Canvas Wall Decorations

Huge French Oil on Canvas, circa late 1930s of a Delahaye Automobile. We cannot decide if this was painted in a large-scale, only to be reduced for an ...

Great oil on canvas depicting Madonna and Child. Carved, gilded and polychrome wooden frame with floral arrangements. Venetian, 18th Century. Dimensions in centimeters: CANVAS 69cm H x 51cm / FRAME 107cm H x 80cm. In art, a Madonna is a representation of Mary, either alone or with her child Jesus. These images are central icons for both the Catholic and Orthodox churches. The word is from Italian ma donna 'my lady' (archaic). The Madonna and Child type is very prevalent in Christian iconography, divided into many traditional subtypes especially in Eastern Orthodox iconography, often known after the location of a notable icon of the type, such as the Theotokos of Vladimir...

Dimensions: Frame: height 31.5 cm / width 36.5 cm The painting: height 26.5 cm / width 33 cm.

Vintage Framed Oil Painting on Canvas by Mees is a charming post-impressionistic rendering of a quaint Belgian town along the canal. Such canals were integral to most villages, provi...

From an amazing time capsule residence in Rancho Mirage, Calif. I was told by the heirs of the estate that the painting was commissioned for his parents in the foyer of their beautif...

Beautiful large oi/acrylic painting titled "Geranium" by American artist Rebecca Ruoff, 2021.

Agustin Gainza Oil Painting "Wedding at The Havana Cathedral c1880" Offered for sale is a large oil painting on canvas by Cuban-American artist Agustin Gainza. The painting is sig...

Dynamic all-over abstraction constructed using alternative painting methods. The paintings are constructed using art conservation techniques and alternative processes to laying down ...

Pair of modern cubist french paintings, signed: - A Robert Bluteau (1914–1985) painting, a modernist still life painter, signed "Bluteau" and dated "1955", the painting features fis...

"Kamut" by Bruno Chavanne (1957), 2012: Oil on canvas. Certificate of Authenticity provided by the gallery. Measures: 97 x 130 cm 38.2 x 51.2 inches ...

A great painting of a classic mythology scene. Diana the goddess and the nymphs Uraniaand Calliope with a hunting dog. Very exactly drawn figures in the foreground, soft brush strok...

Large oil on canvas of a relaxed female nude woman with auburn hair. She is observing her likeness being painted, and peering at the reverse side of a large oil painting. Subtle sha...

Colorful impressionistic oil on canvas painting of fishing boats in a harbor. Greens, blues and reds comprise the majority of the color pallet. Nicely framed and signed Bolus. 33" x ...

Sweet painting of a river's edge, inscribed "Rural England" in verso, and signed in the lower left corner by California Artist, Barbara Larimer, 1868-1963. Lovely landscape for the r...

Large Dutch Windmill Oil Painting with Crows Signed Valentin 1987 Offered for sale is a well-executed 1987 oil painting on canvas of a ...

Jordi Mollá signed and dated painting, carried out over classical oil on canvas with frame representing 19th century cavalry soldiers.  

Add a burst of color and creativity to your space with this vintage boho original abstract oil painting on canvas. Featuring bold, expressive brushstrokes and vibrant hues, this piec...

Signed and dated in the bottom right corner “LEV MEZHBERG ‘05” Dimensions Height: 50 inches (125cm) Width: 93 inches (232.5cm) Lev Leonidovich Mezhberg (Ukrainian/American, 1930-2007) was born and spent most of his life in the cosmopolitan city of Odessa, whose streets and suburbs are found in many of his works. In 1958, he graduated from Odessa College of Fine Art with highest honours. Mezhberg's work has been exhibited at museums and galleries throughout the Soviet Union, the USA and Europe and is owned by such collectors as leonard Bernstein, Vladimir Horowitz, Natalia Makarova...

Superbe tableau huile sur toile ancien des années 1950/1960 joliment encadré. Signé par l'artiste mais illisible, ce tableau procure un sentiment à la personne qui le regarde. joli...

Moody and striking abstract painting with yellow circular element, random drips of paint and a marvelous color palette of olive green, light grey and charcoal.

George Adolphus Storey (British, 1834-1919) a very fine and large oil on canvas titled "Love in a Maze". Signed and dated lower right "G. A. Storey 1873". The ...

The category of antique paintings, Landscape Paintings proposes a Glimpse of Venice with gondola and gondolier in a Venetian canal. Art Deco. The work depicts a moment of daily lif...

Hapela. Tinga Tinga. Oil on canvas. Naivist composition with giraffes and birds. Late 20th century. The canvas measures: 79 x 79 cm. The frame measures...

Abstract Expressionist painting with figures. Painted on canvas. Artist signed and dated 1965. Exhibit tag on back, San Mateo, California. Folk art style, artist made frame. 29.25...

