Art

Artist: Jamie Wyeth, American (1946 - ) Title: La Boheme (Metropolitan Opera) Year: 1978 Medium: Poster on Heavy Stock Size: 36 in. x 24 in. (91.44 cm x 60.96 cm) Published by Circl...

Original painting by Jamie Wyeth, "Post Squirreling," acrylic and enamel on toned paper board, 24 x 18 inches. Provenance: Artist; Private Collection (TN).

This exquisite lithograph after Andrew Wyeth (1917–2009), titled Canvasbacks, originates from the distinguished 1962 folio The Four Seasons: Paintings and Drawings by Andrew Wyeth. Published and printed by Art in America Company, Inc., New York, the edition reflects Wyeth’s masterful study of nature and mood through his dry-brush technique. The composition captures the serene grace of waterfowl, rendered with Wyeth’s characteristic precision and quiet introspection that bridge realism and emotional depth. Executed on velin paper, this lithograph measures 17 x 13 inches (43.2 x 33 cm). As issued, it is signed in the plate and unnumbered, representing the folio’s authentic format. The Four Seasons series was conceived by the editors of Art in America in collaboration with Andrew and Betsy Wyeth, who chose the theme to reflect the central role of seasonal transformation in his art. Each image reveals Wyeth’s profound sensitivity to light, time, and atmosphere—his ability to distill the poetry of the natural world into tangible form. Artwork Details: Artist: After Andrew Wyeth (1917–2009) Title: Canvasbacks, from The Four Seasons, Paintings and Drawings by Andrew Wyeth, 1962 Medium: Lithograph on velin paper Dimensions: 17 x 13 inches (43.2 x 33 cm) Inscription: Signed in the plate and unnumbered, as issued Date: 1962 Publisher: Art in America Company, Inc., New York Printer: Art in America Company, Inc., New York Condition: Well preserved, consistent with age and medium Provenance: From the 1962 folio The Four Seasons, Paintings and Drawings by Andrew Wyeth, published and printed by Art in America Company, Inc., New York Notes: Excerpted from the 1962 folio: "In 1962 the editors of Art in America proposed to Wyeth a portfolio of images of his recent dry-brush drawings. The artist and his wife suggested the theme, 'The Four Seasons,' because of the essential role played in his work by the cycle of the seasons. The drawings were selected by Andrew and Betsy Wyeth from works in the house and studio at Chadds Ford, supplemented by some owned by friends. With a few exceptions they had never been exhibited or reproduced. The plates were made directly from the originals. In these drawings Wyeth's loving concentration on the object is fully revealed. But as always in his work, this concern with the tangible is balanced by sensibility to mood, to the emotion arising from the actual. They are pervaded with a sense of the season—the exact time of year, the hour of the day, the quality of the light. To the truth and subtlety with which he captures these intangible factors, these drawings owe their poignant poetry." About the Artist: Andrew Wyeth (1917–2009) was an American visual artist and one of the best-known painters of the mid-20th century. Although he considered himself an abstractionist, Wyeth’s work is characterized by a meticulous realism imbued with psychological depth and atmosphere. He often painted the landscapes and people surrounding his homes in Chadds Ford, Pennsylvania, and Cushing, Maine, creating an intimate record of American rural life. The son of the celebrated illustrator N. C. Wyeth, Andrew trained under his father before developing his own deeply personal visual language inspired by Winslow Homer, Henry David Thoreau, and King Vidor. His wife, Betsy Wyeth, was both his muse and career manager, while his son Jamie Wyeth continued the family’s artistic legacy. Among Wyeth’s best-known works is Christina’s World (1948), housed in the Museum of Modern Art, New York—a quintessential image of 20th-century American art. His other notable series include The Helga Pictures and his window studies, each reflecting a profound meditation on solitude, memory, and perception. Wyeth was the first painter to receive both the Presidential Medal of Freedom and the Congressional Gold Medal, and was elected to the French Académie des Beaux-Arts in 1980. In 2022, Andrew Wyeth's painting Day Dream sold for USD 23.29 million at Christie’s New York, setting a world record for the artist. Andrew Wyeth lithograph...

