Engraved Wall Decorations

William the Conqueror Portrait Engraving, Domesday Scene, England, c.1740 This finely detailed 18th-century copperplate engraving presents a commanding portrait of King William I of...

Horace Walpole Portrait Strawberry Hill Engraving after Reynolds 1787 Description: A refined and intellectually engaging engraved portrait of Horace Walpole (1717–1797), the influen...

Jupiter Cults and Roman Coins, Composite Classical Engraving, Montfaucon 1721 This detailed composite engraving originates from the first English edition of Bernard de Montfaucon’s ...

Antique print titled 'De Baadende Juffers Bespied - Les Baigneuses Epiées'. A scene in which several bathing women are spied on by two men hiding in the ...

Greece and the Danube Basin Map c.1720 – Antique Engraving of the Balkans This remarkable early 18th-century map presents a sweeping view of southeastern Europe, centering on the co...

Marina Shell handcrafted print. The technique of printing on gold leaf is our reinterpretation of an ancient tradition. Each print is entirely printed and colored in Italy by our ma...

Entry of French Troops into Turin 1798 – Napoleonic Era Engraving, 1808 Description: A finely detailed hand-colored engraving depicting the Entry of French Troops into Turin, dated ...

Emigrants Crossing the Plains, American West Wagon Migration – 1869 Engraving This evocative 19th-century engraving titled Emigrants Crossing the Plains presents a compelling visual...

Antique Shakespeare Engraving, Julius Caesar, Brutus and Strato, Boydell, 1802 This early 19th-century copperplate engraving illustrates a dramatic scene from William Shakespeare’s ...

Proclamation of the Roman Republic 1798 – Napoleonic Era Engraving Description: A finely detailed hand-colored engraving depicting the Proclamation of the Roman Republic, dated 27 P...

Jesuit Missionary in the Indies – Antique French Engraving by Portier, c.1790 This fine antique engraving, titled “Missionnaire de la Compagnie de Jésus aux Indes,” portrays a Jesui...

Title: "Classical Profiles: Raphael's Vision by Nicolas Pigné, 1740" This is an original engraving from 1740 by Nicolas Pigné, after a painting by Raffaello Sanzio da Urbino, known ...

The City of Detroit, View from the Canadian Shore – Antique Harbor Engraving, c.1870 This elegant 19th-century engraving titled The City of Detroit (From Canada Shore) presents a wi...

Antique Costume Print of a Young Lady of Wallachia, Engraving Jefferys, 1749 Description: A refined and delicately hand-colored 18th-century costume engraving depicting a young lady...

Set of 8 Antique Botanical Engravings of British Wild Plants, c.1830 This elegant set of eight antique botanical engravings presents a carefully curated selection of British wild pl...

Very decorative antique map of Chili published by W. Blaeu, 1658. This map depicts Chile from Copiapo southward to the island of Chiloé with ships and sea monsters adorning the sea. ...

French Renaissance Relief Sculptures – Château d’Écouen Engravings, 1803 Description: This refined set of three early nineteenth-century engravings illustrates sculptural reliefs from the chapel of the historic Château d’Écouen. The prints originate from the rare architectural publication Paris et ses Monuments, mesurés, dessinés et gravés, produced by the French architect and engraver Louis-Pierre Baltard and published in Paris in 1803 during the Napoleonic era. Baltard’s monumental work was dedicated to Napoleon Bonaparte and aimed to document important monuments around Paris with precise measured drawings and carefully executed engravings. The engravings record sculptural elements from the elaborate master altar of the château chapel. Each plate focuses on a different group of figures rendered as classical relief sculpture...

