Curra Rueda

Bringing light where all see darkness, black and white, lines, paper, infinity

2020

My first works are digital, in that aspect each decision can be rethought and changed as many times as necessary. Unlike my previous works, this was the first time that I was faced with a blank paper...

My first works are digital, in that aspect each decision can be rethought and changed as many times as necessary. Unlike my previous works, this was the first time that I was faced with a blank paper...

My first works are digital, in that aspect each decision can be rethought and changed as many times as necessary. Unlike my previous works, this was the first time that I was faced w...

Her work is basically drawing; drawings of endless patterns of ink, like cosmic fractals mixed with collages and cutting technique. With simple materials she makes reflections on a s...

My first works are digital, in that aspect each decision can be rethought and changed as many times as necessary. Unlike my previous works, this was the first time that I was faced with a blank paper...

My first works are digital, in that aspect each decision can be rethought and changed as many times as necessary. Unlike my previous works, this was the first time that I was faced with a blank paper...

Original work by Mary Early. Graphite, wax crayon, and sumi ink on Arches paper, 12.25 x 16". "The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available." Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries. Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record. In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space. Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007). Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...

Sandi Gehring (1957), American artist living and working in Amsterdam. Education; Art Students League, NY and Wackers Academie, Amsterdam. Currently repr...

Joel BASS (1942-2019) Adjusted silhouette n°2, 1975 Mixed media, collage, gouache, adhesive on paper Signed, dated and. titled Work : 17,5 x 28 cm Frame : 3...

Jody Rasch’s work is drawn from various science practices, including astronomy, biology, and sub-atomic physics. In his subject matter and technique, Rasch ...

The colorful paintings of Jan Pieter Fokkens transport us to distant worlds beyond our comprehension. Within seemingly infinite networks of lines, dots, and crosses, he decodes the r...

Chicago-based artist Jan Pieter Fokkens uses his work as a means of processing the incomprehensible. Navigating the relationship between algorithmic abstraction and the tangible qualities of pattern and color, Fokkens meditates on how reality is mediated by digital image. Entitled "NGC-3201," this vibrant drawing offers a representation of the globular cluster NGC-3201. Using an image taken by the NASA/ESA Hubble Space Telescope...