This exquisite lithograph after Andrew Wyeth (1917–2009), titled Quaker Ladies, originates from the distinguished 1962 folio The Four Seasons: Paintings and Drawings by Andrew Wyeth. Published and printed by Art in America Company, Inc., New York, the edition exemplifies Wyeth’s deep reverence for nature and his mastery of tonal subtlety. Quaker Ladies captures the full flowering of spring—an intimate study of delicate wild blossoms rendered with Wyeth’s signature restraint and sensitivity to atmosphere, texture, and light. Executed on velin paper, this lithograph measures 17 x 13 inches (43.2 x 33 cm). As issued, it is signed in the plate and unnumbered, representing the folio’s authentic format. The Four Seasons series was conceived by the editors of Art in America in collaboration with Andrew and Betsy Wyeth, who selected drawings from the artist’s studio to express the cyclical beauty of nature’s transformations. Each image demonstrates Wyeth’s ability to translate fleeting seasonal impressions into works of quiet emotional resonance and painterly poetry. Artwork Details: Artist: After Andrew Wyeth (1917–2009) Title: Quaker Ladies, from The Four Seasons, Paintings and Drawings by Andrew Wyeth, 1962 Medium: Lithograph on velin paper Dimensions: 17 x 13 inches (43.2 x 33 cm) Inscription: Signed in the plate and unnumbered, as issued Date: 1962 Publisher: Art in America Company, Inc., New York Printer: Art in America Company, Inc., New York Condition: Well preserved, consistent with age and medium Provenance: From the 1962 folio The Four Seasons, Paintings and Drawings by Andrew Wyeth, published and printed by Art in America Company, Inc., New York Notes: Excerpted from the 1962 folio: "In 1962 the editors of Art in America proposed to Wyeth a portfolio of images of his recent dry-brush drawings. The artist and his wife suggested the theme, 'The Four Seasons,' because of the essential role played in his work by the cycle of the seasons. The drawings were selected by Andrew and Betsy Wyeth from works in the house and studio at Chadds Ford, supplemented by some owned by friends. With a few exceptions they had never been exhibited or reproduced. The plates were made directly from the originals. In these drawings Wyeth's loving concentration on the object is fully revealed. But as always in his work, this concern with the tangible is balanced by sensibility to mood, to the emotion arising from the actual. They are pervaded with a sense of the season—the exact time of year, the hour of the day, the quality of the light. To the truth and subtlety with which he captures these intangible factors, these drawings owe their poignant poetry." About the Artist: Andrew Wyeth (1917–2009) was an American visual artist and one of the best-known painters of the mid-20th century. Although he considered himself an abstractionist, Wyeth’s work is characterized by a meticulous realism imbued with psychological depth and atmosphere. He often painted the landscapes and people surrounding his homes in Chadds Ford, Pennsylvania, and Cushing, Maine, creating an intimate record of American rural life. The son of the celebrated illustrator N. C. Wyeth, Andrew trained under his father before developing his own deeply personal visual language inspired by Winslow Homer, Henry David Thoreau, and King Vidor. His wife, Betsy Wyeth, was both his muse and career manager, while his son Jamie Wyeth continued the family’s artistic legacy. Among Wyeth’s best-known works is Christina’s World (1948), housed in the Museum of Modern Art, New York—a quintessential image of 20th-century American art. His other notable series include The Helga Pictures and his window studies, each reflecting a profound meditation on solitude, memory, and perception. Wyeth was the first painter to receive both the Presidential Medal of Freedom and the Congressional Gold Medal, and was elected to the French Académie des Beaux-Arts in 1980. In 2022, Andrew Wyeth's painting Day Dream sold for USD 23.29 million at Christie’s New York, setting a world record for the artist. Andrew Wyeth lithograph...

This exquisite lithograph after Andrew Wyeth (1917–2009), titled New Leaves, originates from the distinguished 1962 folio The Four Seasons: Paintings and Drawings by Andrew Wyeth. Pu...

This exquisite lithograph after Andrew Wyeth (1917–2009), titled Early October, originates from the distinguished 1962 folio The Four Seasons: Paintings and Drawings by Andrew Wyeth....

