Canvas Wall Decorations

F. Thomas, "Jungle" Paradise"—Colorful Haitian Naïve Oil on Canvas in Gilt Frame, Haiti, Late 20th Century Painting: 38" W x 28" H Framed: 42" W x 31.5" H A brilliantly composed a...

This is a lovely pair of 19th century hand painted panels in giltwood frames. They are beautifully done with cascading blue and white elements surrounding neo-classical revival urns....

A beautiful, somewhat odd and a little sinister Mid-Century Modern oil on canvas painting featuring a innocent blue eyed boy holding a puppy with a mysterious, almost ominous shadowy...

Pair of Elegant 19th Century Hand Painted French Boiserie Wall Panels. Panels are painted on canvas and later mounted on a board. Framed in simple white wooden frames. Each panel fea...

Rosa Bonheur (1822-1899) Attributed, Oil on Canvas 19th Century French Extraordinary 19th century oil painting, Sheep in a Meadow, signed lower left - Rosa Bonheur -. This small mas...

This is a beautiful antique watercolour entitled "The Music Recital" by Attillio Simonetti (Italian 1843 - 1925)  signed Attillio Simonetti, Roma, bottom right and Circa 1890 in date...

This is a fine Italian school oil on board of the view of the harbour in Venice, dating from the mid 19th century. This finely painted painting captures striking views of a busy har...

This exquisite oil-on-canvas painting by Caroline C. Burnett (1877-1950) captures the timeless charm of Paris. The scene features bustling Parisian streets with passersby, a flower s...

Robert Schwedler (German, 1816-1887) A Biedermeier portrait of a brother and sister, signed and dated 1845 canvas: 13 by 15 ½ inches frame: 17 by 20 inches

Gennaro Villani (1885-1948) Amalfi Coast, oil on canvas in painted and gilt frame, signed lower left. Italy, circa 1920. Dimensions: 27" W x 23" H x 1.25" D; sight 24.5" W x 21" H.

Antique Oil On Canvas Landscape Painting Signed C1890. Measures - 18 7/8" x 15 7/8" x 16".

This is a beautiful antique pair of oil on canvas paintings, one showing the view of the Grand Canal in Venice and the other the view of The Dogana, by the renowned British artist Al...

19th Century Peruvian Cuzo School Oil on Canvas of the Holy Mother holding the Infant Jesus. Painting has been newly framed. The Cuzco or Cusco school was a Roman Catholic artisti...

Alex de Andreis (British, 1880–1929)—Portrait of a Musketeer, Signed Oil on Canvas A richly painted and theatrical oil on canvas by British artist Alex de Andreis (1880–1929), celeb...

French School, 19TH CENTURY, Oil on Canvas - SPANISH GALLEONS AT ANCHOR IN A BAY Canvas size 65 x 40cms. Framed size 77 x 54cms. This painting depicts a dramatic scene of Galleons...

Jules Joseph Lefebvre (1834-1912) first came to Vienna when he exhibited at the Vienna World Exhibition in 1873. In 1879 he became honorable member of the Akademie of Fine Arts Vienna and was called to be a member of the jury of the First International Art Exhibition in Vienna at the Wiener Künstlerhaus in 1882. From this moment on, he exhibited regularly in the Austrian Empire until 1902. In 1882, the Austrian Cultural Ministry purchased his portrait of “La Fiammetta”. In 1895 and 1896, the renowned Galerie Miethke exhibited works by him, the painting “Madeleine” from 1876 among them. We believe that this particular work was to be exhibited at the “III. International Art Exhibition” in the Künstlerhaus in Vienna. The stock book of the exhibition clearly shows the entry in the French section of “Le Febre, Jule”, the name of the work “Lorelei” and the sales price of 35.000 Francs. The fact that the price is very high compared to his colleagues (Henner & Vibert 15.000 Francs) and that the frame for this piece was delivered in a separate box suggests that the work was quite large. It was found in a Villa in Vienna’s 19th district. Not only the frame but also the size and quality of the painting instantly beguiles the beholder. The format and the mythological motif of the “Lorelei” are very much in line with other known paintings by this artist. The composition of the oeuvre is also typical of the works of Jules Lefebvre: a central female figurine in a classic Italian pose, one knee slightly in front of the other. The painted rock in the background is also similar to the actual “Loreley” rock wall in Germany near Koblenz. Another beguiling fact is the model itself: in 1880, Jules Lefebvre discovered a young girl at the Hippodrome in Paris. Her name was Marie-Florentine Roger or Sarah Brown...

"Perseus Rescuing Andromeda" Masterful Old Master Oil on Canvas Painting, Large size, framed. Painting depicts the dramatic scene from Greek mythology where Perseus, the hero, saves ...

