Bits of Wood Coffee Table by Pepe Heykoop

In the industry lots of material is wasted. After finding out over 25% of any leather skin ends up in leftovers I was inspired to create the Skin Collection...

The soft oak chair keeps a little secret under a mosaic of wood. Both the seat and backrest are covered with a wooden upholstery merging the object into one. Year 2010. Material: ...

Every day, millions of cardboard boxes are emptied of their contents and relegated to the recycle bin. In Pulp, they are used to form a new coat for an o...

This chair and chandelier that look like a child had dreamt them up, are playful iterations of the most humble and the most grandiose pieces of furniture in existence. The toy bricks...

Ripped Wood Table by Willem Van Hooff Handmade Dimensions: W 38 x H 68 cm (Dimensions may vary as pieces are hand-made and might present slight variations in sizes) Materials: Wood. ...

In the series of functional objects entitled 'BRUTALISTA', the designer takes over the tool from the craftsman, more specifically, the handsaw. One sheet of timber-based material and...

Arte coffee table by Jean-Baptiste Van den Heede Signed unique piece Dimensions: L 114 x D 37 x H 42 cm Materials: poplar root wood Design tables from the ARTE collection in wa...

These low table is a very special Matthias Biberon work, in Japanese Cedar and Oak. All joints are visible is the artist's signature in the pure Japanese influence of Mingei thought and Wabi Sabi. This is the beauty of the everyday object, one whose details we never tire of rediscovering. Matthias Biberon (Paris, 1977) lives and works in Perche (Normandy / France). He began working with wood in 2019, leaving behind photography and ceramics, which he had practiced successfully for many years. In wood, he finds the pleasure of imagining shapes and building them, with a combination of both naivety and attention to detail, and a freedom that neither conceptualism nor ceramics had given him. His furniture is organic, respecting the original shape of the wood and following its knots and veins. The search for balance and precision is one of the cornerstones of Matthias's work. Carefully sourced, the wood types used - Oak, Elm, Cedar, Walnut - have been dried for decades, giving them an unrivalled patina. His trademark? Visible construction and the blending of materials, with stone a natural addition to his creations; for each of them, he seeks a form of balance, purity and softness, a functionality that is both poetic and sculptural, the simplicity and force of a haiku. Passionate about art, it was while progressing towards Arts & Crafts that he embraced the aesthetics of functionalism, Mingeï and the thinking of William Morris. He is sensitive to the Arte Povera of Jannis Kounellis and Giovanni Anselmo, the Zen influence of John Cage, the freedom of Don Cherry...