This exquisite lithograph after Andrew Wyeth (1917–2009), titled Spring Sun, originates from the distinguished 1962 folio The Four Seasons: Paintings and Drawings by Andrew Wyeth. Published and printed by Art in America Company, Inc., New York, the edition captures Wyeth’s luminous portrayal of seasonal awakening. Spring Sun evokes the thin sunlight and faint warmth of early spring—the quiet renewal of life after winter’s retreat—rendered with Wyeth’s characteristic restraint, tonal subtlety, and contemplative emotional depth. Executed on velin paper, this lithograph measures 17 x 13 inches (43.2 x 33 cm). As issued, it is signed in the plate and unnumbered, representing the folio’s authentic format. The Four Seasons series was conceived by the editors of Art in America in collaboration with Andrew and Betsy Wyeth, who selected drawings from the artist’s studio and personal collection to illustrate the intimate relationship between nature, time, and memory. Each composition distills Wyeth’s gift for transforming the familiar into visual poetry through mastery of texture, light, and mood. Artwork Details: Artist: After Andrew Wyeth (1917–2009) Title: Spring Sun, from The Four Seasons, Paintings and Drawings by Andrew Wyeth, 1962 Medium: Lithograph on velin paper Dimensions: 17 x 13 inches (43.2 x 33 cm) Inscription: Signed in the plate and unnumbered, as issued Date: 1962 Publisher: Art in America Company, Inc., New York Printer: Art in America Company, Inc., New York Condition: Well preserved, consistent with age and medium Provenance: From the 1962 folio The Four Seasons, Paintings and Drawings by Andrew Wyeth, published and printed by Art in America Company, Inc., New York Notes: Excerpted from the 1962 folio: "In 1962 the editors of Art in America proposed to Wyeth a portfolio of images of his recent dry-brush drawings. The artist and his wife suggested the theme, 'The Four Seasons,' because of the essential role played in his work by the cycle of the seasons. The drawings were selected by Andrew and Betsy Wyeth from works in the house and studio at Chadds Ford, supplemented by some owned by friends. With a few exceptions they had never been exhibited or reproduced. The plates were made directly from the originals. In these drawings Wyeth's loving concentration on the object is fully revealed. But as always in his work, this concern with the tangible is balanced by sensibility to mood, to the emotion arising from the actual. They are pervaded with a sense of the season—the exact time of year, the hour of the day, the quality of the light. To the truth and subtlety with which he captures these intangible factors, these drawings owe their poignant poetry." About the Artist: Andrew Wyeth (1917–2009) was an American visual artist and one of the best-known painters of the mid-20th century. Although he considered himself an abstractionist, Wyeth’s work is characterized by a meticulous realism imbued with psychological depth and atmosphere. He often painted the landscapes and people surrounding his homes in Chadds Ford, Pennsylvania, and Cushing, Maine, creating an intimate record of American rural life. The son of the celebrated illustrator N. C. Wyeth, Andrew trained under his father before developing his own deeply personal visual language inspired by Winslow Homer, Henry David Thoreau, and King Vidor. His wife, Betsy Wyeth, was both his muse and career manager, while his son Jamie Wyeth continued the family’s artistic legacy. Among Wyeth’s best-known works is Christina’s World (1948), housed in the Museum of Modern Art, New York—a quintessential image of 20th-century American art. His other notable series include The Helga Pictures and his window studies, each reflecting a profound meditation on solitude, memory, and perception. Wyeth was the first painter to receive both the Presidential Medal of Freedom and the Congressional Gold Medal, and was elected to the French Académie des Beaux-Arts in 1980. In 2022, Andrew Wyeth's painting Day Dream sold for USD 23.29 million at Christie’s New York, setting a world record for the artist. Andrew Wyeth lithograph...

This exquisite lithograph after Andrew Wyeth (1917–2009), titled May Day, originates from the distinguished 1962 folio The Four Seasons: Paintings and Drawings by Andrew Wyeth. Published and printed by Art in America Company, Inc., New York, the edition embodies Wyeth’s lyrical study of springtime renewal and human connection to the land. May Day captures a tender seasonal moment—nature reawakening beneath soft light—rendered with Wyeth’s quiet precision and emotional restraint that elevate the ordinary into the timeless. Executed on velin paper, this lithograph measures 17 x 13 inches (43.2 x 33 cm). As issued, it is unsigned and unnumbered, representing the folio’s authentic format. The Four Seasons series was conceived by the editors of Art in America in collaboration with Andrew and Betsy Wyeth, who selected drawings from the artist’s studio and private collection to express the cyclical harmony between nature and spirit. Each image reflects Wyeth’s devotion to atmosphere and the fragile poetry of the passing year. Artwork Details: Artist: After Andrew Wyeth (1917–2009) Title: May Day, from The Four Seasons, Paintings and Drawings by Andrew Wyeth, 1962 Medium: Lithograph on velin paper Dimensions: 17 x 13 inches (43.2 x 33 cm) Inscription: Unsigned and unnumbered, as issued Date: 1962 Publisher: Art in America Company, Inc., New York Printer: Art in America Company, Inc., New York Condition: Well preserved, consistent with age and medium Provenance: From the 1962 folio The Four Seasons, Paintings and Drawings by Andrew Wyeth, published and printed by Art in America Company, Inc., New York Notes: Excerpted from the 1962 folio: "In 1962 the editors of Art in America proposed to Wyeth a portfolio of images of his recent dry-brush drawings. The artist and his wife suggested the theme, 'The Four Seasons,' because of the essential role played in his work by the cycle of the seasons. The drawings were selected by Andrew and Betsy Wyeth from works in the house and studio at Chadds Ford, supplemented by some owned by friends. With a few exceptions they had never been exhibited or reproduced. The plates were made directly from the originals. In these drawings Wyeth's loving concentration on the object is fully revealed. But as always in his work, this concern with the tangible is balanced by sensibility to mood, to the emotion arising from the actual. They are pervaded with a sense of the season—the exact time of year, the hour of the day, the quality of the light. To the truth and subtlety with which he captures these intangible factors, these drawings owe their poignant poetry." About the Artist: Andrew Wyeth (1917–2009) was an American visual artist and one of the best-known painters of the mid-20th century. Although he considered himself an abstractionist, Wyeth’s work is characterized by a meticulous realism imbued with psychological depth and atmosphere. He often painted the landscapes and people surrounding his homes in Chadds Ford, Pennsylvania, and Cushing, Maine, creating an intimate record of American rural life. The son of the celebrated illustrator N. C. Wyeth, Andrew trained under his father before developing his own deeply personal visual language inspired by Winslow Homer, Henry David Thoreau, and King Vidor. His wife, Betsy Wyeth, was both his muse and career manager, while his son Jamie Wyeth continued the family’s artistic legacy. Among Wyeth’s best-known works is Christina’s World (1948), housed in the Museum of Modern Art, New York—a quintessential image of 20th-century American art. His other notable series include The Helga Pictures and his window studies, each reflecting a profound meditation on solitude, memory, and perception. Wyeth was the first painter to receive both the Presidential Medal of Freedom and the Congressional Gold Medal, and was elected to the French Académie des Beaux-Arts in 1980. In 2022, Andrew Wyeth's painting Day Dream sold for USD 23.29 million at Christie’s New York, setting a world record for the artist. Andrew Wyeth lithograph...

