Abstract Drawings and Watercolors

Eva Magill-Oliver is a visual artist creating delicate, meditative collages, drawings, and paintings that reflect and explore different elements of the natural world. Currently living and working in Greenville, South Carolina, Magill-Oliver received her B.F.A. from the University of Georgia in Athens. She worked as an in-house artist and designer at a publishing company in Atlanta before pursuing a career as an independent artist. She is the author of Paint Alchemy: Exploring Process-Driven Techniques through Design, Pattern, Color, Abstraction, Acrylic, and Mixed Media, published by Quarry Books in 2018. While she has worked primarily on paper over the past several years, Magill-Olliver has recently expanded her work to include mixed media abstract paintings on canvas. In March 2019, Nike announced its partnership with Magill-Oliver, whose artwork was chosen to be featured on a new collection of running apparel and accessories for women. She intends for this collection to connect runners with the environment around them. The result is a dynamic collection of printed...

2018 Charcoal on paper Signed and dated upper left Framed (matte black wooden frame, black raised float mount on foam core, UV anti-reflective glass) Frame size 95 x 70 x 3 cm Felix Dolah...

Oil pastel, wax pastel, color pencil on paper.

'Greek Key' 2022 by Kate Roebuck. Ink and watercolor on handmade watercolor paper. 40 x 60 inches. This work features classic greek forms in white exposed...

the painting is being offered with a work and authenticity certificate

Kirsten Hawthorne received her MFA from the School of the Art Institute of Chicago, and she lives and works in New York City. Hawthorne is a master oil pastellist creating works on p...

Interior design paintings. The diptych is made with india ink in black, grey color on Yupo paper. Each work is 11 by 14 inches in size, framed (black) with a styrene face on a mat board in white with sizes 16 by 20 in. Mila Akopova...

This mesmerizing ink drawing on clay-coated panel by Jenifer Kent shows off the artist's meditative process as she hand-draws, without assistance from a straight edge, a network of l...

This mesmerizing ink drawing on clay-coated panel by Jenifer Kent shows off the artist's meditative process as she hand-draws, without assistance from a straight edge, a network of l...

Evening Moon Fruit, Original Contemporary Abstract Nautical Mixed Media Work, 2018 11" x 8.5" (HxW) Collage and Pen on Paper With clear inspiration from natural botanicals and oceanic life, artist Jenny Brown combines found imagery and her own mark making to create delicate yet bold designs. This work features an nature-inspired creature taking shape from a combination of paper ephemera on a charcoal colored piece of paper. Fine white lines and small dots in white, purple, and pink emerge and scatter around the composition, bringing the work to life, like glittering stars in the night sky. Artist Commentary: Evening Moon Fruit is a burst of color in the night sky, perhaps the light of another galaxy or interstellar nebula? Existing between constellations and planets, lush with roses and pink apples, this work is inspired by our dreamscapes and fascination with science fiction. Original is comprised of pen, ink, acrylic paint, & antique collage clippings. About the Artist: Jenny Brown is a visual artist living and working in Providence, Rhode Island, whose primary mediums are drawing, collage, and works on paper. Her work brings to life a mythical world of sea creatures and celestial beings, realized through her love of paper ephemera. Jenny studied art at Bennington College and received her MFA from the School of Visual Arts in New York in 2005. In addition to working with galleries in New York, Providence, and metro Boston, Jenny has collaborated with brands such as Hudson-Chatham Winery, Sheaffer Pens...

Eva Magill-Oliver is a visual artist creating delicate, meditative collages, drawings, and paintings that reflect and explore different elements of the natural world. Currently living and working in Greenville, South Carolina, Magill-Oliver received her B.F.A. from the University of Georgia in Athens. She worked as an in-house artist and designer at a publishing company in Atlanta before pursuing a career as an independent artist. She is the author of Paint Alchemy: Exploring Process-Driven Techniques through Design, Pattern, Color, Abstraction, Acrylic, and Mixed Media, published by Quarry Books in 2018. While she has worked primarily on paper over the past several years, Magill-Olliver has recently expanded her work to include mixed media abstract paintings on canvas. In March 2019, Nike announced its partnership with Magill-Oliver, whose artwork was chosen to be featured on a new collection of running apparel and accessories for women. She intends for this collection to connect runners with the environment around them. The result is a dynamic collection of printed...