Elegant 1769 Morvant Ram Engraving – Hand-Coloured Buffon Dutch Edition This impressive hand-coloured 18th-century engraving of the Morvant ram, titled Le Morvant, comes from the rare Dutch edition of Buffon’s monumental Histoire Naturelle, published in Amsterdam by J.H. Schneider in 1769. Appearing as Plate XXX in Tome XI, this striking portrait is one of the most distinctive and decorative sheep and goat engravings in the entire Buffon series. Drawn by Jacques de Sève, Buffon’s leading illustrator, and engraved with great refinement, the plate combines scientific accuracy with a strong visual presence, typical of the finest work in the quadruped volumes. The Morvant ram stands in full profile on a raised foreground bank, its powerful build, muscular legs, and long shaggy coat rendered with exquisite detail. De Sève’s elegant cross-hatching gives volume and texture to the thick wool and the dark mane that drapes down the animal’s chest. The curved horns, expressive eye, and firm stance emphasise both the strength and the calm dignity of the breed. The hand colouring, characteristic of the Amsterdam Schneider edition, enriches the engraving with warm brown tones, natural greens, and soft blues that bring the entire composition to life. Behind the ram, a landscape of minarets, domed buildings, and distant walls evokes the North African or Near Eastern setting associated with ancient regional breeds. The broad sky, shaded in subtle blue-grey washes, anchors the scene and provides an atmospheric backdrop that complements the earthy foreground tones. As a result, the plate balances scientific illustration and picturesque landscape in a way that remains highly desirable for collectors and decorators alike. Buffon’s Histoire Naturelle represented one of the most ambitious publishing achievements of the Enlightenment, combining zoological study with an artistic sensibility. The Morvant ram, a robust and historically important breed, was of particular interest for its adaptability, distinctive appearance, and long-standing role in agriculture and local culture. This engraving served as one of the earliest widely circulated visual records of the breed in Western Europe. More than 250 years old, this sheet remains bright, clean, and visually engaging. The strong plate mark, generous margins, and refined hand colouring make it an excellent standalone artwork or a perfect companion to related Buffon plates such as the Tunis ram, zebu, buffalo, or yak. Condition report: Very good for age. Minor toning and small foxing marks mostly confined to margins. Light handling marks typical of 18th-century paper. Strong impression with clearly visible plate mark. Hand colouring fresh and well preserved. No tears or repairs observed. Framing tips: Frame with an ivory, pale grey, or warm cream mat to complement the soft colouring of the wool and sky. A walnut or natural oak frame enhances the warm tones, while a slim black frame creates a more modern contrast. Floating the sheet is an excellent option to highlight the wide margins and plate mark. Keywords: Morvant ram engraving Buffon natural history Amsterdam 1769 Jacques de Sève hand coloured copper engraving antique sheep print...

Train of Artillery and Foot Artillery, Napoleonic Military Print 1809 This finely hand-coloured 19th-century engraving depicts two soldiers of Napoleon Bonaparte’s artillery arm: a ...

Antique Engraving Cocos Island, Maritime Scene, Manesson Mallet, 1683 Description: A highly atmospheric and finely engraved 17th-century maritime scene depicting the island of Cocos...

Title: "Ceremonial Tribute to Captain Cook in the Hawaiian Archipelago" Description: This antique print depicts a scene titled "An Offering before Capt'n Cook in the Sandwich Island...

Title: "Salsta Castle in Pastoral Uppland: A Dahlberg Engraving, 1710" Description: This original hand-colored engraving from 1694, entitled 'SAALSTAD,' presents a stately view of S...

Hand-Colored Engraving of Queen Claude of France, ca. 1900 edition This elegant hand-colored engraving portrays Claude of France (1499–1524), known as La Reine Claude, the first wif...

Antique map titled 'Motus Comtarum in Hemispaerio Australi (..)'. This uncommon chart depicts the passage of comets in the southern sky between the years 1530-1704. Centered on the ecliptic poles and shows the constellation figures based on classical mythology, without showing the stars. The paths of dozens of comets are illustrated, eincluding those sighted by Tycho Brahe...

Young Lady of Tine Costume Print, Greek Archipelago Engraving Jefferys 1749 Description: An elegant and finely hand-colored 18th-century costume engraving depicting a young lady of ...

Antique print titled 'MARIE DE HAUTEFORT' Original antique print of Marie de Hautefort. Marie de Hautefort (1616 – 1691), was a French noble and lady-in-waiting, a trusted confidante and adviser of King Louis XIII of France. They did not have a sexual relationship and she was thereby a favorite rather than a royal mistress. She was also a personal friend of Queen Anne of Austria...

Antique Map of Asia 1815 – Carta Generale dell’Asia, Ferrario, Italy This refined early 19th-century map presents a comprehensive view of the Asian continent, titled Carta Generale ...

Antique Architectural Plan of Château de Fontainebleau, Napoleon Residence, Baltard, 1803 This finely executed architectural engraving pre...