Seascape / boat scene acrylic on canvas, circa 1970s, Greece. Work boasts attractive color use and applies an impasto technique, which gives the brush strokes a heavily textured ap...

Italian still life oil painting of gourds, grapes and various fruit, resting on a table with a white table cloth in a carved gilt wood ...

Oil painting on canvas Portrait young man Imperial Russian navy military school 19th This oil on canvas represents in a medallion a student of the Russian imperial army. It wears a n...

A masterful example of 17th-century Dutch still life painting, this oil on canvas captures a lavish and meticulously rendered arrangement of fruit, emblematic of the Golden Age's fas...

A vibrant and expressive oil painting by Belgian artist Roland De Baere, this work captures a serene moment of natural beauty and human form. Rendered in richly textured brushwork, t...

"Nicolina" – Late 19th Century Oil on Canvas by a Basque Artist A captivating and intimate oil on canvas titled "Nicolina," attributed to a Basque artist of the late 19th century. T...

English Victorian (19th Cent) oil painting in a gilt frame entitled "The Smuggler's Cove" by James Ward, R.A. (1769-1859) (signed).  

Antique framed oil painting on canvas by Zollepx is a beautiful work that depicts the classic still life of a pewter pitcher filled with colorful flowers and set by an open window. P...

Measurements with frames: Height 135 cm (53 in.), width 94 cm (37 in.) Magnificent pair of important paintings on the theme of “Fêtes galantes” and so dedicated to the art of sedu...

We present you this rare and stunning marine oil painting dating back from the early 19th century. The painting captures a lively scene from Villerville, a coastal town in the French...

Abstract oil painting by Listed Southhampton artist Russell Christoffersen.

Vintage Ezio Colosimo geometric abstract painting in Blush Tones Offered for sale is a vintage lyrical geometric abstract oil painting on canvas by Ez...

With nice gilt wood frame with beaded and egg and dart frame. Charming family portrait with husband and wife and children. By William Allison.

Alvar Jonson (1914-1985), Swedish painter. Oil on canvas. Abstract landscape. "Red Evening", 1960s. The canvas measures: 35 x 27 cm. The frame measures:...

This peaceful antique framed oil painting on canvas depicts a lovely pastoral scene complemented by the original frame. Artist van Gaal has employed a post-impressionist technique wi...

Stunning pastel painting " Portrait of a Woman" signed, executed in Italy in 1963, the author demonstrates good skill in portraying the female figure ,the details of the dress are ex...

Pair of oval oils on canvas, still lifes representing fruits and flowers. Gilded carved wooden frames. Signed P, Galanti - Italian painter 1885-1973.

18th Century Framed Family Crest oil painting on canvas is a wonderfully well preserved work in part because of the lavish frame that was added to ...

FREDERIC MILTON GRANT United States, 1886-1959 "Lake Shore" Oil on canvas Signed lower right "Frederic M. Grant", signed and titled "Lake Shore" verso on stretcher bars Item # 109MPK24Q A vibrant landscape that blends the lines of genre work with the impressionist landscape, it captures a pair of woman caught in the middle of a conversation while a young child is exploring the path barefoot. The traditional dress is reminiscent of a century prior and is evocative of a rural Italian landscape, though the stretchers on the reverse of the painting are simply titled "Lake Shore" with no recorded indication of the placement of the scene. The brilliant cobalt blue of the lake is visible to the far right of the nearly square composition while the trees stretch like spires through the horizon and beyond the scope of the canvas, proportionally dwarfing even the cliffs in the distance behind the women. It is a composition familiar to Grant, with his preference for framing subjects with towering local trees, utilizing a relatively square canvas and including just a hint of water. In this particular example, the interplay of light and shadow in the scene is positively brilliant with Grant's palette switching from high-chroma to low-saturation within the span of a single brushstroke. The scene is signed in the lower right in his typical script, "Frederic M. Grant" and is housed in a good quality period correct carved giltwood frame. ARTIST Born in Sibley, Iowa on October 6th of 1886, Frederic Milton Grant studied at the North Dakota State University before heading to the Art Institute of Chicago. There he trained under John Vanderpool, Alphonse Mucha, Frederick Freer...

Nudes male female painting on canvas, Italy, 1990s This oil painting on canvas features a large painting that captures a poignant scene depicting three nude figures. The central focu...