Highly detailed patterned abstract composition by Patricia "Patti" Omori Shepp (American, b. 1954). This piece has a repeating pattern across the width, reflected on itself. Texture ...

Signed, titled & dated in pencil along the left edge of the paper. In excellent condition Provenance: McIntosh/Drysdale, Washington, D.C. 1988; Private Collection, Bethesda, Maryland; Private collection, San Diego, CA Exhibition History: The Corcoran Museum of Art, Washington, D.C. "Donald Sultan: In The Still Life Tradition" May 10-July 7...

Emma Godebska's artwork is inspired by the Parisian luxury world of fashion, textures and pure color. "Equinox Green 02" is a bright and colorful contemporary abstract painting. It i...

This mesmerizing ink drawing on clay-coated panel by Jenifer Kent shows off the artist's meditative process as she hand-draws, without assistance from a straight edge, a network of l...

Highly detailed rendering of a kimono by Patricia A. Pearce (American, b. 1948). The ribbons in this piece have a metallic quality to them. Signed "Patricia A Pearce" in the bottom r...

Gerlinde Beck Untitled Geometric Abstraction (Black) - Design for a Sculpture Pencil Drawing Year: 1969 Size: 21.3 × 17.6 in Signed by hand COA provided ---------------------------...

Black,White,Picasso,abstract Atelier stamp lower right Dora Maar, original name Henrietta Theodora Markovitch (Marković), (born November 22, 1907, Paris, France—died July 16, 1997, ...

An early work by Charles Burchfield, likely a project for an illustration. A Landscape in pastel colors with a white tree and the text Love and xxx.

Kirsten Hawthorne received her MFA from the School of the Art Institute of Chicago, and she lives and works in New York City. Hawthorne is a master oil pastellist creating works on p...

Composition is an original ink and watercolor drawing on paper, realized by the artist Antoine Mayo (1905-1990) in the 1970s. Good conditions. Antoine M...

Framed 33 X 45.5 image is 29 X 41.5 Hand signed lower left Signed and titled verso Sylvia Carewe (1906-1981) was an American woman artist, painter, writer and poet. Born in New York City to Russian immigrant parents, Louis and Esther Kerewsky, she changed her surname to "Carewe" in 1930. Carewe attended Columbia University and studied further with Yasuo Kuniyoshi at Atelier 17 in New York, with Hans Hoffman in New York and Provincetown, Massachusetts, and at the New School for Social Research. During World War II Carewe worked as an advertising copywriter and artist for agencies in New York. She became a prolific abstract artist in a range of media, including tapestry designs for the Aubusson tapestry carpet company in France, felt banners, collage reliefs, and what she termed "blown paintings," which were assemblages (predominantly of children's toy components) overlaid with spray paint. One of the most common subjects in her semi abstract paintings was New York City at night. She also worked in traditional artistic media, including watercolors, oils, lithographs and pastels. In October 1944, she married Marvin Small (formerly Smalheiser, executive for Carter's Little Liver Pills). They had one child, John Marvin, in June 1947. Carewe had her first one-woman show in Poughkeepsie in 1947, after which she opened in New York City at the ACA Gallery in 1948. She had some twenty other American solo shows and her works hung in many exhibits across the United States as well as in France, Belgium and the Netherlands. Her works are represented in the permanent collections of the Whitney Museum, Musée de l'Arte Moderne, Paris, Brandeis University, the Butler Art Institute, Howard University, the Tel Aviv Museum and the National Museum in Djakarta, Indonesia. Her work has been described by French critics as "violent, colorful art, in hard contrasts, not exempt from cold lyricism." ["Les Girls...

Donald Stacy "Sitting in Chair" c.1950s Gouache and oil pastel on paper 24" x 18" unframed Came from artist's estate *Custom framing available for additio...

This mesmerizing ink drawing on clay-coated panel by Jenifer Kent shows off the artist's meditative process as she hand-draws, without assistance from a straight edge, a network of l...