Napoleonic Gendarme d’Élite, Imperial Guard Cavalry, Hand-Coloured Print This finely hand-coloured 19th-century engraving depicts a mounted Gendarme d’Élite of the Imperial Guard, one of the most prestigious cavalry units serving under Napoleon Bonaparte. Shown in full dress uniform astride a powerful horse, the figure embodies the discipline, authority, and ceremonial grandeur associated with Napoleon’s elite guard formations. The tall bearskin headdress, carefully detailed uniform, and richly rendered horse equipment emphasize the exceptional status of this unit within the French military hierarchy. The Gendarmes d’Élite were not conventional battlefield cavalry but a highly selective corps responsible for internal security, ceremonial duties, and the protection of the Imperial Guard itself. Their role demanded impeccable appearance and absolute loyalty, qualities clearly conveyed in this authoritative and composed representation. The artist presents the figure almost monumentally, reinforcing the symbolic function of the unit as an extension of imperial power. This print originates from Histoire de l’Empereur Napoléon by P.-M. Laurent de l’Ardèche, published in Paris in 1843, with illustrations after designs by Horace Vernet. Vernet was the most influential military artist of 19th-century France and played a decisive role in shaping the visual legacy of the Napoleonic era. His works are renowned for their accuracy in uniforms and equipment, combined with a strong sense of character and historical drama. Produced during the mid-19th-century revival of interest in Napoleon and his empire, this engraving reflects both historical documentation and romantic admiration. It is a strong and collectible image, appealing to collectors of Napoleonic history, French military art...

Set of Three De Bry Botanical Engravings of Indian Trees and Fruits, c.1598 – Coconut, Bamboo, and Cashew Description: A rare and beautifully matching set of three original copper e...

Antique California Landscape Print, Mt Shasta & Sacramento River View 1861 A striking mid-19th century American landscape engraving titled Portion of th...

Mounted Knight in Tournament Armor with Lance, circa 1400 This vibrant costume plate, No. 90 from the 1845 publication Costumes Historiques des XIIIe, XIVe et XVe Siècles, offers a ...

The Battle of Waterloo: The British Repel Napoleon’s Final Attack, June 18, 1815 Description: This dramatic and finely detailed engraving, published in 1816 as part of 'The Cam...

Mount Vernon Washington’s House – Antique Steel Engraving Virginia 1854 Description: This refined mid-19th century steel engraving depicts Mount Vernon, the historic estate and resi...

Antique Botanical Lithograph, Camellia Sophia, de Vriese 1856 Description: A refined mid-19th century botanical chromolithograph depicting the elegant Camellia Sophia, rendered with...

"Northern Bottlenose Whale: Classic 18th-19th Century Scientific Illustration" Discover a piece of natural history with this exquisite illustration of the Northern Bottlenose Whale (*Hyperoodon ampullatus*, synonymously known as *Delphinus edentulus*), masterfully depicted by noted naturalists Goldfuss, Schreber, and Wagner. This print originates from the esteemed work, *Die Säugthiere in Abbildungen nach der Natur, mit Beschreibungen*, published between 1774 and 1846. This artwork not only captures the majestic form of one of the deep-sea's most intriguing denizens but also embodies the scientific spirit of the Enlightenment and early Victorian era. The illustration, with its precise detailing and lifelike portrayal, serves as an educational tool and a decorative piece, appealing to enthusiasts of marine biology, historical artwork, and antique scientific illustrations...

Cattle Early Morning – Antique 1849 Engraving by J. Cousen after T.S. Cooper This finely detailed steel engraving, titled Cattle Early Morning, is after a painting by Thomas Sidney ...

Presenting a lovely 19C Aquatint Engraving of the Quay at Waterford in Waterford city in Ireland. This engraving has been hand embellished with aquatint color(s) and is from Ireland circa 1820-40. It features a scene of the Quay or Port of Waterford from circa 1820. We are basing this upon the attire of the figures in the engraving and the tall ships. It features Reginald’s Tower (still located at the Waterford Quay to this day). Georgian Quay buildings, a number of moored tall ships and row boats, barrels, horses and carts, women and British soldiers. The engraving was professionally reframed and matted in Dallas in the 1980’s and the rear of the frame says that it was “Museum Mounted and Matted”. The frame has a lovely Grecian pattern around the front. If you are Irish...

Eagle Rocks Mississippi River, Antique Steel Engraving c.1850 Description: A dramatic and finely executed mid-19th-century steel engraving titled “The Eagle Rocks (Mississippi)”, de...

The engraving is from the Jean-François de Neufforge's collection "Recueil élémentaire d'architecture," which was an influential publication in the 18th century that detailed various...

Antique California Landscape Print, Madelin Pass & Sacramento River, 1861 A finely executed 19th-century American landscape engraving titled West End of Madelin Pass, depicting ...

Islamic Costume Print Pilgrim Attire of Mecca, 1863 Dutch Lithograph This refined 19th-century lithograph titled “Het Pelgrimsgewaad” (The Pilgrim Attire) offers a visually compelli...

The engraving provided is titled "The Rejoicings of the Mexicans, at the beginning of the Age." It was included in Portlock’s "New Collection of Voyages and Travels," published in 17...