Rembrandt Van Rijn (1606-1669) Reproduction GHI.M.A Authorized Measures: Height 57 cm Width 68 cm Technique oil on canvas The company GHI.M.A. certifies that the relief, the app...

A vibrant vintage and dynamic abstract composition rendered with a refined, confident hand. The artist balances bold color fields with gestural precision, creating a sense of motio...

Madonna and Child late 1600s, oil painting on canvas from northern Italy, in good condition, within walnut frame, from a private collection in Milan. The work depicts the Virgin hol...

We are pleased to present this captivating religious painting of the Italian school, painted in oil on canvas in the 18th century. This wonderful painting depicting the Madonna in pr...

A very important painting by the great artist of the Florentine school, Onorio Marinari. Dr. Silvia Benassai has confirmed Marinari’s authorship of the Saint Margaret of Antioch; available on demand, a historical-artistic fact sheet prepared by Dr. Silvia Benassai Onorio Marinari (1627 – 5 January 1715) was a very important Italian painter and printmaker of the Baroque period, active mainly in Florence. His father, Sigismondo di Pietro Marinari, was also a painter, and he trained with his cousin, Carlo Dolci, later being also influenced by Simone Pignoni and Francesco Furini. His fresco in the Palazzo Capponi, Florence, is dated 1707. He worked mainly in Florence for Florentine and Tuscan clients, but he did not devote himself only to painting. In fact, in 1674, he published an essay on astronomy entitled Fabbrica ed uso dell' Annulo Astronomico. Bartolomeo Bimbi was one of his pupils. St. Margaret of Antioch July 20, Martyr Margaret, known as Margaret of Antioch in the West, and as Saint Marina...

This is a delightful antique Spanish oil on canvas painting after Bartolome' Esteban Murillo, depicting two peasant boys eating grapes and melon, Circa 1780 in date.  It features a ...

A beautiful and important painting by the great artist Enzo Benedetto, an absolute protagonist of the so-called ‘Second Futurism’. It depicts a seascape captured in its essence of natural energy with the waves of the sea crashing powerfully on the coast, probably a glimpse of his homeland, Calabria. This artwork, never before on the market, comes from an important private collection and is beautified by an impressive original frame in wood, in almost perfect condition. Enzo Benedetto (Reggio Calabria 1905 - Rome 1993) Benedetto, called Record by Filippo Tommaso Marinetti, approached the Second Futurism in 1924 after meeting Mino Somenzi and was active as a Futurist until his death, becoming a tenacious continuer of the movement's principles, revisited in 1967 with the Futurism Today manifesto. Benedetto theorised and practised the union of colour with the word and coined the term chrome-paroise to define the synthesis of painting and writing. In 1926 he promoted the futurist hall for the 4th Calabrian Art Biennial in Reggio Calabria where Depero, Dottori, Tato, Fillia, Pozzo, Benedetto Marinetti and himself, amongst others, exhibited. In 1927 he participated in the National Futurist Exhibition in Palermo. He moved permanently to Rome in 1927 and joined the Manifesto in 1931. In a short time he took part in the ‘great Futurist exhibition’ in Imola, the ‘first exhibition of Calabrian art’ in Rome, the ‘33 Futurists’ exhibition at the Pesaro gallery in Milan, and above all the ‘great Futurist exhibition’ at the ‘international artistic circle’ in Via Margutta in Rome. Benedetto had begun flying in 1926, as a photo of the time documents. That same year, inspired by the exploits of the aviator of the same name, he had executed the painting De Pinedo. He adhered to the Manifesto already signed by Balla, Marinetti, Depero, Dottori, Tato, Prampolini and Fillia, which advocated the triumph of a spatiality enhanced by flight in its dynamic effects and freed from the fixity of the horizon. In World War II he was imprisoned in Africa by British troops until the end of the conflict. Benedetto continued his Futurist activities in the second half of the 20th century. From 1939 to 1946 he volunteered for the African campaign and was sent to Libya, after which he was imprisoned for six years in the concentration camps in Alexandria, Ismailia, and in India in Bangalore and Yol in Kashmir. During this imprisonment he was able to paint and some canvases from this period were brought back to Italy, rolled up as personal luggage, In January 1943, he painted Yol, a new psychological oil portrait of Francesco Tommaso Marinetti. In 1946, he returned to Italy and in April 1947 presented his first solo exhibition in Rome. The exhibition dedicated to the great Italian poet and founder of Futurism was opened by Benedetta Marinetti. He adhered to the Manifesto already signed by Balla, Marinetti, Depero, Dottori, Tato, Prampolini and Fillia, which advocated the triumph of a spatiality enhanced by flight in its dynamic effects and freed from the fixity of the horizon. In World War II he was imprisoned in Africa by British troops until the end of the conflict. Benedetto continued his Futurist activities in the second half of the 20th century. From 1939 to 1946 he volunteered for the African campaign and was sent to Libya, after which he was imprisoned for six years in the concentration camps in Alexandria, Ismailia, and in India in Bangalore and Yol in Kashmir. During this imprisonment he was able to paint and some canvases from this period were brought back to Italy, rolled up as personal luggage, In January 1943, he painted Yol, a new psychological oil portrait of Francesco Tommaso Marinetti. In 1946, he returned to Italy and in April 1947 presented his first solo exhibition in Rome. The exhibition dedicated to the great Italian poet and founder of Futurism was opened by Benedetta Marinetti. In 1948 he had a personal exhibition in Capri at the gallery, ‘l'oblò’, and in Reggio Calabria in the Hall of the ‘Francesco Cilea’ Municipal Theatre. In 1949 he took part in the Calabrian Biennial in Reggio Calabria. In 1950 quanta took part with ceramics in the Selective Exhibition of Artistic Craftsmanship in the Angelicum in Milan, and with paintings in the Historical Review of Futurism in the Palazzo di Re Enzo in Bologna. He then held an important solo exhibition in Milan, at the ‘Centro d'Arte San Babila’ and participated in the sixth Quadrennial in Rome. He had a solo exhibition in Fano and another exhibition in Rome in the Galleria del Palazzo delle Esposizioni and in the Galleria del Teatro ‘il Millimetro’. In 1951 he took part in the collective exhibition ‘Mostra Nazionale della Pittura e della Scultura futurista’ (National Exhibition of Futurist Painting and Sculpture) in Bologna, Palazzo del Podestà, with Acquaviva, Giacomo Balla, Primo Conti, Tullio Crali...

