An Overmantle Clock circa 1830

Exceptional table clock in fire-gilt bronze featuring maritime motifs, including a stylized dolphin, trident, and other underwater elements. The enamel dial displays Roman numerals f...

Circa 1830 Georgian tall case clock. Gothic waist panel & boldly reeded square pilasters, partially stopped by ebony line inlays. Exceptional choice of mahogany veneers & sol...

A refined neoclassical garniture set comprising a marble mantel clock and two matching vases (20 x 13 x 13 cm). The clock features a vase-shaped body crafted in white marble with dar...

French pendule clock, the base, pedestal and columns are out of white marble. The silvered clockface with Roman numerals is inscribed Jeannest à Paris.

The case of the grandfather clock is made of mahogany and was possibly made by the watchmaker Nathaniel Edgecombe. The clock is from Bristol England, circa 1830. + The ship in the d...

Paris Porcelain Egyptian Style clock, Bayeaux, circa 1830.

Antique mantel clock on the theme of astronomy France Bronze Charles X around 1830 Dimensions: H x W x D: 48 x 19 x 10 cm Description: Unusual and beautifully crafted bronze mante...

Biedermeier picture clock with fountain mechanism Austria Oil on iron sheet circa 1830 Dimensions: H × W × D: 45 × 53 × 14 cm Description: This rare picture clock depicts a villag...

Dial signed Polti Frères Measures: With base or glass: Height 61 cm (24 in.), width 51,5 cm (20.3 in.), depth 23.5 cm (9,2 in.) Without base: Height 52 cm (20,5 in.), width 42 cm (16.5 in.), depth 12.5 cm (4.9 in.) Important philhellenic clock in burnished and amati gilded bronze, finely chiseled, representing on the terrace a couple elegantly dressed in "the turkish style", and richly decorated with foliage, scrolls and flowers. The feet, decorated with water leaves, rest on an oval wooden base covered with a globe. The theme of the clock comes from The Giaour, a fragment of a Turkish Tale, an English poem by Lord Byron published in may 1813 which tells the thwarted love of a Venetian, the Giaour – term by which the Turks designate infidels and especially Christians – and of Leila, a slave belonging to Hassan’s seraglio, military leader of a Turkish province. The betrayal of Leila discovered, she will be thrown into the sea and her lover will avenge her by killing Hassan, then taking refuge in a monastery. Symbol of prestige and modernity, the decorative clocks are a reflection of the taste of the era of a wealthy bourgeoisie and may be the subject of diplomatic gifts or between individuals. Beyond the purely decorative aspect of such objects, watchmaking in the 19th century is part of a subtle mix of political, historical and literary references. This philhellenic movement converning the West finds a particular echo in France, one of the countries with the United Kingdom and Russia having suported the Greeks during their war of independance (1821-1830) to free oneself from the grip of the Ottoman Empire. Many clocks...

A Swedish Mora grandfather clock from the 19th century. This antique Mora clock from Sweden features a rounded head topped with a carved crown, a subtle teardrop shaped belly, and rests on a flat base. Upward curved molding defines the neck at underside of head, which is repeated about the lower waist. The original metal face...