Abstract Drawings and Watercolors

charcoal on paper 20 x 15.5 x 1.5 inches each (framed) In the fields of sculpture and drawing, George Thiewes creates sharp, angular work with a focus on the interaction of light a...

Ink on archival paper, limited edition of 20 - artwork can be shipped in a tube or framed in a crate

Acrylic on 300 lb Arches - Unframed Hallard works with the themes of space and geometry, manipulating images and arrangements of objects in order to challenge the perception of the ...

James Minden Place Holographic drawing- Hand incised plastic and acrylic on panel 24 x 24 inches 2013 To get a sense of the holographic effect look at the video on that vimeo's site...

Artist's Statement: "My paintings are an attempt to synthesize and enlighten pursuits of eastern and western art and their traditions. Using the full visual language of abstraction –...

Charcoal and water on paper. Unframed. Margaret Neill works for a time on a group of pieces in a series, using classic almost primal materials such as graphite, charcoal, paint on t...

Pencil and acrylic on Canson-Montval paper - Unframed. This artwork conveys a color and emotional language and is inspired by the series Color as Adjective, a series of drawings and...

Untitled 05, 2017 Wax crayon on canvas (Signed on reverse) 78.74 H x 59.05 W in 200 H x 150 W cm Zsolt Berszán treats the first layer of the drawing as a substrate, as a surface on ...

An original watercolor painting by Westley "Wes" Olmsted. This work is currently featured in the exhibition Man of Extremes at Benjaman Gallery in Buffalo, NY. Westley G. Olmsted (1934-2011) was a painter and sculptor. He was born in Buffalo, New York, and was a distant relative Frederick Law Olmsted...

ANDRZEJ FOGTT (born in 1950) He graduated from the PWSSP in Poznań in 1974 where he studied in the studios of prof. Z.Kępiński and M. Abakanowicz. Initially, his art was considered t...

Oil, ink and acrylic on paper - Unframed In her abstract drawings, collages and paintings, Fieroza Doorsen brings to life the tensions and harmonies that emerge when structure meets...

"Preferred But Not Required" is an original oil pastel drawing by Reginald K. Gee. The artist signed the piece in the left margin. This abstract piece contains a wide variety of colo...

Oil pastel drawing on amate paper, unique,

Untitled 08, 2015 - 2016 Mixed technique: oil paint, adhesive on paper (Signed on reverse, Framed) 8.26 H x 5.9 W in 21 H x 15 W cm Zsolt Berszán’s work speaks of repulsion and fasc...

Gouche and technic mixte on paper.signed in the text. Benjamin Vautier was born July 18, 1935 in Naples, Italy to a French family. He is the great-grandson of the Swiss painter Marc Louis Benjamin Vautier [fr] (1829-1898). He discovered Yves Klein and the Nouveau Réalisme in the 1950s, but he became quickly interested in the French dada artist Marcel Duchamp and the music of John Cage. In 1959, Vautier founded the journal Ben Dieu.[2] In 1960, he had his first one-man show, Rien et tout in Laboratoire 32. Ben joined George Maciunas...

Untitled 07, 2015 - 2016 Mixed technique: oil paint, adhesive on paper (Signed on reverse, Framed) 8.26 H x 5.9 W in 21 H x 15 W cm Zsolt Berszán’s work speaks of repulsion and fasc...

Untitled 01, 2016 Wax crayon on canvas (Signed on reverse) 78.74 H x 59.05 W in 200 H x 150 W cm Zsolt Berszán treats the first layer of the drawing as a substrate, as a surface on ...

Acrylic on paper. Unframed. As a multidisciplinary artist, Snow uses different mediums and supports. Each work results from preliminary studies drawn with pen or pencil and which so...

Untitled 06, 2015 - 2016 Mixed technique: oil paint, adhesive on paper (Signed on reverse, Framed) 8.26 H x 5.9 W in 21 H x 15 W cm Signed on reverse Zsolt Berszán’s work speaks of...

"The Fish Tank" is an original mixed media on paper by Dan Muller. The artist signed the piece lower right. This artwork features abstract shapes and marks in the primary colors. The...