Snow queen, #2239 by Natasha Zupan Collage on paper Measures: 21 in. H x 17 in. W One of a kind Signed lower right on recto by the artist 2018 Natasha Zupa...

This mesmerizing ink drawing on clay-coated panel by Jenifer Kent shows off the artist's meditative process as she hand-draws, without assistance from a straight edge, a network of l...

Kirsten Hawthorne received her MFA from the School of the Art Institute of Chicago, and she lives and works in New York City. Hawthorne is a master oil pastellist creating works on p...

Composition is an original ink and watercolor drawing on paper, realized by the artist Antoine Mayo (1905-1990) in the 1970s. Good conditions. Antoine M...

William Black (British, Fl. 1963 – 69) Landscape abstraction Watercolour and ink on paper Signed, inscribed and dated ‘Landscape abstraction William Black 63’ (lower edge) 8 x 11.1/4 in. (20.3 x 28.3 cm.) William Black is a little known and underrated member of the St Ives artist group who, having worked as an architect after the Second World War, went on to work as an artist following the inheritance of money in the early 1950s. He was a self taught artist, producing numerous deconstructivist sculptures in the 1960s. He moved to St Ives in Cornwall where he knew artists such as Ben Nicholson, Barbara Hepworth and Naum Gabo. There is a clear architectural element to the sculptures that he made . They illustrate an assemblage of fragmented shapes and forms of a deconstructivist nature. William Black’s artwork is very much rooted in the time and Cornish School so one can see elements from those such as Wilhelmina Barns Graham...

Pastel on black paper

Abstract expressionism/symbolism.

Kirsten Hawthorne received her MFA from the School of the Art Institute of Chicago, and she lives and works in New York City. Hawthorne is a master oil pastellist creating works on p...

Dominika Krechowicz is a professor at the Gdansk GUT Institute The Art works from this series are painted with acrylic technique on fabriano watercolor paper. They were created from...

Single Quarters, 2022. Coloured pencil on black paper. 55.5 x 66cm As an extension of her ‘Opening Up’ series, Nicky Marais has focused on seemingly i...

Drawing / Geometric Abstraction / Mythology and Religion / Bright and Vivid Colors / Black and White Enamel, ink, colored pencil and alcohol ink on paper....

Realmar Gebou, 2022. Coloured pencil on black paper. 55.5 x 66cm As an extension of her ‘Opening Up’ series, Nicky Marais has focused on seemingly inn...

Kirsten Hawthorne received her MFA from the School of the Art Institute of Chicago, and she lives and works in New York City. Hawthorne is a master oil pastellist creating works on p...

Acrylic ink on Yupo paper Sumit Mehndiratta is an Indian artist born in 1986 who lives & works in New Delhi, India. He has pursued Master of Science in International Fashion Market...

This mesmerizing ink drawing on clay-coated panel by Jenifer Kent shows off the artist's meditative process as she hand-draws, without assistance from a straight edge, a network of l...

Kirsten Hawthorne received her MFA from the School of the Art Institute of Chicago, and she lives and works in New York City. Hawthorne is a master oil pastellist creating works on p...

Brushed crayon over acrylic on paper by Edward Marecak (1919-1993) titled Untitled #26. Geometric abstract mixed media painting in colors of black, purple, and blue. Presented in a ...

Black flower is an original contemporary artwork realized in 1987 by Mario Surbone. Colored mixed media (watercolor and carchoal) on paper. Hand signe...

Ondobe, 2022. Coloured pencil on black paper. 55.5 x 66cm As an extension of her ‘Opening Up’ series, Nicky Marais has focused on seemingly innocuous ...

Kirsten Hawthorne received her MFA from the School of the Art Institute of Chicago, and she lives and works in New York City. Hawthorne is a master oil pastellist creating works on p...

Interior design paintings. The work was done with acrylic and watercolor in red and black color on watercolor paper 360g. The work is 11 by 15 inches in size framed (black) with a s...

This original drawing by Patrick Blake measures 14in x 11.5in and ships float mounted in the pictured simple black custom frame. "Though I work in many different mediums, drawing ...

Fire is an original watercolor on paper 300g/m2 realized by Antonietta Valente in 2020. Hand-signed and dated on the back. Perfect conditions. Certificate of authenticity provided b...

