Malitte Seating System by Roberto Matta Paradisoterrestre Edition

Designed in 1966 - Paradisoterrestre Edition 2019 The outdoor version of Malitte by Surrealist artist Roberto Matta. Materials: polyurethane for outdoor use, Quercia fabric by MARIA...

Designed in 1966 - Paradisoterrestre Edition 2019 The outdoor version of Malitte by Surrealist artist Roberto Matta. Materials: polyurethane for outdoor use, Ginostra fabric by MARI...

Amatta is a resin armchair with sinuous, fluid, soft and rounded lines, created in 1974 by Roberto Matta. He cuddled up in the Amatta and shaped it through his own body. The armcha...

Designed in 1971 - Paradisoterrestre Edition 2019 This “functional work of art” represents in an exemplary way the concept of Ultramobile, operation conceived by Dino Gavina in 1971...

Roberto Sebastián Matta Seating system model “Malitte” Named after Malitte Pope, Matta´s wife Manufactured by Gavina (1966-1968) and Knoll International (1968-1974) Italy, 1966 ...

The witty and elegant Malitte is a sculptural assemblage of organic forms. When deconstructed, the interlocking elements form multi-use seating – lounge chairs, a chaise longue and a...

Roberto Sebastián Matta Seating system model “Malitte” Named after Malitte Pope, Matta´s wife Manufactured by Gavina (1966-1968) and Knoll International (1968-1974) Italy, 1966 Foam, wool fabric From the archives of Side Gallery Measurements: 160 cm x 160 cm x 63 cm 63 in x 63 in x 24.8 in Concept: Malitte is a seating system, an ever-changing composition of five polyurethane blocks covered in a slightly elastic fabric. A playful collection of colored interlocking organic shapes that can be assembled into a single sculpture, a “wall” dividing the environment with its formal and conceptual presence, which, when necessary, can instantly become a complete living room: a two-seater sofa, three seats and a pouf. Malitte is included in the permanent collection of MoMA (the Museum of Modern Art) in New York City. Biography: After graduating from university in Santiago de Chile in 1935 with a degree in architecture, Roberto Matta traveled to Europe where he met André Breton, the founder of the Surrealist movement in Europe. In 1938, he began painting and moved to the United States for ten years. During this period he sought to evoke the human psyche in his work, inspired by Freudian psychoanalysis. Matta’s works became increasingly dominated by a socio-political element, which broke from the conventions of Surrealism. Matta was also a seminal figure in abstract expressionism but broke away from this too to develop a highly personal artistic vision. His mature works blend abstraction with elements of figuration and fantastically-conceived, multi-dimensional space. He was heavily involved in the social movements of the 1960s and 1970s and a strong supporter of Salvador Allende...

The witty and elegant Malitte sofa is a sculptural assemblage of organic forms. When deconstructed, the interlocking elements form multi-use seating – lounge chairs, a chaise longue ...