Francie Hester

Daily Drawing 2020 #20, geometric abstract work on paper, black, blue, green

2020

Liane Ricci was born in Sleepy Hollow, NY in 1970, and has studied at the Art Students League, the School of Visual Arts and the Fashion Institute of Technology, and at the Hartford ...

The discipline of creating a drawing each day is a process, like a written diary, to clear the mind, to declutter thoughts, and to observe patterns. It is a method that allows the mind a freedom to wander and drift. A visual journal becomes a safe space for personal reflection–a self-awareness fueled by the opportunity for contemplation and immersion. The painted surface for the drawings was created by dividing five large paintings into 40 separate pieces. I chose five paintings from my Perspective Series (1993-94), which relied on day-to-day imagery that narrated a story about shifting time and how time anchors our day. The brush strokes of Perspectives are fluid, with muted colors – moving from deep blacks to taupe whites. Dividing these pieces was a means for me to rethink ideas and recurring images in my older work. The very thin gold leaf applied to each piece has a wonderful amber tone. This gold leaf is from Myanmar, where it is used as decoration for Buddha or for the dome of a temple or monastery. In the drawings, the gold element relates to the sense of infinity – like the sky in an enclosed courtyard. An architectural element is a critical component in my studio work that I wanted to carry over into these pieces. I envisioned a courtyard–a safe space that opens up to the sky. Unfolding circles define the beginnings of an open interior space. The process felt open-ended. It was an opportunity to get lost in thought and to give me an opportunity to reflect, muse and declutter my thinking. Then repeat. 40 days...

Jongwang Lee's paintings challenge a dormant potential he believes lives within all humans. Inspired by Buddhist philosophies of space, Korean ideas of communication with the soul, a...

Lisa Fellerson’s paintings provoke an interplay and tension between line, shape, and color. With no preconceived idea in mind, she begins by dripping, scrapping, and gouging acrylic ...

Lisa Fellerson’s paintings provoke an interplay and tension between line, shape, and color. With no preconceived idea in mind, she begins by dripping, scrapping, and gouging acrylic ...

Lisa Fellerson’s paintings provoke an interplay and tension between line, shape, and color. With no preconceived idea in mind, she begins by dripping, scrapping, and gouging acrylic ...

Robert Petersen May 1987, 1987 Pure pigment collage, gold leaf, acrylic painting and drawing Signed, titled and dated on the front. The back of the frame bears the label of Castelli ...

"Alternating Aubergine" is a contemporary work on paper with purple tones and gold. Part of Kazaan Viveiros' series titled "Passages", this artwork comes in a gold box frame and ready to hang. A Fellow at the Virginia Center for Creative Arts since 2015, Kazaan Viveiros earned a BA with distinction from the University of Virginia in Studio Art and Religious Studies, and an MFA from the San Francisco Art Institute. With an interest in architecture, plus being a talented mathematician, it is no surprise that Kazaan Viveiros’ paintings are works of geometric perfection. Carefully considered shapes and colours dynamically draw your eye up and down diagonals before pausing or pivoting at junctions. In contrasting effect to these visuals, the subject matter that this work references is natural and fluid, such as water, handwriting, or nature itself. Viveiros' paintings have caught the attention of collectors far and wide. Five of her pieces are permanently installed in the U.S. Embassy in Addis Ababa, Ethiopia and have additionally been acquired by individuals such as Walmart's Rob Walton and novelist Danielle Steel.

Anthony Benjamin, 'Green Dots', acrylic and gouache on gold leaf board, image size 9" x 12", signed and dated 1999. Artist Estate Stamp on verso Provenance: From the Artist Estate A...

Interior design paintings. The artwork were done with acrylic, gold leafing pen 18 kt and ink in gold and black color on watercolor paper 300g. The work are 11 by 15 inches in size, ...

'Blood in the Veins' Original Artwork, Unframed. _____________________ Capturing the flush of fleeting youth, the cherry blossoms blush crimson as the sap pulses through branches, b...

Blackheart's Rave, 2019, Collage, Mixed media: Marker, Pencil, Drawing, Acrylic and Watercolour on gessoed shopping bag mounted on archival museum board in a Street Art styled bespoke oak wood frame. , 93.2 x 63.2 . 3.5 centimetres total dimension This Rave Dance club-inspired artwork takes the energy found in New York City's nightlife. Rafael Melendez - July 2022 Rafael Melendez (b.1970, USA) renders motifs from high past art with self-taught experimental techniques to produce an unexpected and highly unique visual language riddled with esoteric symbolism. The figures that inhabit his paintings are born from a desire to understand 'abnormal' worldviews, such as Outsider Art, transgressive fiction, and metaphysics. In a constantly evolving practice encompassing drawing, collage, and painting, Melendez strives to visualize/express a moment of unity between beauty and that which doesn't make sense. Melendez starts out as an installation and video artist in 1990s San Francisco. As a student for internationally acclaimed writer Kathy Acker and conceptual artist Nayland Blake...