Kirsten Hawthorne received her MFA from the School of the Art Institute of Chicago, and she lives and works in New York City. Hawthorne is a master oil pastellist creating works on p...

Kirsten Hawthorne received her MFA from the School of the Art Institute of Chicago, and she lives and works in New York City. Hawthorne is a master oil pastellist creating works on p...

Green and red abstract contemporary painting by Houston, TX artist Richard Fluhr. This painting features abstract blue eyes against a background of abstracted blue, orange and green ...

Abstract watercolor composition bearing the influence of the earlier color-block compositions of Paul Klee and Abstract Expressionist master Sam Francis. Pawel August Kontny, (Polish-German-American artist) He was born in Laurahuette, Poland, in 1923, the son of a wealthy pastry shop owner. In 1939 he began studying architecture in Breslau where he was introduced to the European masters and to the work of some of the German Expressionists, soon afterward banned as "degenerate artists" and removed from museums throughout Germany by the Nazi regime. His studies were interrupted by World War II. Drafted into the German army, traveling in many countries as a soldier, he sketched various landscapes but in 1945, he was captured and held as a prisoner of war in Italy. After the war, he studied at the Union of Nuremberg Architects to help design buildings to replace ones destroyed in the war. He recorded his impressions of the local population and the landscapes through his watercolors and drawings. Pawel Kontny thereafter moved to Nuremberg, Germany, becoming a member of the Union of Nuremberg Architects and helping to rebuild the city's historic center. He soon decided to concentrate on his professional art career. He married Irmgard Laurer, a dancer with the Nuremberg Opera. Pavel Kontny 's career as an artist was launched with his participation in an all German exhibition, held at the Dusseldorf Museum in 1952. He held one-man shows in Germany, Switzerland and the United States. During his trip to the United States in 1960, Kontny became instantly enamored with Colorado, and decided to relocate to Cherry Hills with his wife and two children. He quickly established himself in the local art community, being affiliated for a time with Denver Art Galleries and Saks Galleries. His subject matter became the Southwest. During this time he received the Prestigious Gold Medal of the Art Academy of Rome. His extensive travel provided material for the paintings he did using his hallmark marble dust technique. he also worked equally in pastel, watercolor, charcoal and pencil-and-ink. in a style which merged abstraction and realist styles, influenced by Abstract Expressionist painting and South Western American landscapes. In the early 1960s he was one of only a few European-born professional artists in the state, a select group that included Herbert Bayer (1900-1985), a member of the prewar Bauhaus in Weimar and Dessau, Germany, and Roland Detre (1903-2001), a Hungarian modernist painter. As a Denver, Colorado resident, Pavel Kontny exhibited at galleries and museums throughout the United States, Germany and Japan. There, he was inspired by frequent trips to Native American pueblos in the Southwest, as well as by the study of the Plains Indians of Montana and Wyoming. Over the years Kontny had a number of students and generously helped young artist by hosting exhibitions at his Cherry Hills home. For many years he generously donated his paintings to support charitable causes in Denver. Influences during his European years included German pastelist C.O. Muller, German Informel painter Karl Dahmen and Swiss artist, Hans Erni. In the early 1950s his painting style showed the influence of the Die Brücke (The Bridge), a group of German expressionist artists formed in Dresden in 1905 who had a major impact on the evolution of modern art in the twentieth century in Germany. By the middle of the decade his style incorporated more referential abstraction and total abstraction, resulting in part from his study of Hans Hartung, a German artist based in Paris who exhibited his gestural abstract work in Germany. The American moon landing in 1969 inspired Paul Kontny...

