Daniel Cayo

French Abstract Contemporary Art by Daniel Cayo - Untitled No.28

2020

Mixed media on paper, framed 20 x 30 cm - 30 x 40 cm with white mat passe-partout Unique copy Signed on the front

Mixed media on paper, framed 13 x 18 cm - 24 x 30 cm with white mat passe-partout Unique copy Signed on the front

Mixed media on paper, framed 20 x 30 cm - 30 x 40 cm with white mat passe-partout Unique copy Signed on the front

Mixed media on paper, framed 15 x 20 cm - 24 x 30 cm with white mat passe-partout Unique copy Signed on the front

Mixed media on paper, framed 15 x 20 cm - 24 x 30 cm with white mat passe-partout Unique copy Signed on the front

Mixed media on paper, framed 15 x 20 cm - 24 x 30 cm with white mat passe-partout Unique copy Signed on the front

Sposobb #2 is an abstract work by contemporary artist Oleg Ustinov, made in 2013 for the artist's ongoing project "IDM" (Intelligent Dance Music). In “IDM” Oleg explores the dialogue...

Raúl Cerillo’s creations are characterized by the construction of surfaces with multiple layers of paint, acquiring a three-dimensional appearance. Each piece, according to the artis...

Acrylic and mixed media on paper - Unframed. Werfel employs expressive, lyrical gestures that create bursts of movement and energy. Her color choices create a range of tones from th...

Raúl Cerillo’s creations are characterized by the construction of surfaces with multiple layers of paint, acquiring a three-dimensional appearance. Each piece, according to the artis...

Raúl Cerillo’s creations are characterized by the construction of surfaces with multiple layers of paint, acquiring a three-dimensional appearance. Each piece, according to the artis...

The discipline of creating a drawing each day is a process, like a written diary, to clear the mind, to declutter thoughts, and to observe patterns. It is a method that allows the mind a freedom to wander and drift. A visual journal becomes a safe space for personal reflection–a self-awareness fueled by the opportunity for contemplation and immersion. The painted surface for the drawings was created by dividing five large paintings into 40 separate pieces. I chose five paintings from my Perspective Series (1993-94), which relied on day-to-day imagery that narrated a story about shifting time and how time anchors our day. The brush strokes of Perspectives are fluid, with muted colors – moving from deep blacks to taupe whites. Dividing these pieces was a means for me to rethink ideas and recurring images in my older work. The very thin gold leaf applied to each piece has a wonderful amber tone. This gold leaf is from Myanmar, where it is used as decoration for Buddha or for the dome of a temple or monastery. In the drawings, the gold element relates to the sense of infinity – like the sky in an enclosed courtyard. An architectural element is a critical component in my studio work that I wanted to carry over into these pieces. I envisioned a courtyard–a safe space that opens up to the sky. Unfolding circles define the beginnings of an open interior space. The process felt open-ended. It was an opportunity to get lost in thought and to give me an opportunity to reflect, muse and declutter my thinking. Then repeat. 40 days...