
19th Century Mahogany Heart Shaped Display Curio Bijouterie Table
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19th Century Mahogany Heart Shaped Display Curio Bijouterie Table
About the Item
- Dimensions:Height: 30.32 in (77 cm)Width: 20.48 in (52 cm)Depth: 18.12 in (46 cm)
- Style:Louis XV (In the Style Of)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:circa 1890
- Condition:
- Seller Location:London, GB
- Reference Number:Seller: 085721stDibs: LU95069190881
About the Seller
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LAPADA - The Association of Arts & Antiques Dealers
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Condition:
In excellent condition having been beautifully cleaned, polished and waxed in our workshops, please see photos for confirmation.
Dimensions in cm:
Height 87 x Width 87 x Depth 32
Dimensions in inches:
Height 2 foot, 10 inches x Width 2 foot, 10 inches x Depth 1 foot, 1 inch
Directoire
style was a period in the decorative arts, fashion, and especially furniture design in France concurrent with the Directory (November 2, 1795–November 10, 1799), the later part of the French Revolution. The style uses Neoclassical architectural forms, minimal carving, planar expanses of highly grained veneers, and applied decorative painting. It is a style transitional between Louis XVI and Empire.
The Directoire style was primarily established by the architects and designers Charles Percier (1764–1838) and Pier François Léonard Fontaine (1762–1853). In its use of Neoclassical architectural form and decorative motifs the style anticipates the slightly later and more elaborate Empire style, which was introduced after Napoleon established the First French Empire.
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Ormolu - Gilt Bronze (from French 'or moulu', signifying ground or pounded gold) is an 18th-century English term for applying finely ground, high-carat gold in a mercury amalgam to an object of bronze.The mercury is driven off in a kiln leaving behind a gold-coloured veneer known as 'gilt bronze'.
The manufacture of true ormolu employs a process known as mercury-gilding or fire-gilding, in which a solution of nitrate of mercury is applied to a piece of copper, brass, or bronze, followed by the application of an amalgam of gold and mercury. The item was then exposed to extreme heat until the mercury burned off and the gold remained, adhered to the metal object.
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