Fine Pair of Georgian Painted Demilune Pier Tables

A pair of exceptionally elegant and important late Empire five-light figural candelabra ‘A la Victoire’ in gilt-bronze, attributed to Pierre-Philippe Thomire, after a design by Charles Percier. Imposing size at 81cm in height. French Paris c.1820 Superbly cast, in the Neo-Classical style, the five scrolling foliate candle branches enclosing central sconces issuing from a circular wreath supported by the winged figure of Victory (Nike), wearing diaphanous robes gathered by a sash above a long underskirt splaying out from above her ankles, with beautifully feathered wings flowing behind her as she looks straight ahead. Each figure standing on one foot, the other bent, resting on a plain sphere over a reeded palmette-cast baluster pedestal raised on square plinth. Wonderful colour and patina, pierced for electricity, old inventory label to the underside. We are delighted to have been able to acquire these important candelabra as rarely does one get the opportunity to purchase items by P P Thomire...

An extremely elegant, rare Regency amboyna and brass inlaid gilt bronze mounted pier table. Provenance Part of Sir William Whitfield Collection. English Regency period, Circa 1815. The raised back with open shelf, surmounted by a pierced anthemion three quarter brass gallery above a rectangular mirror plate, flanked by gilt bronze pierced foliate scrolled supports, over a finely coloured amboyna and banded top above cut brass inlaid frieze drawer decorated with anthemion and flower head motif. The dual tapering scroll supports with palmette lappet surmounts and cut brass inlay terminate on gilt bronze claw feet, flanking a later large mirror plate to the rear, raised on a inverted breakfront plinth base edged with gilt bonze beading. Formerly in the collection of Sir William Whitfield. This elegant Regency pier table is a superb example with its fine quality mounts and distinctive amboyna veneers which are rarely found on furniture of this period. The condition is excellent, having the most wonderful colour and patination to the finest cuts of amboyna that would have been available, during the early 19th century this veneer was thought to be worth more in its weight than gold. This table would have almost certainly been especially commissioned, further research maybe undertaken to find a comparative example and insight to a potential maker. As such pieces in amboyna are far rarer, an example of pier table has yet to be found, but an amboyna sofa table with extremely similar brass inlay and form can be seen in Clifford Musgrave’s book Regency Furniture, published by Faber and Faber in 1961, plate 63. It is from the Royal Collection and the caption includes ‘made about 1816 for Clarement,’ (Claremont) ‘ Esher, Surrey, home of the Princess Charlotte...

An impressive and opulent mahogany console table inspired by the Rococo designs of Matthias Lock having a simulated marble top. Probably English circa 1930-40. This exuberantly c...

A Fine Matched Pair of 19th Century Italian Scagliola Columns in Imitation of Siena Marble, of Excellent Quality, Colour and Proportion...