Francesco Aviani (Italy - Venice, 25-11-1662 / 1715) att. Couple of paintings depicting Capricci Oil on canvas, 135 x 183 cm, without frame The two large and fine paintings depict two illusionistic architectural renderings, with views of colonnades and arched buildings, animated by figures. The compositions are characterized by the harmony with which the painter introduces the sumptuous architectural monuments, the mirrors of water, the buildings in the distance and the views of the landscape. Dominates with a color on the tones of brown and ochre that stands out on the blue sky, marked by some cloud of steam. The insertion of the figures to enliven the architectural views also balances with the set. The Capriccio, an artistic genre that has made its way into Italian painting since the 17th Century, is characterized by the representation of fantastic architectures or prospective inventions, sometimes combined with elements drawn freely from reality. The two paintings are an example of this type and they are a very interesting and Fine artwork. The remarkable pictorial quality emerges both from the composition of the ensemble and from the way in which the artist describes the views with great attention to detail, highlights and refined, perfectly realistic, chiaroscuro. The same must be recognized for the figures: these are described with a wise brushstroke, quick and quick touches give the dynamism of the moment that is captured, as if time had stopped to show and narrate what is happening. The painting on the right represents a large Baroque building in stone and paved with marbles, two floors, with moving façade, large columns with corinthian columns, a large portal with a staircase with large footsteps, a balustrade with string, from which some figures appear, and two equestrian monuments in bronze. The sumptuous building overlooks a large POOL of water, with a gushing fountain, around which some characters sit. In the second floor is described a white palace from which rises a tower crowned by a structure with wrought iron loggia. In addition there is a bridge and some architectural ruins behind which some mountainous reliefs fade towards the horizon. On the staircase is described a particular scene. The people seem to be part of a very precise story. A woman, in the shadow of a parasol supported by a servant, would seem to drive out of the palace a man, who, taken under his arm by two maidens with a determined attitude, is led to a boat. The scene could be identified with the biblical episode of the parable of the prodigal son (Luke 15,11-32), at the moment when the prodigal son is robbed and driven away by the harlots. The episode tells of a man with two children. The youngest said to his father: “Father, give me the part of my inheritance”. And the father divided the substances. After not many days, the youngest son, collected his things, left for a far country and there he lost his substances with prostitutes and living as a debaucher. When he had spent everything, there came a great famine in that country and he began to find himself in need. Reduced to hunger, he was forced to be a pig herder to survive. He therefore meditated in his heart to go to his father and ask for his forgiveness and to be welcomed anew, even as a servant. While still on the road, however, the father saw him and ran towards him, receiving him with open arms. He then ordered his servants to prepare a great feast for the occasion, killing for the purpose the "fatty calf". The firstborn did not understand why his brother was given such treatment, and reminded the parent that he, who had always obeyed him, had never received a single kid to celebrate with his friends. The father answered him: «Son, you are always with me and everything that is mine is yours; but it was necessary to celebrate and rejoice, because this brother of yours was dead and came back to life, was lost and was found». The parable of the prodigal son was often portrayed in painting and the scene he finds most is certainly that of returning home in his father’s arms. Among the many is a canvas by the famous painter Giovanni Paolo Pannini (or Panini) (Italy – Piacenza, 1691– Rome, 1765) kept at the Hallsborough Gallery in London. Rather rare, however, is the scene of the prodigal son driven and robbed by harlots. There is an engraving by Hans Collaert II (1561-1620) in which this moment is described in the background compared to the moment, narratively later, in which he is penitent among the pigs. The second painting, certainly pendant of the first, represents a similar palace, with some characters overlooking the balustrade marcapiano and other figures around the large bathtub quadrilobata. In the foreground is described a monument with two large stone sculptures. In the distance some architectural elements and, beyond, the mountains are lost on the horizon. The studies related to the numerous painters of architectural views and caprices, active in Italy, and the archival documents found, which could better clarify commissions, biographies and certain works, are scarce and sporadic. Therefore there are still many difficulties in reconstructing a catalogue of autograph works for each author. Through paintings in private collections, in museums and paintings passed on the antique market it is however possible to advance some attributions in order to better delineate the various artistic figures. The style of the works studied here leads to a dating that runs between the 17th and 18th Centuries, with obvious influences dictated by the perspectives of the brothers Galli Bibiena. The analysis of the architectures and the chromatic palette suggests that we are in the presence of a northern Italian and Venetian author. Observing the decorations and the volutes, the brightness and the perspective disposition in fact, we find several analogies with those used by the Vicenza painter Francesco Aviani, excellent in pictorial perspective and architectural views. The biographical profile of Francesco Aviani (Italy - Vicenza, 1662-1715) was essentially traced in 1956 by Andreina Ballarin, then re-visited by Federica Spadotto in 2014 and Giancarlo Sestieri in 2015. Certain documents about his life are scarce, as are the documented works. He was born in Venice, probably on 25 November 1662, to Bernardo and a Magdalene whose surname is unknown, and was baptized on 3 December 1662. Between 1701 and 1703 he worked, together with his brother MarCo, sculptor, for the fresco decoration (now illegible) of the church villa in Soella (Vicenza). On October 16, 1703 he married Isabella Carcano. On March 26, 1715 he made a will and died on April 3 of the same year, in Vicenza. The frescoes in the refectory of the sanctuary of Monte Berico in Vicenza are considered authentic works by Aviani, probably made in 1708; the paintings preserved in the Civic Museum of Vicenza: “Landscape with Lazzaro and the rich Epulone”; “Christ among the doctors”; “The miraculous fishing”, works not datable but with attribution corroborated by style. In addition, the frescoes in the east and west corridors of the Villa La Rotonda, near Vicenza; the fresco in the apse basin of the chapel of the church S. Croce, Vicenza, now destroyed; the frescoes of the central hall of Villa Camerini a Montruglio (1714) and a painting of a “Porto Regio”, of which we have a print engraved by Dall'Acqua. From his works emerges the artistic background that animated the Venetian culture in the early eighteenth century. The scenic grandeur with which Aviani treats the architecture also suggests a stay in Emilia of the painter, in which he could have come into contact with the environment of the Bibiena. These contacts would be confirmed by the press of Cristoforo Dall'Acqua (Vicenza 1734-1787), “Il porto regio”, after a painting of Aviani. The press was part of a group of engravings, representing royal buildings, reproducing paintings of the Bibiena. In the eyes of Dall’Acqua, therefore, Aviani’s work was not foreign among those of the Emilians. Inside the sumptuous architectural whims, Aviani often depicts biblical scenes, in which the characters share the space and the narrative rhythm, along with figures drawn from everyday scenes, memories of the Veronese and Bassano heritage. Also in the works covered by this study the author does not seem to want to give up a biblical subject, though the purpose of the paintings appears to be clearly a staging scenography-architectural within which the characters are relegated to the role of extras. From the examination of the architectural Capriccio gathered under the name of Aviani then emerge common elements. The comparison between these works and the works in question highlights the proximity of the compositions. The imposing and scenic architectures are in fact equally characterized by the perspective-scenographic ability diffused in emilian “quadraturisti” and in Bibiena work. In fact, you can see the spectacular slender architecture in the lower part, the loggias that create chiaroscuro games with arches and binate columns placed on massive bases and overhung by projecting cornices. Significant also the comparison with two paintings with architectural whims in a night vision attributed to Francesco Aviani. In Aviani’s works it is possible to find a certain knowledge of the Roman Codazzi paint nd its early development of the eighteenth century, developed with the Locatelli, the Pannini and the less known Domenico Roberti. To Roberti have been recently attributed two works that have some compositional affinity with the canvases in question. The same can be done for a work on the antique market, attributed to Pietro Francesco...

