Bronze Case Pieces and Storage Cabinets

This monumental Boulle commode was crafted by Robert Blake, one of the finest and most important English cabinetmakers of his time. It is modeled after the legendary pair of commodes...

Opulent French mahogany bibliotheque style bookcase cabinet crafted in the Napoleonic French empire taste. Constructed on a grand scale the cabinet features three pairs of storage do...

This totally refurbished Louis XV-style features an ormolu-mounted top inset with a glass panel. The lockable top opens on three hinges, revealing a sumptuous interior lined with pi...

A Fine Pair of French 19th-Century Louis XV-style Marquetry and Gilt-Bronze Mounted Meuble d'Appui Side-Cabinets with marble tops. Each single-door satinwood veneer side cabinet is c...

A French Louis XVI Style Sideboard in Maison Jansen Fashion. This stunning bronze mounted credenza, sideboard sports a fine Breche marble top and bronze trim throughout. The case hav...

Superb inlaid bookcase / vitrine / showcase with very thick marble top, feet decorated with bronze and double mesh door. 3 shelves present. In excellent general condition. Key present, the lock works perfectly Louis XV style and period, France, 18th century, around 1750. By the cabinetmaker Pierre Garnier...

Italian cabinet on table. Walnut and rosewood, hawksbill, bronze in color and gilded, 17th century. Sample desktop pool located on ball and claw with handles on the sides. The front...

Great coin dealer Maria Antonieta, 20th CENTURY Private Collection Domenico Rugiano

Large library bookcase with a pull-out slide, a two-door lower section, and two drawers. The upper section has two glazed doors with arched glazing bars. The glass is textured, with...

This exquisite French sideboard, attributed to the legendary cabinetmaker François Linke, showcases the artistry and refinement of late 19th to early 20th century Parisian craftsmanship. Expertly constructed, the piece features a rich mahogany and kingwood veneer with intricate floral marquetry inlay, framed by gilt-bronze mounts of exceptional quality. The central panel highlights a beautifully detailed urn overflowing with flowers, tied with a ribbon motif, epitomizing the opulent Louis XVI revival style. What truly distinguishes this sideboard are the doré bronze figural mounts—graceful classical maidens adorn each corner, lending elegance and sophistication to the structure. The bronze ornamentation is finely chased and gilded, reflecting the meticulous attention to detail for which Linke was renowned. Topped with a luxurious marble surface, the cabinet provides both functionality and artistry, making it an outstanding addition to a dining room, salon, or collection of important French furniture. François Linke (1855–1946) is celebrated as one of the greatest ébénistes of the Belle Époque, and this sideboard captures his signature style of combining neoclassical tradition with refined artistic innovation. A rare and important piece, this sideboard is ideal for collectors and designers seeking museum-quality furniture...

Empire period chest of drawers from France featuring a striking Cuban mahogany burled veneer. This piece has three drawers, all with original gilt bronze hardware and pulls. There ar...

High-rectangular, one-door, curved and three-sided glazed corpus. On curly feet scalloped out. Inside life with orig. Velvet covered and two entrances. Mirrored back wall. The displa...

The Stacked Dresser celebrates Paul Frankl’s iconic mid-century design philosophy, merging bold architectural form with refined craftsmanship. Each piece features oversized drawer fr...

19th Century Marble Top Bronze & Plum Pudding Mahogany Cabinet By L. Cueunieres Dimensions : 32.5" Wide X 54" Tall X 16" Deep This cabinet was made in Paris in the third quarter o...

Shown in oxidized walnut and blackened steel with integrated Bocci 22system outlets (15amp double outlet linear configuration - wired 120v) The seamlessly welded and hand-detaile...

For your consideration, a Mexico City Hotel Reforma Custom design attribution Arturo Pani for Muller of Mexico. Bronze Credenza with patinated Brass Sheets of Bronze Elegant Eglomis...