Signed and dated center right edge; Annotated "48" lower left Provenance: Estate of the artist One of a suite of 120 drawings that the artist did in 1 month. Most were sold thro...

Abstract, cubist-style graphite drawing in mid-century modern frame Graphite on paper in vintage frame 15 x 11 inches This graphite work on paper was inspired by the bottle still li...

Oil on paper - Unframed In her abstract drawings, collages and paintings, Fieroza Doorsen brings to life the tensions and harmonies that emerge when structure meets intuition. Her v...

Ellen Steinfeld is a sculptor, a painter and has worked in several different media. She graduated with a degree in painting and design from Carnegie Mellon University and earned a graduate degree from the University of Pittsburgh. She has received numerous large-scale public and private commissions including an 18’ steel sculpture for the atrium of Roswell Park Cancer Institute and a commission to design 16 large stained glass windows for Christ Church in Detroit. Works in various media have been selected and incorporated into public spaces including schools, hotels, hospitals, museums, airports, stadiums and corporate collections. Her work was selected to represent New York State for the Absolut...

He was born in Paris, the son of a conversation though open-minded middle-class family. His father runs the family business of optical equipment but he's also a theatre lover, an author and a poet. He gives his son a strict education and the boy will feel closer to his mother. Pierre De Maria will become a honest, straightforward man, uncompromising to himself and the others. He is very particular about his appearance and, as a child of the "Belle époque" takes up to a kind of dandysm. A cousin of his, Jacques Camoreyt (a pupil of Albert Maignan) teaches him how to master pictorial techniques along with the rather academic education in Arts he is going through. From 1907 to 1914 he is a student at the Lycée Condorcet, first graduates in science and languages, then at the Engineering College just before World War 1. The sight of atrocities will leave a deep scar in his memory. He has a miraculous escape from the war and finds a job in the family firm. He soon realizes he hates everything related to engineering and decides to launch on into painting. He works as a scene painter with Ronsin and Laverdet workshop and on stage with "avant-garde" drama companies. In the same time, he shows his work at the "Salon d'Automne" in 1923 an gets a honour prize in the modern painting department. In 1925 he takes up to boxing and creates some polychromatic facades with Djo Bourgeois, then gets into the Art Deco trend as an architect and a decorator. Henri-Pierre Roché, a writer (Jules et Jim) a painter and an art collector close to the cubists has already discovered talents ( Brancusi, Wols…) and takes an in interest in Pierre De Maria. Autoportrait Environ 1960 In 1926 (the "Années Folles "in Paris) Pierre De Maria meets Marcel Duchamp, Brancusi and the surrealist gang he enjoys but never joins. « They were friends and I was curious but I never liked the hint of complaisance I saw in their work. » He then starts some technical research an collages as shown in his first exhibition of "pasted gouaches" in Princess'Murat 's gallery in Paris. (« Fermé la nuit ») « I never thought I'd make money with my paintings. I took to painting as I would have taken holy orders » He works as a journalist for Marianne and Vu magazines (1932-1933) and writes a detailed report about the Maelström in Norway and the soviet Movies. He has the opportunity to meet Eisenstein and Poudovkine in Sovietic Russia and thinks of making a name for himself in the Movie industry. In 1939 Pierre De Maria meets Germaine Pellegrino who becomes his wife a year later. They'll have two sons : Jacques born 1942 and François born 1943. The family settle in Geneva at the end of 1943. During those years he writes an unpublished autobiographical novel («Tir à volonté») as well as a collection of thoughts about various topics such as war. He also writes poems and a play (as his father had done) «Cornelius'death», in a rather humorous manner. « He who conveys the opinion of fools makes certain to get the majority of votes ». In 1944 he is back in Paris, leaving his wife. He'll settle in Nice in 1953 and starts there his mechanical period with the recurrent theme of machinery in his painting. In 1958 he has his second exhibition in Paris (JC de Chaudun's gallery) and shows a series of lino-engravings done after some drawings of his: he then begins being acknowledged by his contemporaries, his fellow-painters and the Parisian artistic circle. Jacques Prévert even dedicated him a poem. («Les Machinoutis») Henri Pierre Roché, Henri-Pieyre de Mandiargues, Yves Taillandier contribute to the catalogue, well received by the press. In the meantime, he has his works exhibited at the Salon d'Automne, the Salon de Mai, and the Salon Comparaison. In 1963, Flemish wood-engraver Frans Masereel, and Professor Gowa, the curator of the Offenbach Fine Arts, both introduce Pierre De Maria successfully in Germany, allowing him to become famous abroad. The Homo Atomicus Exhibition gathers 45 paintings, recounting the artist'progress over the past ten years. He's then nicknamed the «Atomic age Hyperonymus Bosch» ! In 1964, Greek gallery owner Iris Clert finds him out and helps him into a new career. He is then 68. Iris Clert, as a specialist in Contemporary Art has contributed to the coming out of the New Realism movement through her most spectacular and mediatical exhibitions. She takes a fancy to Pierre De Maria 's work : « The visit of his studio turned my love at first sight into a cutainty : he uses the technique from the Ancients to express Future. » Afterwards, both get into intense collaboration so that the painter is allowed to use the gallery owner's european and international net. In 1966, his work's dedicated a research published in Connaissance des Arts Magazine n° 70 : » A foreground study of Pierre De Maria in this month issue ». Later an article in International Art. In 1969 he turns 73 and he can see his first retrospective exhibition in Nice at the Ponchettes Gallery (about 60 paintings). At 76, he meets artist Hélène Bottet, from then on allowing humour to take over violence in his art. Machines don't frighten him anymore, he's now able to mock them even through they remain at the core of his paintings, in spite of the mechanical Art...