Knud Holar (b. 1934), Sweden. Oil on canvas. Abstract composition. 1960s. The canvas measures: 54.5 x 29.5 cm. The frame measures: 1.5 cm. In excellent c...

Captivating 1980s Italian Modernism: Signed Guido Coletti Mixed Media Shadow Box Step into the vibrant world of 1980s Italian contemporary art with this stunning and evocative mixed-...

Lauro Lessio abstract oil painting in the Pittura Metafisica style Offered is a large oil painting by the Italian artist Lauro Lessio created in the "pittura metafisica" style whi...

Jens Ulrich Petersen (b. 1947), Danish listed artist. Oil on canvas. Men on a string. 21st century. The canvas measures: 80 x 60 cm. In ex...

19th Century Framed Oil on Canvas of Still Life is an intriguing work, signed by the as yet unidentified artist. Representing a combination of techniques, the artist has skillfully ...

Jens Ulrich Petersen (b. 1947), Danish listed artist. Oil on canvas. Men on a string. 21st century. The canvas measures: 80 x 60 cm. In ex...

Antique French early 20th century oil on canvas painting of a French infantry march during the Franco-Prussian War, signed "Edouard Detaille" (1848-1912).

A stunning oil on canvas of RAF Lancaster Bombers returning from a mission over Germany in WWII. It has exceptional quality and detail. By South African ...

JOHANN BERNARD DE HOOG Dutch, 1866-1943 Interior Scene of a Mother and Infant Daughter Oil on canvas signed Bernard de Hoog lower right Item # 40...

GÓMEZ GIMENO, Antonio (Spain, late 19th - early 20th century). "Still life". Oil on canvas or tablex. Signed in the lower left corner. Measurements: 38 x 45.5 cm; 47 x 55.5 cm (fr...

A pair of original oil paintings on canvas depicting a handsome young aristocratic couple of the Directoire, early Empire period. They are each pictured from the waist up, she holdin...

A masterpiece of these portuguese modernist artist Agostinho de Mello Junior, a superb bucolic environment signed «Melo J» and dated «1946», a very rare and modern creation. Frame...

We present you with this beautiful floral composition from the end of the 19th century, now enclosed in a chic contemporary frame. The measurements of this piece, including the fram...