This exquisite lithograph after Andrew Wyeth (1917–2009), titled Burning Off, originates from the distinguished 1962 folio The Four Seasons: Paintings and Drawings by Andrew Wyeth. P...

This exquisite lithograph after Andrew Wyeth (1917–2009), titled Teel’s Island, originates from the distinguished 1962 folio The Four Seasons: Paintings and Drawings by Andrew Wyeth....

This exquisite lithograph after Andrew Wyeth (1917–2009), titled Storing Up, originates from the distinguished 1962 folio The Four Seasons: Pai...

This exquisite lithograph after Andrew Wyeth (1917–2009), titled Brinton’s Mill, originates from the distinguished 1962 folio The Four Seasons: Paintings and Drawings by Andrew Wyeth. Published and printed by Art in America Company, Inc., New York, the edition exemplifies Wyeth’s intimate connection to the Brandywine Valley landscape. Brinton’s Mill, a historic gristmill near Chadds Ford, Pennsylvania—later purchased and restored by Wyeth and his wife Betsy—appears here bathed in the gentle light of seasonal transition, a motif of both personal and regional significance rendered with quiet reverence and precision. Executed on velin paper, this lithograph measures 17 x 13 inches (43.2 x 33 cm). As issued, it is unsigned and unnumbered, representing the folio’s authentic format. The Four Seasons series was conceived by the editors of Art in America in collaboration with Andrew and Betsy Wyeth, who selected drawings from the artist’s studio to illustrate the cycle of renewal and passage. Each image in the series embodies Wyeth’s profound sensitivity to mood, atmosphere, and the subtle interplay between man and nature. Artwork Details: Artist: After Andrew Wyeth (1917–2009) Title: Brinton’s Mill, from The Four Seasons, Paintings and Drawings by Andrew Wyeth, 1962 Medium: Lithograph on velin paper Dimensions: 17 x 13 inches (43.2 x 33 cm) Inscription: Unsigned and unnumbered, as issued Date: 1962 Publisher: Art in America Company, Inc., New York Printer: Art in America Company, Inc., New York Condition: Well preserved, consistent with age and medium Provenance: From the 1962 folio The Four Seasons, Paintings and Drawings by Andrew Wyeth, published and printed by Art in America Company, Inc., New York Notes: Excerpted from the 1962 folio: "In 1962 the editors of Art in America proposed to Wyeth a portfolio of images of his recent dry-brush drawings. The artist and his wife suggested the theme, 'The Four Seasons,' because of the essential role played in his work by the cycle of the seasons. The drawings were selected by Andrew and Betsy Wyeth from works in the house and studio at Chadds Ford, supplemented by some owned by friends. With a few exceptions they had never been exhibited or reproduced. The plates were made directly from the originals. In these drawings Wyeth's loving concentration on the object is fully revealed. But as always in his work, this concern with the tangible is balanced by sensibility to mood, to the emotion arising from the actual. They are pervaded with a sense of the season—the exact time of year, the hour of the day, the quality of the light. To the truth and subtlety with which he captures these intangible factors, these drawings owe their poignant poetry." About the Artist: Andrew Wyeth (1917–2009) was an American visual artist and one of the best-known painters of the mid-20th century. Although he considered himself an abstractionist, Wyeth’s work is characterized by a meticulous realism imbued with psychological depth and atmosphere. He often painted the landscapes and people surrounding his homes in Chadds Ford, Pennsylvania, and Cushing, Maine, creating an intimate record of American rural life. The son of the celebrated illustrator N. C. Wyeth, Andrew trained under his father before developing his own deeply personal visual language inspired by Winslow Homer, Henry David Thoreau, and King Vidor. His wife, Betsy Wyeth, was both his muse and career manager, while his son Jamie Wyeth continued the family’s artistic legacy. Among Wyeth’s best-known works is Christina’s World (1948), housed in the Museum of Modern Art, New York—a quintessential image of 20th-century American art. His other notable series include The Helga Pictures and his window studies, each reflecting a profound meditation on solitude, memory, and perception. Wyeth was the first painter to receive both the Presidential Medal of Freedom and the Congressional Gold Medal, and was elected to the French Académie des Beaux-Arts in 1980. In 2022, Andrew Wyeth's painting Day Dream sold for USD 23.29 million at Christie’s New York, setting a world record for the artist. Andrew Wyeth lithograph...

