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Carl Lewis Pappe
Black & White Monochromatic Abstract Watercolor #2 by Carl Lewis Pappe

1990

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  • Abstract Watercolor #3 by Carl Lewis Pappe
    Located in Pasadena, CA
    Nahuatl art inspired this multicolor geometric abstract by artist Carl Lewis Pappe. The overall impression is of a colorful overlap of shapes of different sizes thanks to curvy black lines. The crossing of these black lines creates a large variety of geometric forms. Some forms have been left almost blank, because the artist added small red circles or ovals, suggesting some kind of mysterious gates to another dimension. It adds a sense of wonder to the general feeling of the artwork. Th abstract is signed by the artist at the lower right and dated 1989. It is labeled for Taxco, Mexico. Painter, sculptor, and printmaker Carl Lewis Pappe was born in Hungary in 1900. He died in 1998. Following grade school, Pappe first enrolled at the Cleveland School of Art (not the Cleveland Institute of Art) from 1921 to 1925. Upon graduation, the Hungarian Society awarded him a full scholarship to attend the Pennsylvania Academy of Fine Arts, where he studied under Daniel Garber and Hugh Breckinridge. In the late 1930s, Pappe and Goodspeed opened a studio and gallery in the silver mining...
    Category

    20th Century Abstract Abstract Drawings and Watercolors

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    Watercolor

  • "Something Going on Inside" Drawing by Amalia Schulthess - 1958
    Located in Pasadena, CA
    This unique drawing by painter/sculptor Amalia Schulthess features large black ink curves surrounding semi-abstract characters. As the title suggests "Something going on inside". The piece is signed and dated with red ink. The entire life of Amalia Schulthess has been tied up in art. She grew up in Thurgau, Switzerland, where Paul Klee was a frequent guest in her house. She immigrated to America in 1941. Upon her arrival in New York she made contact with Piet Mondrian, who inspired her to continue working as a professional artist. Schulthess then traveled west, painting and exhibiting for the next 20 years in California and New Mexico. In Taos she met Andrew Dasburg and was instrumental in reviving the career of the great modernist who had fallen into obscurity after the war. By the late 1960s Schulthess had abandoned painting for sculpture. She worked in Florence, Italy for 10 years and after that established a studio in Pietra Santa. Regardless of where she was her work has always been close to nature. Organic forms predominate and the magic of the raw material is allowed to speak out. Schulthess was the subject of a retrospective at the Santa Barbara Museum of Art in 1976 and has exhibited in Paris at the Salon de Jeune Sculpture and the Salon de Mais. Her work is in various public and private collections both in Europe and America including the Santa Barbara Museum of Art, La Jolla Art...
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    Late 20th Century Abstract Abstract Drawings and Watercolors

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  • Black and Blue Abstract Pastel Drawing by Amalia Schulthess in Gold Frame
    Located in Pasadena, CA
    This abstract pastel drawing by artist Amalua Schulthess features large light and dark blue blocks crossed by wide black lines. They are so wide that they could be easily mistaken fo...
    Category

    Mid-20th Century Abstract Abstract Drawings and Watercolors

    Materials

    Paper, Pastel

  • Black and White Abstract Drawing by Joan Strauss Carl
    Located in Pasadena, CA
    Presenting a drawing by Joan Strauss Carl, which served as a preparatory study for one of her three-dimensional sculptures. Joan Strauss Carl’s artistic j...
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    Mid-20th Century Abstract Drawings and Watercolors

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  • Pastel Portrait of Stella Samuel in the style of Charles Sheldon for Photoplay
    Located in Pasadena, CA
    The pastel portrait of Stella Samuel, very likely a starlet from the thirties, created in the style of Charles Sheldon, emanates timeless elegance. With a delicate interplay of color...
    Category

    1930s Art Deco Abstract Drawings and Watercolors

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  • Vibrant Gouache by Rupert Picott
    Located in Pasadena, CA
    This gouache reveals a butterfly tree with wings covered in multiple eyes towards the observer. In this primitive kaleidoscope playing with perspectives, the artist Rupert Picott leads us into a dance of forms, half-animal, half-vegetal. Here, we can breathe a nature distanced from civilization, a shattered, psychedelic dimension that opens the doors of a hallucinated perception. This gouache transcends its physical form. Like a dream woven into reality, it beckons viewers to question the boundaries of their consciousness. Each brushstroke becomes a portal to a realm where the mundane and the mystical intertwine, blurring the lines between what is seen and felt. In this dialogue between forms and colors, Rupert Picott offers us not just a painting but a glimpse into the infinite expanse of the human experience, echoing William Blake’s timeless wisdom: ‘If the doors of perception...
    Category

    Late 20th Century Abstract Expressionist Abstract Paintings

    Materials

    Gouache

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