Cuban contemporary landscape oil painting on canvas applied to particle board - unsigned - untitled - wood frame - bearing a numbered official seal of the Ministry of Culture of Cuba...

Charming signed oil on canvas painting of a wooly white lamb over a dramatic indigo blue background by artist Ira Yeager (American 1938-2022). The lamb is standing on green grass wit...

The Vajolet Towers - Italy Artist: A. Thöny Period: Early 1900s Origin: Italy Technique and support: Oil on canvas mounted on cardboard Dimensions: Height – 33 cm Width – 27 cm Description: The artwork depicts a landscape view of the Vajolet Towers, a prominent rock formation in the Catinaccio Dolomite massif. The artist employs a vertical composition, ideal for emphasizing the upward thrust of the towers, which rise monumentally against the sky. Thöny’s pictorial language is marked by a dense and vigorous brushstroke, particularly evident in the rocky details, where the use of oil paint enhances the typical limestone hues of the Dolomite rock. Dominant tones include ochre, warm greys, and earthy greens, with accents of white and light blue suggesting reflected light or lingering snow. The atmosphere is conveyed through a balanced interplay of solid and airy elements: the towers emerge from low-lying clouds, creating a contrast between the mountain’s solidity and the sky’s dynamic quality. The latter is rendered in cool tones—shades of blue and light grey—achieved through light glazing, contrasting with the more textured and impasto treatment of the rock. The vantage point is elevated yet slightly off-center, offering a framing that enhances the landscape’s perspective and depth, with hints of blurred mountain ridges on the horizon, painted in cobalt blue and greys to evoke a sense of atmospheric distance. Signed lower right, “A. Thöny”. A. Thöny was active in Merano, in the alpine region of South Tyrol, and belonged to the romantic-naturalist school of the late 19th century, connected to the Central European tradition of alpine landscape painting...

Madame Rimsky-Korsakov by Franz Xaver Winterhalter (1805-1873, Germany). Measures: Height 67 cm Width 57 cm Print on canvas In good conservative condition, present signs of t...

We present this splendid oil painting on canvas of the English school, 19th century. The painting has a signature on the lower left but the artist has not been identified and the pai...

Framed print on canvas: " Exposición Internacional de Barcelona, Año 1929 " The 1929 International Exposition was one of the most important events to have shaped the urban landsca...

This painting appears to be in a fantastical surrealism or whimsical fantasy style. The artwork features an imaginative, dreamlike cityscape with intricate architectural details, org...

Swedish artist, oil on canvas. Modernist still life on a table. In excellent condition. Signed and dated 53. Signed B. L. Dimensions: 50,0 cm. x 39,0 cm. Total: 63.0 cm. x 52.0 cm.

The oil painting, attributed to an artist possibly named S. Kinlemann (based on an indistinct signature), is a striking example of Cobra-style art from 1960. The canvas is dominated ...

Alfano Dardari Oil Painting on Canvas 1970's. Measures: Height 88cm Width 69 cm Oil on canvas In good conservative condition, present signs of time due to use and age. (Pleas...