A late 18th Century, single antique Danish Gustavian pedestal cabinet made of hand crafted painted Oakwood designed and produced most likely by Caspar...

Wooden sideboard with Maxima carved flap doors and structure covered in liquid metal bronze. Legs with liquid metal finish and top in Gris Vigné marble. Equipped with 2 internal and ...

A palatial and superb early 20th century gilt bronze Mounted Louis XVI style Mahogany Vitrine by François Linke François Linke The arched top with scrolled corners and centered by a laurel wreath and crossed acanthus branches, above a central large door at top by a lyre on drapery-covered plinth, flanked by scrolling acanthus, with a smaller door to each side hung with floral swags and with central oval plate, the divides cast with a slender flower-filled vase, the interior with adjustable shelves and drawers to the bottom, on shaped foliate-cast plinth and acanthus-capped tapering feet. Inscribed F. Linke to the top right bronze mount and stamped “C LINKE” on the back of the locks. Linke was born in Pankraz in Bohemia and was celebrated by the French as one of the greatest ébénistes of meubles de style at the turn of the century. He began his apprenticeship with a Bohemian master at the age of thirteen. Four years later, he toured Austria, settling and working in Vienna for two years. Linke arrived in Paris in 1875, and by 1881 he had established his own small workshop at 170 rue du Faubourg St. Antoine. Taking 18th century styles as his starting point and adapting earlier styles to contemporary taste, Linke produced fine quality furniture, steadily expanding his business during the next 20 years. He firmly established his reputation after receiving a gold medal at the Paris Universal Exhibition of 1900 for his extraordinary Grand Bureau. He continued to use international fairs as a means of exploring new markets, exhibiting at the 1904 World’s Fair in St. Louis, the Liege in Belgium and the 1908 Franco-British exhibition in London. Linke’s highly original designs sprang from the Régence and Rococo styles but were imbued with something quite new – Rococo curves were laden with gilt-bronze sculptural mounts in the tradition of A.-C. Boulle (1642-1732) or Charles Cressent (1685-1758). Stylistically, the new designs still adhered to the Rococo; the novelty, however, was Linke’s fusion of the Rococo with the liveliness and the fluidity of the ‘art nouveau’. The Revue called Linke’s creations entierement nouveau, and continued to say that ‘Linke’s stand...

This art deco era display cabinet, circa 1930, was made in Paris by LENA at 160 Rue Oberkampf. Constructed from brass and mahogany, it features a large glass door that opens to revea...

Exceptional Raphael bookcase in his signature Béka lacquer finish, a technique he championed that gave the lacquer an ombré appearance; it rests on gilt bronze legs, Signed on a bras...

AMAZING NAPOLEON III CABINET 19th Century French, 19th century in ebonized wood, gilded bronze applications "caryatids, masks, allegories and vegetal motifs". Box with two doors, in...

By employing ever-more complex techniques, wedding rare species of wood and precious metals in novel arrangements, and endowing each piece with incredible components, Jean-Luc Le Mounier creates work, astonishing and seductive in equal measure, that pushes the frontier of his craft into the realm of art. This exciting exploration is perhaps best-evidenced by Papillon pieces, Le Mounier’s series of inimitable cabinets, all rendered by his expert hand, and featuring doors carved into the shape of a butterfly’s wings. This particular iteration features wings covered in black straw marquetry, a delicate inner gate wrought of antiqued bronze, and a sumptuous interior of lemon ceylon wood.

Lovely Biedermeier nightstand or commode featuring four roomy well‑proportioned drawers. The top drawer is deeper, set above three smaller, evenly sized drawers. Framed by elegant ...

Louis XVI, Hollywood Regency, Commodes, Black Painted Wood, Bronze, Marble Pair of traditional Louis XVI style cabinets in the manner of Maison Jansen. Each example featuring three ...

