Billy Al Bengston

Sweet Filthy Cheat (unique signed mixed media painting with artist studio label)

2004

Steven Sorman In Real Time, 2003 Acrylic, gouache, gel medium, oil and beeswax collage painting on paper 48 × 34 inches Signed and dated 2003; The frame also bears the original label...

Billy Al Bengston Honolulu Watercolor, 1992 Watercolor on handmade paper with deckled edge in artist's hand made frame with studio label verso Signed, titled and dated in pencil lowe...

Robert Rauschenberg Abstract Composition (Robert Rauschenberg Foundation #88.D109), 1988 Solvent transfer, watercolor, and gouache on Japanese dedication board Hand-signed by artist,...

Robert Longo Pressure, 1983 Acrylic and Graphite on Paper Signed and dated 'Robert Longo 83’ (lower right) in graphite Frame included: Floated and framed in a museum quality frame with UV plexiglass This is a unique painting "Pressure " [on God], Robert Longo's unique acrylic and graphite work on paper, was created during the same period as his iconic work, simply labeled "Pressure", now in the permanent collection of the Museum of Modern Art in N.Y. Whereas the latter depicts a young man, the present work, titled "Pressure on Heaven", then deliberately changed to "Pressure on God", is more ethereal in subject matter, though the lone youth's image is still present in the composition. From Lexander magazine: "In the excerpt from Neal Benezra’s article about 1980s art in the previous post, he writes, “Robert Longo’s Pressure might well be the most representative work of art of the 1980s.” I would go further and state that it is the definitive work of the 1980s—the penultimate visual anthem of the era—and most especially the period between 1979—1987, during which the musical genres of gothic rock and deathrock flourished and achieved their greatest artistic successes through the work of a variety of diverse bands including Bauhaus, Siouxsie and the Banshees...

Robert Petersen Detail Sketch from January 1986, 1991 Pure pigment collage, acrylic painting and drawing Hand-signed by artist, Hand signed, hand initialed, annotated, dated by hand ...

Robert Natkin Lyrical Abstraction for the Sonoma Mission Inn, Sonoma, California, 1990 Acrylic on paper painting with collaged element Signed twice by the ...

'Work no. 1 (Circle Drawing), Gold/Red, 2hours 24minutes, 2018’ graphite on 315 gsm Heritage Fine Art Paper by Carali McCall (born 1981). McCall began her ‘Circle Drawing' artworks in 2004 where she focuses on the durational element and physical process of drawing. Using graphite on paper she draws her full arm's length in a continuous circular motion to the point of complete exhaustion. During this physically demanding process, her position and ability to extend the arm diminishes to the extent she can no longer hold the graphite. McCall quotes, 'an important aim is to maintain a constant and continuous visible line that embodies time and energy. While performing, painfully, my entire body is noticeably putting effort into the drawing.' This intense action and durational element often cause the paper to fatigue and rip, which is often identified as her distinctive trademark. In McCall’s new addition to the series, materials such as Gold and Gouache are used to treat the surface and bring another layer of reference to important art historical processes. The combination of these new materials and grand scale of this practice, make McCall’s work particularly striking. About Artist: Carali McCall is an emerging artist whose works are internationally recognised. A Canadian artist born in 1981, she is based in London, UK. McCall was awarded a PhD from Central Saint Martins, University of the Arts, London, and her work is featured in the upcoming publication by Bloomsburg Publishing, 'Performance Drawing: New Practices since the 1960s'. A finalist in the 2017 Jerwood Drawing Prize, McCall’s work is currently touring the United Kingdom and is situated in private and public collections curated alongside artworks by Picasso and Damien Hirst. Other notable exhibitions include: Again and Again and Again: Serial Formats and Repetitive Actions, Vancouver Art Gallery, Canada, (2012), Kenny Schachter’s Rove Gallery, Hoxton Square, London (2008), Folkestone Fringe Festival (2014), Woolff Gallery, London UK (2017) and EMPIRE II...

My 80's Hart "Token 5" 2019, gouache, acrylic, graphite, panel, purple, green, blue

My 80's Heart "Token 7" 2019, gouache, acrylic, graphite, panel, blue, wood, orange

My 80's Hart "Token 4" 2019, gouache, acrylic, graphite, panel, yellow, orange

Françoise Ben Arous is a French born artist. She has traveled worldwide, delving into different local traditional cultures. Her artistic approach is cross-cultural, filtering through...

Françoise Ben Arous is a French born artist. She has traveled worldwide, delving into different local traditional cultures. Her artistic approach is cross-cultural, filtering through...