"The Chicken", is ink on paper by Denver artist Edward Marecak (1919-1993) from the 1940's of an abstract depiction of a chicken in black and red. Presented in a custom black frame, outer dimensions measure 23 ¾ x 19 ¾ inches. Image size measures 15 ¾ x 11 ½ inches. Drawing is clean and in very good condition - please contact us for a detailed condition report. Provenance: Estate of the Artist, Edward Marecak Expedited and international shipping is available - please contact us for a quote. About the Artist: Born to immigrant parents from the Carpathian region in Slovakia, Marecak grew up with his family in the farming community of Bennett’s Corners, now part of the town of Brunswick, near Cleveland, Ohio. When he turned twelve, his family moved to a multi-ethnic neighborhood of Poles, Czechs, Slovaks and Slovenians in Cleveland. His childhood household cherished the customs and Slavic folk tales from the Old Country that later strongly influenced his work as a professional artist. During junior high he painted scenery for puppet shows of "Peter and the Wolf," awakening his interest in art. In his senior year in high school he did Cézanne-inspired watercolors of Ohio barns at seventy-five cents apiece for the National Youth Administration. They earned him a full scholarship to the Cleveland Institute of Art (1938-1942) where he studied with Henry George Keller whose work was included in the 1913 New York Armory Show. In 1940 Marecak also taught at the Museum School of the Cleveland Institute. Before being drafted into the military in 1942, he briefly attended the Cranbrook Academy of Art near Detroit, one of the nation’s leading graduate schools of art, architecture, and design. A center of innovative work in architecture, art and design with an educational approach built on a mentorship model, it has been home to some of the world’s most renowned designers and artists, including Eero Saarinen, Charles Eames, Daniel Libeskind and Harry Bertoia. Marecak’s studies at Cranbrook with painter Zoltan Sepeshy and sculptor Carl Milles were interrupted by U.S. army service in the Aleutian Islands during World War II. Following his military discharge, Marecak studied on the G.I. Bill at the Colorado Springs Fine Arts Center from 1946 to 1950, having previously met its director, Boardman Robinson, conducting a seminar in mural painting at the Cleveland Institute of Art. Although he did not work with Robinson at the Fine Arts Center, who had become quite ill - retiring in 1947 - he studied Robinson’s specialty of mural painting before leaving to briefly attend the Cranbrook Academy in 1947. That same year he returned to the Fine Arts Center, studying painting with Jean Charlot and Mary Chenoweth, and lithography with Lawrence Barrett with whom he produced some 132 images during 1948-49. At the Fine Arts Center he met his future wife, Donna Fortin, whom he married in 1947. Also a Midwesterner, she had taken night art courses at Hull House in Chicago, later studying at the Art Institute of Chicago with the encouragement of artist Edgar Britton. After World War II she studied with him from 1946 to 1949 at the Fine Arts Center. (He had moved to Colorado Springs to treat his tuberculosis.) Ed Marecak also became good friends with Britton, later collaborating with him on the design of large stained glass windows for a local church. In 1950-51 Marecak returned to the Cleveland Institute of Art to complete his Bachelor of Fine Arts degree. A year later he was invited to conduct a summer class at the University of Colorado in Boulder, confirming his interest in the teaching profession. In 1955 he received his teaching certificate from the University of Denver. Vance Kirkland, the head of its art department, helped him get a teaching job with the Denver Public Schools so that he and his family could remain in the Mile High City. For the next twenty-five years he taught art at Skinner, Grove, East, George Washington and Morey Junior High Schools. Prior to coming to Colorado, Marecak did watercolors resembling those of Winslow Homer, John Singer Sargent and Charles Burchfield. However, once in Colorado Springs he decided to destroy much of his earlier ouevre, embarking on a totally new direction unlike anything he had previously done. Initially, in the 1940s he was influenced by surrealist imagery and Paul Klee, and in the West by Indian petroglyphs and Kachinas. His first one-person show at the Garrett Gallery in Colorado Springs in 1949 featured paintings and lithographs rendered in the style of Magic Realism and referential abstraction. The pieces, including an oil Witch with Pink Dish, foreshadowed the output of his entire Colorado-based career, distinguished by a dramatic use of color, intricacy of execution and attention to detail contributing to their visual impact. He once observed, "Each time I start a new painting I always fool myself by saying this time keep it simple and not get entangled with such complex patterns, color and