This exquisite lithograph after Andrew Wyeth (1917–2009), titled The Corner, originates from the distinguished 1962 folio The Four Seasons: Pai...

This exquisite lithograph after Andrew Wyeth (1917–2009), titled The Berry Picker, originates from the distinguished 1962 folio The Four Seasons: Paintings and Drawings by Andrew Wye...

Jamie Wyeth "Herring Gulls" 1978 Color Lithograph Signed Lower Right Numbered Lower Left 149/300 Born in 1946, James Browning Wyeth came of age when the meaning of patriotism was clouded by the traumas of the Vietnam War and the scandals of Watergate. Working in an era of turmoil and questioning of governmental authority, he did art that encompassed both marching off to war and marching in protest. One of James's early masterworks, Draft Age (1965) depicts a childhood friend as a defiant Vietnam-era teenager resplendent in dark sunglasses and black leather jacket in a suitably insouciant pose. Two years later Wyeth painstakingly composed a haunting, posthumous Portrait of President John F. Kennedy (1967) that seems to catch the martyred Chief Executive in a moment of agonized indecision. As Wyeth Center curator Lauren Raye Smith points out, Wyeth "did not deify the slain president, [but] on the contrary made him seem almost too human." Based on hours of study and sketching of JFK's brothers Robert and Edward - documented by insightful studies in the exhibition - the final, pensive portrait seemed too realistic to family members and friends. "His brother Robert," writes Smith in the exhibition catalogue, "reportedly felt uneasy about this depiction, and said it reminded him of the President during the Bay of Pigs invasion." In spite of these misgivings, James's JFK likeness has been reproduced frequently and is one of the highlights of this show. The poignancy, appeal and perceptiveness of this portrait, painted when the youngest Wyeth was 21 years old, makes one wish he would do more portraits of important public figures. James himself feels he is at his best painting people he knows well, as exemplified by his vibrant Portrait of Jean Kennedy Smith (1972), which captures the vitality of the slain President's handsome sister. He did paint a portrait of Jimmy Carter for the January 1977 man-of-the-year cover of Time magazine, showing the casually dressed President-elect as a straightforward character posed under a flag-draped water tower next to the family peanut plant in Plains, Ga. James recalls that Carter had one Secret Service agent guarding him as he posed outdoors, a far cry from the protection our Chief Executives require today. As a participating artist in the "Eyewitness to Space" program organized by the National Aeronautics and Space Administration in collaboration with the National Gallery of Art in the late 1960s, Wyeth deftly recorded in a series of watercolors his eyewitness observations of dramatic spacecraft launchings and more mundane scenes associated with the space program. Commissioned by Harper's Magazine to cover the 1974 congressional hearings and trials of Watergate figures, James Wyeth executed a series of perceptive and now evocative sketches that recall those dark chapters in our history. Memorable images include a scowling John Ehrlichman, a hollow-eyed Bob Haldeman, an owlish Charles Colson, a focused Congressman Peter Rodino, a grim visaged Father/ Congressman Robert Drinan, and vignettes of the press and various courtroom activities. An 11-by-14-inch pencil sketch of the unflappable Judge John Sirica is especially well done. These "images are powerful as historical records," observes Smith, "and as lyrically journalistic impressions of events that changed the nation forever." Wyeth's sketch of early-morning crowds lined up outside the Supreme Court building hoping to hear the Watergate case, with the ubiquitous TV cameramen looking on, is reminiscent of recent scenes as the high court grappled with the Bush-Gore contest. The Wyeth family penchant for whimsy and enigmatic images is evident in Islanders (1990), showing two of James's friends, wearing goofy hats, sitting on the porch of a small Monhegan Island (Me.) cottage draped with a large American flag. Mixing the serious symbolism of Old Glory with the irreverent appearance of the two men, James has created a puzzling but interesting composition. Painting White House...

Chinese Leader's Portrait Charles F. Ellis passed on October 1st, 2004 at the age of 82. Mr. Ellis was hired to teach illustration in 1971 at the newly opened Art Institute of P...

"Joe Louis Knocking Out Max Schmeling" Charles F. Ellis passed on October 1st, 2004 at the age of 82. Mr. Ellis was hired to teach illustration in 1971 ...

Portrait of Mayor Lindsay Charles F. Ellis passed on October 1st, 2004 at the age of 82. Mr. Ellis was hired to teach illustration in 1971 at the newly opened Art Institute of P...