Title: Arrival of His Majesty in Honselaarsdijk – Grand Procession Engraving, circa 1690 Description: This impressive large-format antique engraving depicts the grand arrival proces...

19th-Century Lithograph of a Raccoon and Bear – Stunning Natural History Print This finely executed 19th-century lithograph presents a striking depiction of a raccoon (De waschbee...

The Floating Batteries of Gibraltar: 1782 British Naval Power and French Engineering Innovation. Handcolored copperplate engraving from Bertuch's celebrated "Bilderbuch für Kinder," Weimar, 1805. This striking plate depicts the floating batteries of the British Navy, including a massive barge with 210 cannons across two tiers and a single-tier barge, engineered by the French innovator d'Arcon for the bombardment of Gibraltar. These unique vessels highlight a key moment in military history, showcasing the ingenuity and ambition of 18th-century naval warfare. Bertuch's renowned children's encyclopedia stands...

Antique Constantinople Street Scene Print, Ottoman Market Mosque View, c.1850 Description: A lively and finely detailed 19th-century engraving depicting a bustling street scene in C...

Antique Constantinople Print, Allom St George Monastery Princes Islands Description: A finely engraved early 19th-century view of the Monastery of St. George of the Precipice, situa...

Pair of Hand-Colored Botanical Engravings of Garden Flowers, London 1828 Description: This beautifully preserved pair of early 19th-century botanical engravings exemplifies the arti...

Antique Zebu Engraving, Buffon Hand-Coloured Print Amsterdam 1769 This charming and beautifully hand-coloured engraving of the zebu, titled Le Zébu, comes from the rare Dutch editio...

A significant and visually compelling group of ten early 19th-century hand-colored lithographic portraits depicting Native American leaders from multiple nations, including the Chipp...

Thessalonian Bride Costume Print, Ottoman Dress Engraving Jefferys 1749 Description: A highly elegant and finely hand-colored 18th-century costume engraving depicting a Thessalonian...

Antique Etching “Corps-de-garde turc” after Decamps, Flameng c1850 A finely executed and atmospheric 19th-century etching titled Corps-de-garde turc, after the renowned French Orien...

St Paul’s Broadway New York Antique Engraving Meyer c1850 Description: A finely engraved mid-19th-century view of St. Paul’s Chapel on Broadway, New York, published by the German fi...

Bombardment of Madrid 1808 – Napoleonic Wars Grand Armée Scene Description: A dramatic and historically charged hand-colored engraving depicting the Bombardment of Madrid, dated 4 D...

Napoleon I Dragoon of the Imperial Guard on Horseback, French Military Print This original 19th-century hand-coloured military print depicts a Dragoon of the Imperial Guard serving under Emperor Napoleon I, shown mounted on horseback in full ceremonial and campaign uniform. The scene represents one of the elite cavalry units of Napoleon’s Grande Armée, renowned for discipline, strength, and their prominent role in both battlefield action and imperial pageantry. The print originates from *Histoire de l’Empereur Napoléon* by P.-M. Laurent de l’Ardèche, illustrated after designs by Horace Vernet and published in Paris in 1843. Although issued decades after the events, the series is widely regarded for its historically accurate rendering of Napoleonic uniforms, equipment, and military bearing. Vernet, the foremost painter of Napoleonic subjects, drew upon first-hand military knowledge and contemporary sources to recreate the imperial army with precision and authority. The Dragoon is shown wearing the distinctive helmet with horsehair crest, green and white uniform with yellow facings, tall riding boots, and full accoutrements, including saber, musket, and rolled equipment. The powerful horse and poised posture emphasize the mobility and striking presence of the Imperial Guard cavalry, a formation personally associated with Napoleon and symbolic of his rule. The clean background and restrained landscape focus attention on uniform detail, making this an especially strong decorative and documentary example. Such prints were intended both as historical record and patriotic tribute, celebrating Napoleon I and the military structure that supported his empire. Today, they are highly sought after by collectors of Napoleonic history, French military art...

Antique Hand-Colored Print “Noord-Indianen”, North American Indigenous People, ca. 1803–1808 A beautifully hand-colored original print showing Indigenous people of North America, pu...

Pair of Botanical Engravings from The Botanic Garden by B. Maund, London c.1836 Description: A delicate and finely preserved pair of hand-colored botanical engravings from Benjamin ...

This hand-colored copperplate engraving by Robert Benard, part of the *Histoire Naturelle* from the *Encyclopédie Méthodique*, circa 1790, showcases four striking bird species. Each ...

Pair of Hand-Colored Botanical Engravings of Roses and Spring Flowers, London 1828 This charming pair of early 19th-century botanical engravings exemplifies the grace and precision ...