Louis XVI Style Commode with Painted Panel by Henry Dasson, Dated 1879

A very fine Louis XVI style gilt-bronze mounted marquetry commode After the design by Jean-Henri Riesener (1734-1806) After a model by Jean-Henri Riesener, supplied to Princess Adélaïde for Versailles. Constructed from amaranth with veneered tulipwood "en semelle" and dressed with a profusion of finely cast & hand-chased ormolu mounts, with a Sarrancolin marble platform, atop a breakfront frieze, set with three drawers, over a unified central panel divided in two drawers depicting a 'bois de bout' marquetry floral still life within a gilt-bronze frame, flanked by panels of quarter-cut tulipwood with ormolu handles suspended from lover's knot bows, with conforming matched panels to the concave sides. The apron is mounted with a finely cast central scroll, and the canted corners dressed with cascading ormolu foliate mounts terminating in lion's paw feet. French, circa 1910 Madame Adélaïde's commode The design for this commode was one of the earliest royal commissions awarded to Jean-Henri Riesener (1734-1806), the master craftsman who was later appointed cabinetmaker to Louis XVI and his court in 1774. The commode, with its architectural features, extensive ormolu mounts and immaculate marquetry work, was ordered in 1776 and delivered that same year for Madame Adélaïde (1732-1800), the daughter of king Louis XV and Marie Leszczynska. The commode was later moved to château de Bellevue when it was given to her by king Louis XVI. The famous commode was later part of the Earl of Carnarvon's collection, who also bought furniture made for Napoleon. Carnarvon's wife, Lady Elmina Wombwell, was the child of Alfred de Rotschild, which may explain the post-revolutionary history of the royal commode. In 2018, the Riesener commode was bought for the nation for the sum of 3.5m€ and returned to Versailles.

Of rectangular form, constructed in amboyna and mahogany dressed with chinoiserie lacquer panels, and fine ormolu mounts; rising from ormolu mounted toupie feet, supporting the lower...

A Fine Occasional Table By Henry Dasson Of rectangular form, constructed in mahogany dressed with finely cast and chased gilt bronze mounts; rising from ormolu mounted toupie feet, ...

A Matched Pair of Tables Ambulantes in the Transitional Style By Henry Dasson Constructed from mahogany and ormolu-mounted throughout, the tables supported on cabriole legs with bro...

A stunning and extremely high quality French 19th century Louis XVI st. mahogany, tulipwood, rosewood, ormolu, and Rouge Griotte marble commode, attributed to Henry Dasson. The three...

An Important French Mahogany and Gilt Bronze Commode in the Louis XVI Style by Henry Dasson (1825-1896) after the design in 1788 for the Kings Cabinet at Saint-Cloud by ebeniste Adam...

An exceptional late 19th century gilt bronze-mounted Louis XVI style commode. By Henry Dasson A marble top above a frieze set with three drawers with pierced laurel decoration, over three garland-hung cupboard doors each with shelves, the sides similarly decorated, on toupie feet. Signed Henry Dasson 1879 to the bronze mount on the side and stamped Henry Dasson 1879 twice to the back of the carcass. After the very famous 18th century model by Martin Carlin. Henry Dasson was considered one of the finest makers of gilt bronze-mounted furniture in the 19th century. He established a workshop at 106 rue Vieille-du-Temple, Paris, and specialised in the production of Louis XIV, Louis XV and Louis XVI style furniture using the very finest ormolu mounts with the highest quality mercury gilding. In 1871, Dasson purchase Charles-Guillaume Winckelsen business and remaining stock. Dasson exhibited at the 1878 and 1889 Paris Exhibition. He displayed Louis XV and XVI styles as well as pieces of his own modified eighteenth century design. The exhibits in 1878 included a table entirely in gilt bronze, purchased by Lord Dudley. Martin Carlin (ca 1730 – 1785) was a Parisian ébéniste, born at Freiburg, who was received master at Paris in 1766. Carlin worked at first in the shop of Jean-François Oeben, whose sister he married. He set up independently in the Faubourg Saint-Antoine, an unfashionable quarter of Paris, where few of his wealthy clientele would have penetrated. Carlin sold his works exclusively to marchands-merciers such as Simon-Philippe Poirier and his partner Dominique Daguerre, who acted as decorator-designers. It was only through these entrepreneurs that Carlin could acquire the Sèvres Porcelain plaques that decorate many of his pieces. His earliest such pieces are datable by the marks on their porcelain to 1766; they followed designs supplied by the dealer Poirier. Although Martin Carlin made some larger pieces— secrétaires à abattant (drop-front secretary desks), tables, and commodes— he is best known for refined small furnishings...

Painted Louis XVI-style commode with a rectangular marble top over three stacked drawers adorned with their original brass moldings, neoclassical drop bail brass handles, flanking ri...