Logistics and International Shipping We provide a comprehensive export service so that your only concern is enjoying your acquisition. • Door-to-Door Service: Pieces located in our Argentina galleries are shipped directly to your address via air freight. • Simplified Customs Management: We handle the processing of export permits and the payment of customs duties. You will receive your purchase without additional paperwork or surprise costs. • High-Security Packaging: Following FedEx international standards, each piece is protected in custom-made wooden crates, designed to withstand 1-meter impacts and ensure the integrity of the object during transit. • Note for shipments to the USA: To comply with shipping company regulations and ensure delivery at the destination, a valid tax ID (EIN, SSN, or ITIN) is required. • Domestic US Shipping: For those pieces available in our United States storage, logistics are managed through 1stdibs. Personalized Restorations Our team of expert artisans offers restoration services tailored to your aesthetic preferences and design needs: • Cabinetry and Polishing: We perform polishing work on woods, allowing for transitions from light to dark tones (including deep black finishes). • Upholstery: We reupholster chairs and armchairs with fabrics or leathers of your choice, guaranteeing a high-quality finish. • Lighting: We adapt ceiling lamps by shortening smooth rods to adjust them to the height of your rooms. • Metal Treatment: * Restoration of chromed or silver-plated bronze pieces to their original state. o Chroming or silver-plating services for bronze objects. Personalized Quotes: We would be delighted to advise you and provide a quote for any intervention according to your personal taste. Eugenio Quarti (Desk , chair and Trash ) Style: Liberty or Art Nouveau or Modernism or Jugendstil Furniture realized mainly in inlays of nacre and metallic applications, parchament bronze ferrules. We have specialized in the sale of Art Deco and Art Nouveau styles since 1982.If you have any questions we are at your disposal Pushing the button that reads 'View All From Seller'. And you can see more objects to the style for sale. Eugenio Quarti was born in Villa d'Almè, a small village in the province of Bergamo, from an artisan family of woodworkers. In 1881, at the age of 14 years old he goes to Paris, where he will learn new techniques and broaden his horizons. In 1886, he returned to Italy and settled in Milan where he worked, for a short period, with Carlo Bugatti and then open his own workshop in via Donizetti 3. His early works are strongly marked by Bugatti Moorish’s style, but already the exhibition of Turin of 1898 you can see the first signs of Art Nouveau and his personal style. He was always attentive to the quality and originality of his accomplishments, always attentive to every art form. Furniture realized mainly in walnut with inlays of nacre and metallic applications. Develop over time a harmonic elegance of the decor, with thread-like grounds, valuable wood species and inlays and high quality bezels with fine materials (nacre, silver, copper, bronze, pewter, etc.), this characteristic was called "the goldsmith of furniture makers." In 1900 he participates at the Paris International exposition where he received the "Grand Prix" of the jury. Will participate in a number of other exposures as that of Turin in 1902 and Milan in 1906 where he will receive the "Grand Royal Award" and the "Diploma of gold medal". Eugenio Quarti worked with the most prestigious architects of his time (Giuseppe Sommaruga, Luigi Broggi, Alfredo Campanini, etc.) well as with the great artists/craftsmen of his time as Alessandro Mazzucotelli. He also worked as a decorator, designing entire furniture for both public and private buildings. It was he who designed the furniture for Palazzo Castiglioni in Milan, Villa Carosio in Baveno, Grand Hotel and Casino in San Pellegrino Terme, Hungaria Palace Hotel in Venice Lido. One of his most significant works were the vessels of the "Bar Camparino", at the entrance site of the Galleria Vittorio Emanuele in Milan. however not disdain also committed less important such as the furniture for Villa Mariani to Bordighera residence of the painter Pompeo Mariani...

Louis XV style bombe secretary inlaid marquetry, Ormolu Mounted. Signed Henry Dasson. This 19th century bombe tulipwood secretary is built with superior craftsmanship and intricate ...

An exceptional pair of antique Victorian or Renaissance Revival sideboards, credenzas, or bar cabinets Attributed to R.J. Horner & Co. USA, Circa 1880s Quarter sawn oak, with orna...