Decorate an office, study, or country lodge with this elegant antique oil on canvas painting. Created in England circa 1880 and set in its original carved giltwood frame, the artwork...

Beautiful painting by the famous Swedish artist Per Ekström (1844-1935). He studied at the Academy of fine arts from 1865-1872 He worked in Paris, Barbizon and Saint Germain from 18...

Reproduction of Rembrandt's Night Watch, mixed media on canvas. Measures: Height 136cm Larghezza 191 cm In good conservative condition, present signs of time due to use and age...

Superb Ammi Phillips American Folk Art Portrait painting, circa 1840 We are proud of our acquisition of this authentic masterpiece by Ammi Phillips (1788-1865). The finely rendered portrait depicts an attractive young girl in a delightful lifelike quality. The pretty face is a refreshing change from the stern expressions of most of the paintings showing mature female or male sitters. Phillips palette is dark with a strikingly dramatic use of light to her face. The painting, on its original stretchers, is in untouched condition. The frame is period. This painting is unsigned, as are most of his works, but bares the unmistakable characteristics of a Phillips painting. Portrait of a young girl holding a book and wearing a golden whistle. From the New England estate of the renowned Folk Art Collector and scholar, John Bauer...

This late 18th century stunning Rococo portrait portrays an aristocratic lady with grey hair, decorated with flowers and a blue ribbon, reflecting the era’s love for elegant fashion....

Antique Oil On Canvas Seascape Painting of a Tall Masted Ship by T. Bailey C1900 Measures- 20.25"H x 16"W x .75"D

A pair of French Napoleon III period painted decorative panels with floral motifs from the mid-19th century, set inside giltwood frames. Each of this pair of decorative panels featur...

Measuring 24 inches in height and 32 inches in width unframed, this large oil on canvas painting from the early 20th century depicts a pastoral scene at the riverside. In the lower l...

This magnificent 19th-century painting depicts the first act of the Christian journey, the Judgment of Jesus Christ by Pontius Pilate. It stands out as an exceptional work due to its...

'Peaceable Jungle' by E. Maxime Haiti, Late 20th century A vibrant masterwork 'Peaceable Jungle' by E. Maxime, hailing from Haiti and painted in the late 20th century. This visual...

Ugo Sterpini (Italian, 1927-2000)''La Lotta Sulla Duna" (The Battle On The Dune). Mixed media on canvas, signed and dated ''58'' lower right, signed, titl...

Exceptional 1986 Robert Natkin oil painting. Canvas size is 36“ x 48“. Image is painted around the canvas on the sides of the stretchers. This is an uncommon style for Natkin, thoug...

Elegant oil painting of nude woman from the back , beautiful vibrant red dress exposing nicely painted woman back. Sign on the bottom right.

Charming oil on canvas painting by Ira Yeager (American 1938-2022). The painting features a large white rooster with applied collage pieces. Painted in his classic 19th century count...

A peaceful French painting on canvas depicting landscape scene featuring a house or small castle in ruins, a water with a bridge nearby. The painting is contained in a simple gold le...

Exceptional oil painting on canvas by Haitian artist depicts lush green jungle with bright and vivid colorful parrots overlooking beautiful lush jungle, acrylic paint on canvas, with...

Condition: Original Vintage Condition Materials: Oil On Canvas Style: Realism

A Large Oil on Canvas Painting of "Sergius Galba", A Roman Emperor, After Titian Mid 19th century, circa 1860. Portrait of Sergius Galba, almost th...

Gérard Calvet French (b. 1926)  Expressionist Gruissan Mountainous Landscape French painter and sculptor (1926–2017) An exquisite oil on canvas by renowned French painter and sculpt...

"Cattle at the Water's Edge" Oil on Canvas with Board Backing William Hart (American, 1823–1894) 20.25" w x 18.25" h (Frame), 10.5" w x 8.375" h (canvas) This exquisite oil painti...

This is a beautiful, elegant and striking still life oil painting of a Lobster with fruit on an overflowing laid table with silverware, basket or fruit, foliage an upturned crab and ...

Belgium / 1950 / painting / Edmond Sanders / wood, canvas / Mid-century / Vintage Beautiful oil painting on board by the famous Belgian painter Edmond Sanders (1898 - 1961). Edmond ...

French Mediterranean Port, early 19th century, oil on Canvas. Canvas size: 49 x 65 cms. Frame size: 63 x 79 cms. A very evocative scene of a French fishing port, depicting the old ...

Peruvian Cuzco School Oil on Canvas of the Archangel Michael defeating Satan 18th Century. Later Frame. Wear commensurate with age. The Cuzco or Cusco school was a Roman Catho...