Edward Wormley Style Side Table

Marble-top side table by Baker Furniture Company.

Cantilevered side table with a glass top and chrome frame.

Bronze and marble-top side table in the style of Gio Ponti. Has bronze tri-pod legs with ball feet.

David Ebner tubular steel side table from renowned American Studio Artist David N Ebner.

Edward Wormley side table for Dunbar. The scarcer form with two-tier tabletop.

Edward Wormley design side Table for Dunbar Furniture, Berne Indiana. Named the "Sheaf of Wheat" table line which was a best seller for Dunbar in the mid to late 1950's. A Travertine...

Stunning table after Pierre Chareau originally designed for the Club-House of the Beauvallon Golf Hôtel in 1928 . The table has a wooden top, supported by a riveted steel base. Completed in 1928, the Club-House of the Beauvallon Golf Hôtel represented the first major commission for Pierre Chareau in collaboration with the Dutch architect Bernard Bijvoet. The white-painted cement-rendered club-house was an asymmetric structure executed in the prevailing Modernist style, and comprised of a kitchen, a bar-dining area, and an open terrace. With the exception of fully-upholstered seating that was reserved for use in the interior, the majority of furnishings expressed Chareau's creative interest in the use of steel and iron for furniture manufacture. These included a variety of occasional tables and iron-framed chairs with woven cane seats, designed for use on the open terrace. This commission was amongst the first to illustrate the intensive working relationship between Pierre Chareau and the metal-worker with whom he exclusively collaborated, Louis Dalbet. In good original condition, some shrinkage to the circular top. Literature: p.92 Pierre Chareau Designer and Architect published by Taschen Provenance: from the collection of Marion Lambert...

Mid-Century modern Melchiorre Bega side table with a carrera marble top, laquered wood pedestal and a three spoke base in brass. Italy. 20th Century. Melchiorre Bega (1898-1976) was trained as an architect and later became a designer. He is known for his well-detailed functionalist, modern designs. Bega rejected the Art Deco style that prevailed during this time. He believed that many small elements would make a perfect whole, his style can therefore be seen as a graceful functionalism. For this reason, Bega worked with specialized craftsmen only. His style developed from the needs of human beings. In his early career, he focused on the renovation of old buildings. From 1923 onwards, Bega designed and co-managed a production factory that was founded by his father Vittorio around 1900. During the beginning of the 1940s Bega was the editor of the famous Domus magazine. Later in life he was the architect of many grand projects such as the Axel Springer...