Blair Gallacher

"Infinity"

2022

Abstract color-blocked painting. Acrylic on sturdy canvas

Acrylic abstract painting

This original abstract artwork plays with color theory to provoke an energetic field

Original piece based on energetic fields

Abstract painting, acrylic on canvas

Abstract painting, acrylic on canvas

This triptych "Before and After" consists of three conceptual drawings on paper from the collection "Manuscripts". The size is 40x30cm of each artwork, high-density paper (360g/m2). ...

'Untitled #5' in 2017 by New York City base, French artist Sandrine Kern. Acrylic, oil, and ink on paper, Paper: 14.75 x 21 in. / Frame 19 x 25 in. This abstracted landscape work on paper features colors in blue, purple, pink, red, white, and black. Sandrine Kern's work is indicative of landscapes conjured by memory that communicate residual emotions to her viewers. The thick surfaces of her paintings are built up through her unique alteration of a technique similar to encaustic. Instead of utilizing hot wax in her process, Kern combines oil sticks, oil paint, and cold wax...

'Untitled #6 in 2017 by New York City base, French artist Sandrine Kern. Acrylic, oil, and ink on paper, Paper: 13.25 x 17 in. / Frame 19 x 25 in. This abstracted landscape work on ...

Elaine Kaufman Feiner (1922-2018) "Night Glow I" 1988 Watercolor and pastel on paper 30"x30" unframed Signed and dated in pencil lower right, titled reverse

The art of Philip Wittmann is founded on signals. For him, signs serve as a bridge between abstraction, reality and writing, too. When he was 26 years old, he began painting as a hobbyist using 'pure' abstraction. However, he believed his work lacked a solid foundation upon which to grow. ​He discovered a book on the origins of the Chinese alphabet, which origins are essentially signs, in 2008 while taking a calligraphy class. The 26 letters of our Latin alphabet are less pictorial than the Chinese characters as we know them now. He discovered that pictorial representation is more prevalent when examining the origins of alphabets—all alphabets, in fact—because there is frequently a similarity between the sign's true meaning and what it is meant to represent. For instance, the symbol for a turtle in the original Chinese script resembles a turtle. Wittmann loves signs as they leave room for interpretation. For instance, if one writes “the sky is blue”, one will make for themself a mental representation of a blue sky, even if each one-off us will probably have some nuance in our own mental representation of that blue sky. On the other hand, a sign can...

The art of Philip Wittmann is founded on signals. For him, signs serve as a bridge between abstraction, reality and writing, too. When he was 26 years ...