Chromcraft "Unicorn" Chrome Base Sculpta Extending Dining Table, Faux Walnut

Stretching from an elegant 62 inches (157 cm) to an expansive 98 inches (249 cm) with the inclusion of three seamlessly integrated 12-inch (30 cm) leaves, this Drexel Profile Model K...

Exuding bold elegance and unapologetic mid-century charm, this four-piece dining ensemble encapsulates 1970s modernist glamour. A quartet of sculptural Daystrom “scoop” chairs—sinuously molded and deeply tufted—embraces the body while radiating visual sophistication. The chrome frames, sleek and polished, arrest the light like metallic sculptures set into motion. Upholstered in a deep black tone that flirts with velvet’s lushness and vinyl’s sheen, the chairs merge comfort with refined edge. Nestled atop tapered tubular legs, the seating invites extended evenings of conversation or repose. The generous waist of the scoop offers a gentle cradle—accentuated by tuft details that lend rhythm and tactility. These chairs are as much about presence as purpose: they beckon touch and draw admiration with their architectural silhouette. Balanced against them is a companion dining table exuding a strong modernist pedigree. A sleek smoked-glass hexagonal top rests atop a refined pedestal base, with curved chromed steel branches that bloom outward in sculptural finesse. The glass’s smoky surface softens the brightness of polished metal, creating an interplay of shadow and reflection that shifts with each angle. Together, the set unfolds like a scene in motion—the chairs poised as silhouettes around an arresting glass bloom—inviting you to inhabit them, to dine, to linger in their embrace. Daystrom, established in the mid-20th century, earned acclaim for stylish, well-crafted furniture that transformed chrome and glass into enduring design statements. The tactile grace of these chairs reflects that legacy; they are comfortable, sculptural, and thoroughly resilient. This set is not mere furniture—it is a bridge between 1970s postmodern allure and timeless design integrity. Ideal for collectors and stylists alike, it promises to elevate any space with its kinetic presence, formal ingenuity, and emotive charm. We are pleased to present this swanky dining set. This combo is everything we love about the 1970s aesthetic in one package! The chairs are by Daystrom and the table by Bassett Mirror Company.. Both companies have brought us some fabulous designs in the mid-mod period, and this marriage falls right in line with that legacy. 70's glam meets futuristic modern in this four seat dinette set. The table base is crafted curved tubular chromed steel in a unique and captivating flowering lotus pedestal style. The smoked glass hexagon top is dripping with swag on top of the hand-polished chrome glimmer. This gently used table still has its original hang tag and bumpers for the glass. The deep tufted scoop chairs...

An architectural marvel in living form, this Cocobolo rosewood dining table by Don S. Shoemaker for Señal, Mexico, commands attention as both functional object and sculptural statement. The table’s resolutely modern silhouette—its geometric facets crafted from staved Cocobolo slats—reveals a painterly interplay of deep chocolate tones and fiery grain, each plane aligned to celebrate the wood’s inherent drama. The hexagonal—or subtly offset—top appears as if carved from a single, shifting block, perched atop a dynamic pedestal that seems to defy gravity with its angular geometry and counterbalance. Lovingly restored by in-house artisans, the surface bears a seamless patchwork of rosewood that evokes the finest parquetry, each segment chosen for contrast and continuity. Its pedestal—masterfully hollowed to allow surprising lightness—locks effortlessly into place with an ingenious rail-and-notch system, free of bolts or screws, ensuring both stability and ease of placement. This piece exudes the charisma of mid-century Mexican modernism, where brutalist intensity meets refined craftsmanship. Measuring approximately 96 inches in width by 53½ inches in depth and standing 30¼ inches high, it offers an expansive platform without overpowering space—a stage for grand conversation or quiet majesty. Don S. Shoemaker, born in Nebraska and educated at the Art Institute of Chicago, found his true creative voice only upon settling in Mexico after his honeymoon. There, amid the luminous landscapes of Michoacán, he founded Señal S.A., turning tropical hardwoods into modernist treasures. His Diamond Line and “Z”-shaped forms, constructed in cocobolo and other precious woods, remain a rare and influential chapter in 20th-century design. Wanna be a bond villain in real life? Well here's your chance. Certain pieces just command respect and deserve appreciation for their flawless design. "WTF?" is typically the first thing uttered when people see this on our showroom floor. A literal jaw-droppper, regardless of whether installing as a dining table, desk or conference table. Lovingly restored by our in-house cabinet shop, this cocobolo wood table by Don S. Shoemaker is a rare find. Geometry and brutalism intertwine to form an architectural masterpiece of function and form. Staved slats of offset cocobolo form a brilliant patchwork that covers every visible inch of both the top and bottom sections. The grain and color tones vary in each slat to create a stunning visual contrast throughout. The pedestal and top separate easily without any screws or bolts. The table top has a grid-work of rails underneath that sink into corresponding notches on the base. The base is brilliantly assembled with a hollow interior to keep the weight to a minimum. This massive construction is surprisingly totable, without compromising rigidity or stability. Although we're uncertain on the production quantity, the total number is probably quite minuscule. Tagged with its original label and numbered #6 in several locations. About the designer: Furniture designer Don Shoemaker was born in Nebraska to an affluent family. During the 1930s, he studied at the Art Institute of Chicago. In the late 1940s, he married and subsequently, on his honeymoon, fell in love with Mexico. He loved the country so much that later in the 1940s, he moved to Mexico with his wife. Shoemaker lived and painted in a town called Santa Maria de Guido, overseeing the City of Morelia in Michoacán. Don and his wife Barbara lived in harmony with nature, growing many rare plants in their greenhouse. Don became inspired by the tropical woods of Mexico and began to manufacture furniture from these precious timbers. What began as a small factory in the late 1950s became known as Señal S.A and grew to where Don employed more than a hundred skilled artisans. Soon he became an important figure in the economic and cultural life of his adopted town. Señal S.A brought new wealth and an economic boost to the town, and Dom was known for his warm and charitable heart. The furniture designed for Señal S.A by Don were modern interpretations of traditional Mexican furnishings. Many of his iconic designs were inspired by traditional Mexican woodwork. The pieces made from Cocobolo, a Mexican rosewood, and other precious woods were highly sought after. The furniture was exported to showrooms in Chicago, Los Angeles, Houston, and large Mexican cities. His designs were liked very much by wealthy Mexican families...

Imagine a dining table that elegantly adapts to both intimate and grand gatherings—a sculptural embodiment of mid-century modern ingenuity. This expanding, three-leaf table unfolds w...