Grand Tour Round Alabaster Box

Unusual 19th century Italian Grand Tour bronze box in the form of a sarcophagus, circa 1880. Nice form, handsome desk-top accessory, great addition to any box collection. 5.5 inches...

A low round urn shape, pale pink alabaster box with gray veining. Very heavy and an attractive design. Signed on bottom. Italy, circa 1970s.

Grand tour Moser Bohemian flashed red crystal box. The interior fitted with two original scent bottles. All bronze dore in very bright condition. All i...

Rare 19th century Italian Grand Tour steel sarcophagus form box, circa 1880. Nice form, handsome desk-top accessory, great addition to any box collection. It is unusual to find this ...

A Stunning Late Grand Tour Collectors Box 19th Century Mahogany & Ebony Pietra Dura Karlsbad, Germany. The Lid Is Decorated with Marble And Agate Geometric Motifs. With Continen...

Micromosaic Grand Tour Jewel Casket from the late 19th Century. Elaborate inlaid floral tessarae of daisies cover the lid of the jewel-trinket box with glass panels on each side. All...

19th century Grand Tour silver box, likely made in Germany. With faux Paris, 1784 hallmarks. Decorated with a 17th century gentleman in rococo cartouche. 3.55 troy oz. 3 3/8" x 2.75"...

This exceptional humidor or vanity box is a masterwork of craftsmanship, designed in the exquisite style of the Italian Grand Tour, a period of cultural exploration and refinement th...

Beautiful shimmery round alabaster box with sliding lid. Unique custom blue colored box is perfect for your mementos, coins, jewelry or 420. Slide ...

A highly attractive and rare floral Grand Tour micromosaic jewelry or trinket box made by Cesare Roccheggiani in Rome, Italy, c. 1875. This is a beautifully detailed micro-mosaic box. The panel in the lid depicts a lush bouquet of spring flowers, including roses, forget-me-nots, daffodils, buttercups and crocus, amongst others. These are described in brightly coloured stone micromosaic inlaid into a black surround, lending the piece wonderful contrast. The more common subjects for similar micro mosaic boxes are architectural views of Rome; floral examples such as this are much harder to find. The panel is mounted in a box gilded in 24 carat gold. Another distinctive feature is the granulated finish around the lid and to the underside of the box: it is most unusual and lends the piece a lovely texture. A hand-painted champlevé enamel frieze wraps around the central body of the gilt metal box, depicting scrolling turquoise vines blooming with red berries along with blue, green and yellow vine leaves. The interior is lined in the original silk and in very good original condition. The maker’s name ‘C. ROCCHEGGIANI ROMA’ is emblazoned in gold to the interior of the lid beneath the motif of a cross surmounted by a crown. The lining of both the lid and body are bordered with a ropetwist detail. The lid closes with hooked clasp, and the hinge is in good condition. Cesare Roccheggiani was one of the most successful mosaicists in the late 19th century in Rome. He probably worked in Michelangelo Barberi’s workshop, and was in all likelihood related to Lorenzo Roccheggiani, a late eighteenth-century master mosaicist at the Vatican whose work included the altarpiece, Crucifixion of St. Peter after Guido Reni, and Nicolo Roccheggiani who worked on the Achilles Shield tabletop commissioned by Napoleon Bonaparte, and later gifted to Charles X of France, now in the collection of the Louvre. Cesare Roccheggiani opened his premises on Via Condotti in Rome in 1874, and ran a production workshop including mosaicists, goldsmiths and other craftsmen. He was renowned as a source for fine quality Grand Tour mosaics...