Earthly (Still Life Cornucopia of Summer & Fall Vegetables with Impasto Detail) 48 x 36 inches, oil on linen Signed right bottom corner Ann Getsinger is an oil painter with a home ...

Peodil (Pink Peony with Yellow Center and Smaller Daffodil Realist Still Life) Made in 2023, by Berkshire based artist Ann Getsinger oil on linen, 20 x 16 inches Signed, lower left ...

Shell Bowl (Realist Still Life of Iridescent Shell Against a Stormy Landscape) Made is 2024, by Berkshire based artist Ann Getsinger oil on linen, 16 x 12 inches Signed, lower right...

Orchard Antler (Realist Still Life of White Pitcher and Antler with Misty Fog) Made is 2021, by Berkshire based artist Ann Getsinger oil on linen, 14 x 11 inches Signed, lower right...

Daffodil Sunset (Realistic Bright Yellow Daffodil Still Life in Blue Vase against Moody Sunset) Made is 2021, by Berkshire based artist Ann Getsinger oil on linen, 20 x 16 inches Si...

Flock and Zinnia (Pink Zinnia Still Life with Sheep and Cloud Landscape) Made is 2021, by Berkshire based artist Ann Getsinger oil on linen, 14 x 11 inches Signed, lower left Ann G...

Suspension (Hyper-Realist Still Life of Flowers and Vegetables against Clouds) Made is 2021, by Berkshire based artist Ann Getsinger oil on linen, 20 x 24 inches Signed, bottom left...

Prismagourd (Realist Still Life Oil Painting of Green and Orange Gourd on Side) Made is 2022, by Berkshire based artist Ann Getsinger oil on linen, 11 x 14 inches Ann Getsinger is ...

Realistic, Modern Still-Life Painting of Watermelon and a Pine Forest Made is 2022, by Berkshire based artist Ann Getsinger oil on linen 11 x 14 inches 16 x 13 inches in a walnut fl...

Toy Horse Series: Sunset (Still Life with Toy Horse Against Sunset Landscape) 12 x 12 inches, oil on linen 14 x 14 inches in frame of medium dark wood Signed right bottom corner An...

An oil painting by Rachel Personett (b. 1991, Hawaii) of pure, white spring tulips with long green stems, blossoming upward atop a blue backdrop. Signed "Personett" lower right, rect...

An oil painting by contemporary painter Rachel Personett (b. 1991, Hawaii) of white daisies gathered in a small glass vase situated on a wooden tabletop. Another bouquet of flowers...

An oil painting by Rachel Personett (b. 1991, Hawaii) of a group of pale daffodils, with yellow centes, and long green stems. The eponymous springtime flower is the first symbol of ...

An oil painting by American artist Rachel Personett (b. 1991, Hawaii) of a woodland scene in October. Yellow foliage adorns the trees and fallen brown leaves cover the ground in this...

First Light $4800 oil on stretched canvas New England Contemporary Landscape Artist Statement Throughout my life I have had the benefit of living in different rural environments w...

Boulders 30" x 40" $4800 oil on stretched canvas New England Artist Statement Throughout my life I have had the benefit of living in different rural environments within New Eng...

Grove Oil /Canvas Landscape Light & Color New England 30" x 40" Contemporary Artist Statement Throughout my life I have had the benefit of living in different rural environments...

Spring Thaw Oil /Canvas Landscape Light & Color New England 40" x 30" Artist Statement Throughout my life I have had the benefit of living in different rural environments with...

Look for FREE SHIPPING WHEN CHECKING OUT ON 1STDIBS The Yellow Sky, Oil /Canvas Landscape, Colors, Architecture, Contemporary Art Artist Statement Throughout my life I have had th...

Upland Fir is a framed oil on canvas painting by artist Peter Batchelder. It is 30" x 18" inches. Artist Statement Throughout my life I have had the benefit of living in differe...

Blueberry Meadow is a framed oil on canvas painting by artist Peter Batchelder. Artist Statement Throughout my life I have had the benefit of living in different rural environments...

Look for FREE SHIPPING WHEN CHECKING OUT ON 1STDIBS Spring Shade 20 x 16 OIL ON CANVAS FRAMED $2500 PAINTED 2022. Frame photo is only to show frame. Artist Statement Throughout my ...

Look for FREE SHIPPING WHEN CHECKING OUT ON 1STDIBS Light of Day OIL ON CANVAS FRAMED $1700 PAINTED 2022 Artist Statement Throughout my life I have had the benefit of living in dif...

Look for FREE SHIPPING WHEN CHECKING OUT ON 1STDIBS Highland Grove 16 x 14 OIL ON CANVAS FRAMED $1700 PAINTED 2022 Artist Statement Throughout my life I have had the benefit of livi...