A pair of French gilt bronze mounted red lacquer chinoiserie cabinets, attributed to Maison Jansen, Paris, circa 1925. Each cabinet is ...

A fine quality Italian modern chest of drawers designed by famed architect and designer Carlo de Carli (Milan, Italy; 1910-1999) for luxury furniture maker Sormani, model D154, circa...

A Truly Magnificent 19th century Secre´taire a` Abattant by Maison Rogie´ of Paris After the original in the Wallace Collection, London, made in 1777 by Pierre-Antoine Foullet Con...

Dimensions: 33.25 inches high x 49 inches wide x 21 inches deep Magnificent, richly detailed, and unmistakably French, this antique Louis XV Style bronze ormolu mounted commode embo...

Solid bronze shelf by Jacques Théophile Lepelltier. Elegant, clean lines. Half-moon shaped uprights mounted on two slender frames. Often attributed to Jacques Quinet, Lepelltier's de...

An exceptional antique or Renaissance Revival sideboard, credenza, or bar cabinet Attributed to R.J. Horner & Co. USA, Circa 1880s Quarter sawn oak, with ornate carved figures, go...

This mid nineteenth century French Louis XVI style mahogany vitrine or display case features its original hand blown glass on each side and in both doors. The piece is capped with a ...

Our custom blossom linen cabinet by Ercole Home is a two-door, six shelf, luxury storage cabinet. Where to begin, the exterior of this piece is covered in our bright, fun, and colofu...

Louis XV style chest of drawers with wood marquetry, decorated with gilt bronzes. It is decorated with marquetry of branches and flowers in different wood set in gilt bronze rocaille...

This elegant French 19th-century Louis Philippe secrétaire is beautifully crafted in richly figured burl walnut and crowned with its original black marble top. The fall-front writing...

A French 19th/20th Century Louis XV Style Gilt-Bronze Mounted Kingwood, Amaranth, Satinwood and Tulipwood Bois Satiné and Bois de Bout Floral Marquetry Two-Drawer Commode of bombé serpentine...

Pair of Northern Italian (late 18th Century) Neo-classical walnut and marquetry inlaid gilt bronze mounted commodes with 3 drawers (in the manner of GIUSEPPE MAGGIOLINI) (PRICED AS P...

This striking Mid-Century cabinet features a rich, warm wood veneer arranged in an elegant chevron pattern across its front. A tall mirrored panel on the left adds both function and ...

Amuneal's Collector's Charred Pine Bronze Clad Wall Hanging Credenza is supported by our traditional collector’s shelving hardware in a warm bras...

A beautiful antique French Empire or Victorian bookcase or display cabinet In the manner of Herter Brothers USA, Circa 1890s Carved mahogany, with glass front doors, and mounted b...

An Exceptional Matched Pair of Late 19th Century Gilt Bronze Mounted Louis XVI Style Parquetry Commodes/Night Stands By Maison Millet Theodore Millet after Jean-Francois Leleu The ...

Defined by pure geometry, this bar cabinet is as functional as it is sophisticated and will elevate any dining room with its bold colors and modern lines. The red china polyurethane ...

Dimensions - H: 33 in W: 32 1/2 in D: 17 in This exquisite mid-20th century Louis XV-style commode features a beautifully crafted marble/granite top and two spacious drawers, blendi...

French Victorian walnut buffet cabinet with bronze mounts and 4 doors below 4 drawers with a "D" shaped brown marble top.    

Remarkable Louis XVI style rolltop writing desk with marquetry latticework pattern. The front of the desk features six drawers. The rolling cover is embellished with a beautiful marquetry medallion surrounded by ormolu garlands. It opens to reveal six small drawers and an extendible writing surface covered with brown leather and framed with gold-colored motifs. The central drawer under the cover has a secret opening underneath, that can be opened by pressing a button. The top of the desk is bordered with an openwork frame. The sculpted, gilt bronze ornamentation features a bas-relief frieze of cupids playing and an allegory of Sculpture. The desk is set on four tapered legs. Attributed to Beurdeley, one of the most important dynasties of furniture makers in the 19th century (1818-1895), particularly famous for the quality of their gilded bronze frames and the choice of precious materials for the ornamentation of their furniture and objets d'art. This piece was created in the 19th century after a rolltop desk delivered on December 21, 1784 by Jean Henri Reisener...

