Early 19th Century Octagonal Centre Table

Antique 19th Century Mahogany Octagonal Drum Counting Table – Fine Quality Games Table An early 19th-century octagonal drum counting table crafted from mahogany with softwood carcas...

A very fine 19th century marquetry inlaid bird’s-eye maple desk or library centre table, finely carved, ormolu mounted, line inlaid and cross banded throughout and of gorgeous quality with beautifully rich patination and fine grain. The moulded, crossbanded top of serpentine form is embellished with stunning marquetry detail of scroll, foliate and flower head motifs with a cartouche to the central reserve and trimmed to the outer border with ormolu flowerhead detail. Raised over shaped single drawer frieze with centred finely cast...

A good centre table by Johnstone & Jeanes of London   Constructed in amboyna, with extensive marquetry inlays in specimen woods, and enhanced with parcel-gilt highlights. Rising from a cruciform platform base adorned with knops and having concealed castors, supporting the inlaid, and gently stepped and tapering centre column with stylized 'c' form brackets bracing the octagonal top, the outer guard band having English roses inlaid at the angles, with foliates with the national emblems of Scotland and Ireland, thistles and shamrocks. Stamped by the makers to the underside, 'Johnstone & Jeanes 67 Bond Street'. circa 1845 Published in “British Furniture 1820 to 1920” by Christopher Payne, 2023, p. 131, illustrated fig. 3.21. Johnstone, Jeanes & Co John Johnstone of Bond Street came to prominence after his collaboration with Robert Jupe, an 'upholder' of 47 Welbeck Street, Cavendish Square, London, who patented a remarkable design for a circular expanding dining table with a segmented top in 1835. After Jupe's death, the firm traded as 'Johnstone and Jeanes' from 1842 until 1880, having moved to 67 Bond Street and continuing the tradition of producing high quality furniture. After 1880, the company was re-named Johnstone & Norman. They exhibited at the Great Exhibition 1851, The International Exhibition of London in 1862, and The Paris Exhibition of 1878. Both the Royal Collection Trust and the Victoria & Albert Museum own stamped pieces of furniture in their collections. The company of Crace were designers and decorators to the Royal household from 1768 until 1899, working for every monarch from George the Third...

19th Century, Italian Inlaid Wood Centre Table by Luigi and Angiolo Falcini This valuable center table in rosewood veneer and inlaid, was ma...

Early 19th Century Dutch Marquetry Writing Table with Inlay. Stunning example of marquetry craftsmanship with turned legs and inlay on the stretchers. Desk has a single drawer.

An enchanting early 19th Century Swedish simulated Amboyna centre, having this hand carved pineapple pedestal and supported by three Doves to the base. Circa 1820-40 Batch 81 C/C

A superb quality freestanding early 19th century Chinese marble top side / centre table, the rectangular top inset with a rouge marble panel, the hardwood border of the top profusely...

An unusually large desk, even suitable for two working spaces at a time. The rounded rectangular top with a tooled black leather writing surface above four frieze drawers, two to eac...

This unusual 19th-century centre table is crafted from Goncalo Alves, a type of rosewood, and features a circular tilt-top along with a turned baluster stem. The table is elegantly s...

French Empire Bureau Plat of Stately Size, the top inset with a dark leather writing surface surrounded by a stenciled gilt border, the frieze containing a center drawer flanked by s...