stone statue from France features a male figure, draped in classical attire, standing aga...

3-649 ceramic Roman Bust market Italy.