medium: watercolor on Arches paper Anastasia Pelias was born in New Orleans, LA to Greek parents. Her artistic practice is rooted in the dual cultural identity of both her native an...

Untitled 02, 2016 Wax crayon on canvas (Signed on reverse) 78.74 H x 59.05 W in 200 H x 150 W cm Zsolt Berszán treats the first layer of the drawing as a substrate, as a surface on ...

Artist: Stephen Greene, American (1917 - 1999) Title: Untitled Year: 1986 Medium: Acrylic and Mixed Media on Paper, signed and dated l.r. Size: 40 x 30 inches

Charcoal and pencil on paper. Note: The painting shown on the wall may not be proportional to the room size.

ink and watercolor on paper 42"x42" available framed This vibrant painting utilizes washes of color to abstract the figuration within the composition. Rich strokes of blue...

Untitled 03, 2016 Wax crayon on canvas (Signed on canvas) 78.74 H x 59.05 W in 200 H x 150 W cm Zsolt Berszán treats the first layer of the drawing as a substrate, as a surface on w...

Original drawing by Patrick Blake, custom framed and float mounted as pictured. The finished framed dimensions of the piece are 11.5in x 14in. "Though I work in many different me...

Signed and dated by the artist vertically lower left edge. Part of an experimental series of works using motor oil, India Ink, adhesives, sand, and various other mediums.

15"x15" ink and watercolor on paper This painting is from as series of ink and watercolor paintings that depict ad-hoc structures, similar to tree houses or forts. The st...

ink and watercolor on paper, 26"x 30" This painting is from as series of ink and watercolor paintings that depict ad-hoc structures, similar to tree houses or forts. The ...

These paintings and drawings are based on a structure of repetitive and deliberate gesture that is intuitive but carefully considered. Emily Berger brushes, wipes, rubs, and scrapes,...

These paintings and drawings are based on a structure of repetitive and deliberate gesture that is intuitive but carefully considered. Emily Berger brushes, wipes, rubs, and scrapes,...

Artist: Jules Engel Title: Golden X Year: 1970 Medium: Acrylic and Watercolor on Paper, signed and dated verso Image: 9.75 x 9.75 inches Frame: 19.5 x 19 inches

Tavlaridis Untitled (Box), 2016 32x42cm handmade cut out on paper Stratis Tavlaridis, was born in 1990 in Thessaloniki, Greece. He is a visual artist who constructs perforated inst...

graphite, ink, and watercolor on paper 30"x22" available framed Known for her idiosyncratic cartographic explorations of the psyche and mental states, Smith incorporates outer a...

watercolor, charcoal, graphite, ink on paper 19"x25" available framed Known for her idiosyncratic cartographic explorations of the psyche and mental states, Smith incorporates ou...

