Lacquered Parchment Solid Brass Edge Trim Square Side Occasional Coffee Table

Square large coffee table from solid brass and parchment, France, circa 1965. Dimensions are 35 x 35 x 17" This elegant table consist of a solid cast brass frame with a large parch...

Mid-Century Modern travertine square coffee table ~ Side table is the perfect choice for a clean contemporary look, and combines the carefree aspects of a solid stone table with the ...

This is a vintage coffee table. A rustic, English, oak occasional or side table in industrial taste, dating to the 20th century. Select cuts of oak display rich hues and fine grai...

Turned by hand and using both solid and veneered timber, the Nicole Occasional Table has a simple but graphically striking silhouette punctuate...

A glass top and brass side table or coffee table designed by Gino Sarfatti and produced by Arteluce, circa 1950. Literature- R. Aloi, Esempi di arredamento moderno di tutto il mondo...

Mid-Century Modern Spanish two tier brass and bronze coffee table.

Fantastic midcentury brass and Formica laminate side table. This wonderful piece is inspired by Willy Rizzo and was designed in Italy in the 1970s. This amazing item has brass fin...

Elegant midcentury smoked glass, brass and chrome squared coffee table. This amazing piece was designed by Romeo Rega in Italy during the 1970s. This coffee table, thanks to the c...

Mid-Century Modern square coffee table featuring a tubular polished chrome frame with brass plated end caps. Top tier has a removable clear glass insert and bottom tier has a removab...

Elegant brass, chrome and smoked glass square coffee table. Romeo Rega designed this elegant coffee table during the 1970s in Italy. The unique combination of straight and pure lines with superb materials, makes this item a go-to for Italian midcentury lovers. This piece smoked glass top will add seductive elegance to a midcentury living room or a studio. Measures (cms): width - 70 depth - 70 height - 40 Romeo Rega is born in Rome on 10 October 1925, third of six children, born and raised in the Trastevere district, in the heart of Rome. In 1943 , at the age of 18, he joins the army as a driver, a position that he holds for the next two years. In 1945, the year of Liberation, he comes into contact with whom he himself calles “the Master”, an excellent blacksmith and forger, from whom he learnes the art of iron. This way he starts his path after his father Piero, also a craftsman. Nine years later he gets married and opens a small shop in Via della Pelliccia, in the Trastevere district. Here he starts to work wrought iron, discovering himself capable of inventing, designing and realizing gates, railings and iron furniture. He is 27 years old when, in 1957, he enrolls in the Albo provinciale delle imprese artigiane (Provincial Register of Craft Enterprises) and opens his first workshop in Vicolo della Frusta 6, where he collaborates with talented masters of wrought iron and forging. At this point arrives the first important order: the design and manufacturing for Cinecittà of the chariots for the American colossal film Ben-Hur, which will be published in 1959. He stays in Vicolo della Frusta until the end of the 1960s, a period in which he dedicated himself to his favorite activity: the design of his own pieces and the relations with people. Among his clients there are personalities from the world of cinema and entertainment, such as Marcello Mastroianni, Renato Rascel and his wife Giuditta Saltarini, Massimo Ranieri. In 1970 he met the filmmaker Massimo Saraceni who encouraged him to broaden his entrepreneurial horizons. The 1970s represent a real revolution for the Italian culture, here start the “golden years” of design. In this roaring context, Romeo manages to apply with creativity the traditional methods usually used to process forging and wrought iron to new industrial materials such as brass, steel and perspex. This is how the famous “Romeo Rega” brand is born, and the serial production of his furniture starts in Vicolo Pian due Torri, in the Magliana district of Rome. The “four-rod” tables, the “Z-shaped” consoles...