"Three Magenta Peonies" is contemporary realist oil painting pink flowers on black background. A classical painting subject and style, with a fresh and intriguing touch. Signed "Personett" lower left corner. Framed in a traditional black frame w gold trim. Framed dimensions: Rachel Personett was born in Hawaii, but raised in Colorado. Being the daughter of a pilot she has always traveled extensively. She has studied part time at the Savannah College of Art and Design, The Angel Academy of Art, and finally settled on the Florence Academy of Art, graduating in 2015. In January 2016 she apprenticed the painter Odd Nerdrum in Norway for eight months. Rachel Personett works strictly from life, and enjoys the challenged of painting the ephemeral. Working from life provides the opportunity to travel around the world painting the ever changing people and landscapes. Artist Statement My mother had studied advertising in college, so she knew a lot about arts and good craftsmanship. She did talks at my elementary school each week and on a different artist. I remember being very moved by the images of Van Gogh and Andrew Wyeth. At the Florence Academy I really liked Sargent, Sorolla, Willard Metcalf, Henri Fantin-Latour and Velazquez. At Odd Nerdrums I gained new respect for Rembrandt and was introduced to other Scandinavian...

Painted from life, from a beach, looking across a little harbor full of brightly colored boats towards a little whitewashed town. Along the shoreline are the remnants of a child’s sandcastle. Signed "Personett" lower left corner. Framed in a traditional black frame w gold trim. Framed dimensions: 13 x 12 inches Rachel Personett was born in Hawaii, but raised in Colorado. Being the daughter of a pilot she has always traveled extensively. She has studied part time at the Savannah College of Art and Design, The Angel Academy of Art, and finally settled on the Florence Academy of Art, graduating in 2015. In January 2016 she apprenticed the painter Odd Nerdrum in Norway for eight months. Rachel Personett works strictly from life, and enjoys the challenged of painting the ephemeral. Working from life provides the opportunity to travel around the world painting the ever changing people and landscapes. Artist Statement My mother had studied advertising in college, so she knew a lot about arts and good craftsmanship. She did talks at my elementary school each week and on a different artist. I remember being very moved by the images of Van Gogh and Andrew Wyeth. At the Florence Academy I really liked Sargent, Sorolla, Willard Metcalf, Henri Fantin-Latour and Velazquez. At Odd Nerdrums I gained new respect for Rembrandt and was introduced to other Scandinavian painters...

Painted from life, a single pink peony blossoms amidst green leaves against a black backdrop. A classical painting subject and style, with a fresh and intriguing touch. Signed "Personett" lower left corner. Framed in a traditional black frame w gold trim. Framed dimensions: 13.25 x 11.75 inches Rachel Personett was born in Hawaii, but raised in Colorado. Being the daughter of a pilot she has always traveled extensively. She has studied part time at the Savannah College of Art and Design...

“Elephant In The Pool,” an original oil on canvas by Robert K. White, is a piece for the true collector. White’s careful attention to detail and vivid use of greens, browns, and blue...

“Dancer's Dream,” an original oil on canvas by Robert K. White, is a piece for the true collector. White’s careful attention to detail and vivid use of greens, browns, and whites project from the painting, immediately capturing the viewer's attention and highlighting the artist's keen ability to capture emotion and life - all in a brushstroke. White's talent for depicting light and shadow provides the foundation for him to deliver subjects and scenes to the viewer's eye. This masterful work would make a great addition to an art collection and enhance most any home, perfect for those who have an affinity for dancers, the ballet, portraits, and color-rich works of art. In the artist’s own words, “I don’t paint what is inside of me; I paint what I see outside of me. I’m an observer. If I see something and I feel an affinity for it, something just clicks in my head. I’ll make the decision right then and there to paint that particular subject during that particular moment. It’s a perfect moment. Once something has caught my eye and I’ve heard the “perfect” click, it’s like a photograph has been taken in my mind’s eye. I only have a few days of clarity with that image. I have to start the painting quickly or else it will be gone and I will lose that image forever.” Artist: ROBERT KENNETH WHITE...

“Being There,” an original oil on canvas by Robert K. White, is a piece for the true collector. White’s careful attention to detail and vivid use of browns and reds project from the painting, immediately capturing the viewer's attention and highlighting the artist's keen ability to capture emotion and life - all in a brushstroke. White's talent for depicting light and shadow provides the foundation for him to deliver subjects and scenes to the viewer's eye. This masterful work would make a great addition to an art collection and enhance most any home, perfect for those who have an affinity for cityscapes, theater, and architecture. In the artist’s own words, “I don’t paint what is inside of me; I paint what I see outside of me. I’m an observer. If I see something and I feel an affinity for it, something just clicks in my head. I’ll make the decision right then and there to paint that particular subject during that particular moment. It’s a perfect moment. Once something has caught my eye and I’ve heard the “perfect” click, it’s like a photograph has been taken in my mind’s eye. I only have a few days of clarity with that image. I have to start the painting quickly or else it will be gone and I will lose that image forever.” Artist: ROBERT KENNETH WHITE...