Vertical charcoal drawing on thick, high quality Arches paper 25 x 20 inch charcoal drawing on 30.5 x 22.5 inch Arches paper 35 x 28.5 inches in black frame with AR non-glare glass ...

What happens when the digital and analog duke it out? Who would win in this match: the printing press versus a high-speed internet connection? Or do we have to choose? What happens w...

What happens when the digital and analog duke it out? Who would win in this match: the printing press versus a high-speed internet connection? Or do we have to choose? What happens w...

What happens when the digital and analog duke it out? Who would win in this match: the printing press versus a high-speed internet connection? Or do we have to choose? What happens w...

15"x15" ink and watercolor on paper This painting is from as series of ink and watercolor paintings that depict ad-hoc structures, similar to tree houses or forts. The st...

Stratis Tavlaridis White Underwear, 2016 38x26cm handmade cut out on paper Stratis Tavlaridis, was born in 1990 in Thessaloniki, Greece.  He is a visual artist who constructs perfo...

Black Sky (The Cave Series), 3 graphite on paper 77 x 112 cm

watercolor and ink on paper available framed Jesse Lambert was born in Hudson, NY and grew up in rural New Hampshire and New York City. Jesse received a BFA from Cooper Union and...

ink and mixed media on paper, unframed 44 x 30 inches unframed black and white line drawing, black and white flower drawing, black and white flower, line flower drawing, arabes...

Pencil, colored pencil and charcoal on paper. Note: The painting shown on the wall may not be proportional to the room size.

Angela A’Court’s narrative and still life drawings use a simple and direct vocabulary to show the relationship of experience to expression of beauty and the quirkiness of every day moments. With an eye toward balance, the artist moves towards abstraction in "Winnowing Basket...

Ryan Sarah Murphy’s creative practice is intuitive and process-driven, prompted by the found ephemera in her daily experience. Responding to the inherent energy within discarded and ...

Eye catching abstract watercolor of a figure relaxing on the floor of a modern decorated room, circa 1970. Original artwork on paper displayed on a white mat with a gold border. A...

Chinese still life in yellow, red, blue and black. The tradition of art is continuous: past creations are tradition for today, and today's creation will be future traditions. Trad...

I grew up in the United States and completed a BA in literature in Santa Barbara, CA, an MA in literature in Sydney, Australia, and a three-year printmaking diploma in London, where I currently live with my husband and two sons. I have also lived in Ecuador, where I taught modern literature and creative writing, and in France, where I contributed articles on art to Surface magazine. I am fascinated by the way patterns are repeated in both nature and urban landscapes and find inspiration in everything from maps, train tracks and aerial photographs to stones, moss, bark, lily pads and microscopic organisms. The time required to finish one of my monotypes varies, but often takes months. I usually start by rolling a color all over a smooth Plexiglas plate and then work reductively, creating the image by removing ink, sometimes by masking sections, but mainly with turpentine, using everything from spatulas, droppers and paintbrushes to muslin, tissue and cotton swabs. Now and then I take an additive approach and start on a clean plate or use a ghost image (a print made with the faint, left-over ink from a used...

I grew up in the United States and completed a BA in literature in Santa Barbara, CA, an MA in literature in Sydney, Australia, and a three-year printmaking diploma in London, where I currently live with my husband and two sons. I have also lived in Ecuador, where I taught modern literature and creative writing, and in France, where I contributed articles on art to Surface magazine. I am fascinated by the way patterns are repeated in both nature and urban landscapes and find inspiration in everything from maps, train tracks and aerial photographs to stones, moss, bark, lily pads and microscopic organisms. The time required to finish one of my monotypes varies, but often takes months. I usually start by rolling a color all over a smooth Plexiglas plate and then work reductively, creating the image by removing ink, sometimes by masking sections, but mainly with turpentine, using everything from spatulas, droppers and paintbrushes to muslin, tissue and cotton swabs...

Black Sky (The Cave Series), 2, 2015 graphite on paper 77 x 112 cm