Gold and Enamel German Snuff Box

Micro Mosaic Gold Snuff Box An 18 karat gold snuff box accented with blue enamel set with a micro mosaic of dogs hunting a deer Circa 1850's Dimensi...

Agate Mouse Snuff Box. Made Circa 1760. Crafted from grey agate carved in the form of a mouse. This snuff-box features a rose gold mount. With a thu...

Greyhound Micro Mosaic Snuff Box A variegated hardstone snuffbox with a silver gilt framed micro mosaic of a family of greyhounds set in the lid. The micro mosaic is attributed to the late 18th century early artist Giacchino Barberi. Measurements: 2.88" x 2.25" x 1" Published Provenance: "Micromosaics Private Collections" by Janette Hanisee Gabriel, published by Brian McCarthy...

Janesich Gold and Enamel Compact Janesich Gold compact with linear motifs in black enamel. The compact opens to a mirror, a powder compartment, and a ...

A fine Austrian silver & enamel snuff or patch box. With a small enameled and gilt plaque set in the center of the top. The plaque has a classical scene to...

Rectangular box with rounded corners. The hinged lid as well as the bottom are embellished with an intricate geometric pattern framed with rinceaux motifs on a matte gold background....

A guilloche enameled pill box designed by David Andersen. Extremely rare early 20th century enamel pill-box, created in Norway during the late Edwardian and art nouveau period at the workshop of David Andersen, circa 1910. This beautiful box was carefully crafted with impeccable details in solid .925/.999 standard silver with gilded interiors finish. Made of rectangular form with curved edges and fitted with a five barrels hinged lid, that can be raised by a simple thumbpiece. Engine turned guilloche decoration topped with applications of translucent silvered-white and light purple enamels and finally embellished with tiny flowers motifs decorations in high relief. Weight: 59.40 Grams, (38.08 Dwt). Measurements: 65 mm by 38 mm and a height of 13 mm (2.56 x 1.50 x 0.51 Inches). Hallmarks: Stamped with French and Norwegian marks, the maker's mark associated to David Andersen inside a cartouche, the mark for the assay of the silver S .925 and stamped twice with the French import mark of the swan, for importation. Very interesting exports and imports marks. Note: The hallmark of a swan facing to the left inside an oval (Osprey-124), was introduced in 1893 for small silver items imported into France. The silver product need to have at least a standard assay of .800/999 or over. The swan mark indicates that the item was produced in a non-treaty country and served as an import identification. The swan mark used until 1970. David Andersen David Andersen was born in 1843 in Østre Toten, Innlandet to Anders Svendsen and Anne Margrethe Gulbrandsdatter, and was the father of goldsmith Arthur David-Andersen. He was one of the most important Norwegian goldsmiths. From 1859 he was in apprenticeship with the jeweler Jacob Tostrup in Christiania (now called Oslo). He spent several periods abroad, in Berlin, Stockholm, Paris and London. During his stay in London he also imported Norwegian filigree works to the United Kingdom. He established his own goldsmith workshop in Christiania 1876, which eventually became a leading company in the goldsmith industry in Norway. A significant part of his filigree works was exported to Great Britain. As of 1899 his company employed 92 men...

Antique 18kt yellow gold snuff box, featuring a carnelian stone set within an ornate, scrollwork border. Material: Crafted in 18kt yellow gold, the box showcases an ornate, Rococo-...