Painted from life, the artist standing on a street corner looking across to three buildings lit by ambient street lights. Rising up behind the city is a dark mass, a hill silhouetted against the comparatively brighter blue night sky. Signed "Personett" lower right corner. Framed in a traditional black frame w gold trim. Framed dimensions: 17 x 15 inches Rachel Personett was born in Hawaii, but raised in Colorado. Being the daughter of a pilot she has always traveled extensively. She has studied part time at the Savannah College of Art and Design, The Angel Academy of Art, and finally settled on the Florence Academy of Art, graduating in 2015. In January 2016 she apprenticed the painter Odd Nerdrum in Norway for eight months. Rachel Personett works strictly from life, and enjoys the challenged of painting the ephemeral. Working from life provides the opportunity to travel around the world painting the ever changing people and landscapes. Artist Statement My mother had studied advertising in college, so she knew a lot about arts and good craftsmanship. She did talks at my elementary school each week and on a different artist. I remember being very moved by the images of Van Gogh and Andrew Wyeth. At the Florence Academy I really liked Sargent, Sorolla, Willard Metcalf, Henri Fantin-Latour and Velazquez. At Odd Nerdrums I gained new respect for Rembrandt and was introduced to other Scandinavian painters...

An oil painting by Contemporary American Artist, Rachel Personett. Painted from life, a grouping of irises stand tall against a black backdrop. A classical painting subject and style...

A still life of a Ushanka, a Russian winter hat, fur trimmed with ear flaps. Personett's textured fur and wood table invites the viewers to feel as if they are in the painting. The frayed edges of the strings of the hat suggests this is a well-worn garment, loved for many years. Groupings of snowberries rest beside the hat, a delicate symbol of purity and resilience. Signed "Personett" lower right corner. Framed in a traditional black frame w gold trim. Framed dimensions: 17 x 15 inches Frame has some notable scuffs - but the painting is in excellent condition. Rachel Personett was born in Hawaii, but raised in Colorado. Being the daughter of a pilot she has always traveled extensively. She has studied part time at the Savannah College of Art and Design, The Angel Academy of Art, and finally settled on the Florence Academy of Art, graduating in 2015. In January 2016 she apprenticed the painter Odd Nerdrum in Norway for eight months. Rachel Personett works strictly from life, and enjoys the challenged of painting the ephemeral. Working from life provides the opportunity to travel around the world painting the ever changing people and landscapes. Artist Statement My mother had studied advertising in college, so she knew a lot about arts and good craftsmanship. She did talks at my elementary school each week and on a different artist. I remember being very moved by the images of Van Gogh and Andrew Wyeth. At the Florence Academy I really liked Sargent, Sorolla, Willard Metcalf, Henri Fantin-Latour and Velazquez. At Odd Nerdrums I gained new respect for Rembrandt and was introduced to other Scandinavian painters like Edward Munch...

ROBERT KENNETH WHITE (b. 1950) – “THE CARESS” Oil on Canvas ⚜ Hand Signed Lower Left ⚜ Frameless Display AN INTIMATE EQUINE PORTRAIT OF TENDERNESS AND QUIET POWER In The Caress, Ro...

ROBERT KENNETH WHITE (b. 1950) – “ROCK WALL” Oil on Canvas ⚜ Hand Signed Lower Right ⚜ Frameless Display A MEDITATIVE ENCOUNTER BETWEEN HUMAN STILLNESS AND ANCIENT STONE There is a ...

ROBERT KENNETH WHITE (b. 1950) – “THE LADY VANISHES” Oil on Canvas ⚜ Hand Signed Lower Right ⚜ Frameless Display A CINEMATIC VISION OF MIDCENTURY GLAMOUR AND URBAN MEMORY In The La...

Artist: Jacob Lawrence Title: The Swearing In Medium: Color screenprint on Cream Wove Paper Dimensions: 18" x 28" Year: 1977 Inscription: Signed, titled, dated and numbered 80/100 in...

This exquisite oil painting by Lowell Nesbitt (1933–1993), titled Frosted Mountain ‘82, was executed in 1982. Created during one of the most celebrated periods of the artist’s career...

This exquisite oil painting by Lowell Nesbitt (1933–1993), titled Dark Drift, was executed in 1960. Created during the formative years of the artist’s career, this richly textured co...

This exquisite oil painting by Lowell Nesbitt (1933–1993), titled Quiet Dream ‘84 (Quiet Dream ‘84), was executed in 1984. Created during one of the most mature and conceptually refi...

This exquisite oil painting by Lowell Nesbitt (1933–1993), titled Six Robes ’74, was executed in 1974. This masterfully conceived composition exemplifies Nesbitt’s fascination with t...

This exquisite pastel drawing by Lowell Nesbitt (1933–1993), titled Man with Calla Lilies ’90, was executed in 1990. This masterfully conceived composition exemplifies the artist’s u...