A pair of French Vernis Martin style painted commodes, each having marble tops over single doors with pained scenes framed by bronze mounts. Painting signed A Mancini and Kaufman. Su...

A historic design from Promemoria, the Amarcord Credenza was inspired by the 1975 Federico Fellini film of the same name. Designer Romeo Sozzi drafted and created the modular cabine...

A fine French 19th-20th century Louis XV style Kingwood and ormolu-mounted single-door Vitrine, the demilune shaped cabinet with and arched bonnet, molded trim above a bombé glazed d...

The rectangular top with rounded corners and a mirror top, mounted with an oval foliate decorated swivel bronze surmounted by a floral wreath and ribbon knot, raised on reeded legs j...

French 18th-century Empire-style bleached walnut commode, featuring a simple architectural form, three drawers, columnar sides, and original gilt-bronze decorative mounts. The beauti...

19th Century French Louis XVI Marble Top Display Buffet is a remarkable example of the cabinetmaker's art! Hand-crafted from dense, old-growth oak and given a lovely walnut finish, ...

An exceptional French Louis XV commode, finely crafted and stamped by Léonard Boudin, ébéniste to the King of France, and one of the most celebrated Parisian cabinetmakers of the 18t...

Charles- Boulle style ormolu-mounted tortoiseshell engraved brass and ebony finish desk. Center or parlor table with serpentine-shaped top, inlaid with foliate brass scrollwork...

An alternation of rounded shapes and geometrical lines, reassuming discipline and freedom, a composite, multiethnic plan in which each component and each material contributes to the ...

An enchanting and highly desirable pair of French Louis XV style bombé nightstands, or petite commodes, circa mid-20th century. The epitome of French romance and exquisite craftsmans...

Gustavian chest of drawers in oak with an off-white finish and beautiful patina. The chest features three spacious drawers with brass handles and escutcheons. Beneath the top is a d...

"Segment Étagère” a sculptural work in torch-cut and polychromed steel with fused bronze, solvent dyes, and glass enamel, with four glass shelves. By American artist James Bearden. The rectangular étagère, with its dramatic yet delicate composition and juxtaposition of shapes and colors drawn from Bearden’s evolving vocabulary, is perched atop four slender legs. Bearden's work was featured in a 2020 solo exhibition at the NY Design Center titled "James Bearden: Technical and Aesthetic Revelations," in an article in the January 2017 Interior Design Magazine; in an introspective feature on 1stdibs; and in a feature article in DSM Magazine. The étagère is part of a group of case pieces being offered individually--see the photo of three cabinets below. Custom sizes and colors are available upon request. In an introduction to the 2020 exhibition, curator Kartrina Weinberg wrote: "In the two years after the artist’s last solo exhibition — where the material reality of steel was evident in both its title and monochromatic appearance — Mr. Bearden sought to break free from pre-conceived judgment of his medium, as well as the persistent misnomers applied to his art. While subtle color play has always existed in his previous works, the development in his coloring technique — from painted polychrome to dyed glass enamel — allowed for dramatic saturation and stunning complexity in his new palette, bringing heightened immediacy to his biomorphic and anthropomorphic imagery. The artist had always challenged the gravitational reality of steel, but he has found new expressions towards verticality and delicacy, transcending material and elevating function. The open compositions, ranging from ornamental tracery to dynamic use of negative space, allow for the interplay of light and air, animating the environment with ever-changing viewing possibilities. This exhibition took inspiration from the naturalist traditions and fantastical imagery of Early Netherlandish paintings...