Pasadena - More Prints

Marilyn Manson is an icon, a figure synonymous with controversy within heavy metal music, embroiled in numerous contentious moments throughout his storied career. This signed poster, numbered 158/500, is likely part of the series promoting his 1994 concerts at the Houston International Ballroom. It embodies the vibrant creativity of its era, a time when independent artists infused their unique flair into promotional materials for punk rock and heavy metal gigs. With its captivating blend of colors, specific typography, and arrangement reminiscent of Russian Constructivism and horror movie posters...

Pierre Soulages Lithographie sur papier Papier: 12.25 x 9.5in Cat Bnf n° 76 Signée au dos a droite, datée 70. Provenance : Collection privée Épreuve parue dans le n. 34 de la rev...

Step into the marvelous world of Jonathan Winters, the incomparable American actor whose artistry transcended the stage and screen. Like outsider artists, Winters didn't adhere to fo...

After Keith Haring, Limited Edition of 95/150 Artwork lithograph prints by Keith Haring Foundation, numbered with embossed stamp. The image features the world famous American Pop art...

This print sits in its original chrome frame and it is numbered 7/26 but not signed since each image has been cut out from a sheet to fit in the little windows. Gemini G.E.L is an ar...

Giclé Print on paper new custom framed by Sargent Claude Johnson (November 7, 1888 – October 10, 1967) was one of the first African-American artists working in California to achieve a national reputation.[1] He was known for Abstract Figurative and Early Modern styles. He was a painter, potter, ceramicist, printmaker, graphic artist, sculptor, and carver. He worked with a variety of media, including ceramics, clay, oil, stone, terra-cotta, watercolor, and wood. Although sometimes considered a Harlem Renaissance artist, Sargent Johnson...

This lithograph signed by F.G Silva shows a colorful combination of a bull and a butterfly referring to the ideas of strength and delicacy. The late Franco Gregori Silva was born in Cignone-Cremona...

In the infinitely complex world of contemporary art, many works serve as vehicles for thought, postural statements, and emotion. Such is the case with SHAO QI, a renowned Chinese artist who skillfully blends the political, cultural, and aesthetic in her lithographic work entitled "I am a Ninja." This piece, limited to thirty copies, numbered 21/30 in pencil and dated 2011, is a perfect example of how cross-influences can be integrated and cultural barriers broken down. Historically, ninjas were inferior warriors in feudal Japan, often recruited by samurai and governments to serve as spies. Their mysteriousness has allowed them to infiltrate contemporary popular culture, so much so that their ubiquity eventually transcends borders, internationalizing the ninja and rendering its Japanese origin a simple detail, among others, in public perception, a component of a character that has become universal. Pop art, an artistic movement of the second half of the 20th century, is known for its appropriation and subversion of consumer products and cultural icons. By hijacking elements of mass culture, pop artists such as Andy Warhol and Roy Lichtenstein transformed the perception of art and its eligible subjects. The use of a ninja silhouette in "I Am a Ninja" follows this tradition, exploiting a popular symbol to reimagine it. The dynamic interplay of colors, in particular the aesthetic power of red and black, is essential. Red's radiant luminescence contrasts sharply with black's ultimate absorption, framing the work in a colorimetric face-off reminiscent of the propaganda posters of yesteryear. Red, the color of revolution, power, passion, and vitality, blends with black, shadow, and emptiness. The bold black lines that delineate the figure are reminiscent of Shepard Fairey's work under the OBEY signature. These lines convey a vibrant, primitive force akin to Russian Constructivist posters...

In contemporary art's diverse and infinitely complex world, many works serve as vehicles for thoughts, statements, and emotions. SHAO QI, a Chinese artist born in 1987 in Shanghai, blends political, cultural, and aesthetic elements in her lithographic work titled "I am Mexican." This piece, limited to fifty copies and numbered 21/50 in pencil, dated 2011, transcends the materiality of art to explore societal palimpsests and interrogate notions of identity and globalization. The dynamic confrontation of colors, particularly the dichotomy of red and black, is essential. The radiant luminescence of red contrasts sharply with the ultimate absorption of black, framing the piece in a colorimetric standoff reminiscent of vintage propaganda posters. Red, the color of revolution and power, passion and vitality, mingles with black, the shade of shadow and void, embodying the potential for new beginnings, as French artist William Klein once proclaimed. SHAO QI employs a stylistic language that is instilled with almost raw expressiveness. The bold black strokes outlining the figure are reminiscent of Shepard Fairey's work under the OBEY signature. These black lines convey a vibrancy and primal force akin to Russian constructivist posters...

An otherworldly, black and white lithograph in a jigsaw puzzle piece shape, enclosed by negative. Signed L. Siekman. Unframed.