Copper and Bronze Patchwork Box Coffee Table, circa 1970s

Bamboo coffee table Patchwork pieces Italy, 1970s.

French faux bois coffee table with inlayed top of patchwork horn, circa 1970s. Overall height 17.25", surface height 16.5".

Fun pair of round coffee tables with a drop center. The tops are covered in sheet copper with a patinated effect and nailhead trim, and the...

American Mid-Century Modern Copper and Brass Patchwork Coffee Table, Paul Evans

Patchwork brushed aluminum coffee table, 1970s Europe. Square coffee table with aluminum patchwork top and black laminated base. Graphic design due to switching the brushed grain. De...

Paul Evans Patchwork Coffee Table w/Slate Top 1970s. Patchwork is made up of patinated copper, pewter sheeting and enameled steel. ...

Beautiful Maitland-Smith large square coffee table on square legs, entirely covered with patinated copper patchwork tiles attached by nails. In the style of mid-century modern sculpt...

Wonderful patchwork coffee table by the iconic Paul Evans. This table is comprised of welded copper, bronze and steel. Evans designed this table for Directional in the 1970's. This t...

This Brutalist coffee table is made in a style reminiscent of designs by Paul Evans. It was manufactured in Belgium, circa 1960. The table base is composed of cast aluminum with a ro...

Looking for a coffee table that’s more than just furniture-- well this is a functional work of art. This Paul Evans original is a stunning example of mid-century artistry with a flair for the unconventional. Handcrafted from a mesmerizing patchwork of patinated copper, enameled steel, and pewter sheeting, this table brings together materials and textures in ways that no two tables are alike. And then there’s the slate top—thick, heavy, and sitting flush in its groove like it was meant to be there from the beginning of time. While there are other examples of this coffee table floating around the collector's universe, let me tell you: they’re not all created equal. Many show signs of over-polishing or even sanding, stripping away that rich, sought-after patina that true collectors drool over. But this example? It’s the gold standard. The patina has aged to perfection, offering a rich variety of tones, textures, and colors that dance across the surface. Every corner reveals a new surprise. Yes, the slate top has a few rough edges, but let’s be real—that only adds to its character. And the best part? The slate fits so perfectly into its base so snug you'd be hard pressed to squeeze a sheet of paper between them. Now, let’s talk about the man behind the magic—Paul Evans. Born in 1931 and passing away in 1987, Evans was a driving force in the American Craft Movement. He pushed the boundaries of furniture design, turning traditional techniques on their head and creating pieces that were part sculpture, part functional art. His use of metal, especially in his iconic Cityscape and Sculpted Bronze series, made him a trailblazer of mid-century modernism and brutalist design. Evans started his career working with metal in a tiny shop in New Hope, Pennsylvania with his pal Phillip Lloyd Powell—just down the road from fellow American Craft legends like George Nakashima. But Evans didn’t stop with wood and craft traditions. Instead, he worked with metal in ways no one else was doing, blending industrial and handmade aesthetics. Every piece was unique, handmade, and bursting with Evans' signature rough-hewn, heavily textured style. His work, especially these patchwork metal tables...