FPA Francis Pavy Artist

Big Moss 3 color Blue Black Orange

2022

a small 8.5"x 11" pencil drawing entitled "vision of fission". This image came to me after I read an article about the future of Fission as an energy source. This drawing has a litt...

This small reduction print is signed on the front. The full paper size measures 5.88 inches by 6.38 inches. On the front is the artist's signature, "spiral" ( title ) 1/2 (the first ...

Signed and dated In graphite pencil en verso ( on the Back the writing in graphite pencil it reads Blue and Purple ( color notations ) . there are two green arrows to delineate orie...

This unique one of a kind multiple block print is made with archival water soluble ink on 100% rag paper. On the the reverse it reads 4-1 (printing order notation) Dk Green, yellow (...

This one-of-a-kind multiple block print is made of archival water-soluble ink in medium weight 100% rag paper. On the reverse it reads: The Captain and the Blue points ( title ) pu...

A small one-off print of an owl. Printed with purple water-soluble ink on Mulberry paper. This is a printer's proof, I use this print to determine if the relief block needed more wo...

Her beautiful vagina. 2009, ink on paper, 26x17 cm Erotic ink drawing in black and white colors

Jogen Chowdhury - Untitled - 12 x 16 inches (unframed size) Ink on Paper, 2022 Signed in Bengali Style : He has immense contribution in inspiring young artists of India. Jogen Chowdhury had developed his individual style after his return from Paris. His most famous paintings are in ink, watercolor and pastel. He has painted in oil medium as well. In Chowdhury’s more recent works the sensory experiences of cloth, bolsters, sofas and the human body are cross-projected to produce an uncanny world of tran-substantiated tumescence and flaccidness. Jogen Chowdhury has been widely acknowledged to be, the master of the unbroken line. Like Léger, Chowdhury has been stirred by the linear Kalighat pat tradition, but his lines are emotive and used to express and suggest the character of a person. This is done by, distorting the form without breaking the line and in the world of young, contemporary art; distortion has been Jogen Chowdhury’s most significant impact. Perhaps, because of this, a common observation of his work is that his “people” are caricatures. The person feels familiar to the viewer but it is far more individualised – the face is imaginary but the psyche or characteristics are real. The power and beauty of his technique and line is this play between the known and unknown. In Jogen Chowdhury’s work, the figure is always in the foreground, it is primary, it conveys everything. He uses colour to give volume to his figures and the fluidity of his lines bring a sensual aspect to his forms. About the Artist and his work : Born : Born 1939 in Daharpara Village, Faridpur, Bangladesh. Jogen Chowdhury is an eminent Indian painter and considered an important painter of 21st century India. Family Background : His father Pramatnath Chowdhury was a Brahmin zamindar. Both his parents took interest in art, Jogen Chowdhury’s father Pramatnath Chowdhury painted several mythological scenes from the village theatres and also sculpted various Hindu icons. Whereas his mother was an expert in Alpana drawings. 1939-47 Jogen Chowdhury lived in a village atmosphere. And after partition in 1948, the whole family shifted. Till 1951 the whole family stayed at the police department quarter of his uncle, where on the walls Jogen Chowdhury painted his first painting, 1962 Jogen Chowdhury was employed as Designer in the Handloom Board. Education : 1955-60: Studied at the Government College of Art and Crafts, Kolkata. 1965 : He went to paris to study in Ecole des Beaux Arts, in William Hayter’s Atelier 17. Professional Experience : 1968-72 : He worked as an Art-Designer, Madras Handloom Board, Madras. 1970 : A collection of his poems were published, titled ‘Hridoy Train Beje Othey’. 1987 : Joined Kala Bhavan , Santiniketan as a professor of painting. Selected Exhibitions : 1972, 1975 & 1978 respectively : I, III, IV Triennales at New Delhi. 1979: The Sao Paolo Biennale. 1980: The exhibitions at the Fukuoka Museum, Japan. 1982: The Royal Academy, London. 1982: The Hirschhorn Museum, Washington D.C. 1986: The II Havana Biennale. 1989: ‘Festival of India’, in Geneva. 2002: Saffron...

Gouache on paper, signed by different Chubac friends artists, lower right. The artists are: Max Charvolen, Serge Maccaferri et Martin Miguel that constituted the Groupe 70 a Nice. A ...

Drawing on paper, signed up left.

Black And White Landscape is an original artwork realized by Michel Gigon in 1980. Mixed media on cardboard (chalcography and ink). Hand-signed by the artist on the upper left corner. Very good conditions except for some foxing on the back. Totally black Surrealist composition realized by Michel Gigon at the end of his artistic career. During this period, the artist realized several black artworks...

The work is hand signed in ink by the artist "b.ost" in the lower right corner, and hand dated "36" next to the signature. The drawing was created in 1936. Provenance: Collection So...