design; but I always find myself getting more involved with richness, color and subject matter." An idiosyncratic artist proficient in oil, acrylic, watercolor, gouache and casein, he did not draw upon Colorado subject matter for his work, unlike many of his fellow painters in the state. Instead he used Midwest landscape imagery, bringing to life in it witches and spirits adapted from the Slovakian folk tales he heard growing up in Ohio. A number of his paintings depict winter witches derived from the Slovak custom in the Tatra Mountains of burning an effigy of the winter witch in the early spring to banish the memory of a hard winter. The folk tale element imparts a dream-like quality to many of his paintings. A devote of Greek mythology, he placed the figures of Circe, Persephone, Sybil, Hera and others in modern settings. The goddess in Persephone Brings a Pumpkin to her Mother, attired as a Midwestern farmer’s daughter, heralds the advent of fall with the pumpkin before departing to spend the winter season in the underworld. Train to Olympus, the meeting place of the gods in ancient Greece, juxtaposes ancient mythology with modernity creating a combination of whimsy and thought-provoking consideration for the viewer. Voyage to Troy #1 alludes to the ancient city that was the site of the Trojan Wars, but has a contemporary, autobiographical component referencing the harbor of the Aleutian Islands recaptured from the Japanese during World War II. In the 1980s Marecak used the goddess Hera in his painting, Hera Contemplates Aspects of the Art Nouveau, to comment on art movements in the latter half of the twentieth century Marecak’s love of classical music and opera, which he shared with his wife and to which he often listened while painting in his Denver basement studio, is reflected in Homage of Offenbach, an abstract work translating the composer’s musical colors into colorful palette. Pace, Pace, Mio Dio, the title of his earliest surrealist painting, is a soprano aria from Verdi’s opera, La Forza del Destino (The Force of Destiny or Fate, a favorite Marecak subject). His Queen of the Night relates to a character from Mozart’s opera, The Magic Flute. In addition to paintings and works on paper, he produced hooked rugs, textiles and ceramics. He likewise produced designs for ceramics, tableware and furniture created by his wife Donna, an accomplished Colorado ceramist. Both of them generally eschewed exhibitions and galleries, preferring to quietly do their work while remaining outside of the mainstream. He initially exhibited at the Colorado Springs Fine Arts Center in 1948 receiving a purchase award. The following year he had his first one-person show of paintings and lithographs at the Garrett Gallery in Colorado Springs. In the 1950s and early 1960s he participated in group exhibitions at the Print Club (Philadelphia); Amarillo Public Library (Texas); annual Blossom Festival Show (Canon City, Colorado); Adele Simpson’s "Art of Living" in New York; Denver Art Museum; and the Fox Rubenstein-Serkey Gallery (Denver); but he did not have another one-person show until 1966 at the Denver home of his friends, John and Gerda Scott. They arranged for his first one-person show outside of Colorado held two years later at the Martin Lowitz Gallery in Beverly Hills and Palm Springs, California. That same year his work was featured at the Zantman Galleries in Carmel, California. Thereafter he became an infrequent exhibitor after the 1970s so that his work was rarely seen outside his basement studio. In 1980 he, his wife and Mark Zamantakis exhibited at Denver’s Jewish Community Center, and four years later he had a one-person show at the Studio Gallery in Denver. In 1992 he was included in a group show at the Rule Modern and Contemporary Gallery in Denver, and a year later received a large, posthumous retrospective at the Emmanuel...

Abstract expressionist, pastel on black paper by English artist John McQuirk. Signed bottom right. McQuirk's work is an example of outsider art or art brut. Born in 1933, the arti...

Ink on artist board Signed and dated upper right Note: dimension listed on back are incorrect; we have included the correct dimensioins Artist Angelo Ippolito (1922-2001) produced ...

Kirsten Hawthorne received her MFA from the School of the Art Institute of Chicago, and she lives and works in New York City. Hawthorne is a master oil pastellist creating works on p...

'Façade' is an ink and acrylic painting by Denver artist Edward Marecak circa 1960s. Abstract mixed media painting completed in colors of black, pink, gray, and white. Presented in a...

Abstract Colorado mountain landscape by Eric James Bransby (1916-2020). Pastel on paper in colors of green, orange, blue, and purple. Presented in a custom frame with archival materi...

Kirsten Hawthorne received her MFA from the School of the Art Institute of Chicago, and she lives and works in New York City. Hawthorne is a master oil pastellist creating works on p...