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Jan Matulka
Two Figures

c. 1935

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  • Abstract
    By Kenneth Callahan
    Located in Santa Fe, NM
    Tempura and ink on heavy paper Signed bottom right, Numbered on verso "No. 18" 8.75 x 19.75 inches; 18.5 x 29.5 inches framed Provenance: Private collection, Denver, Colorado
    Category

    1950s Abstract Expressionist Abstract Paintings

    Materials

    Paper, Ink, Tempera

  • Untitled Abstract
    By Carl Morris
    Located in Santa Fe, NM
    mixed media on paper Signed in blue, lower right 18.25 x 25 inches; 27 x 33.375 framed Provenance: Private Collection, Denver, CO
    Category

    1950s Abstract Abstract Paintings

    Materials

    Paper, Mixed Media

  • Falling Figure
    Located in Santa Fe, NM
    Print engraving, soft ground and scouper on paper; ed. 45/50 24 x 20 inches; 26.25 x 23 inches framed Signed and dated lower center, "SW Hayter 47", titled in pencil lower center Pro...
    Category

    1940s Abstract Abstract Paintings

    Materials

    Paper, Engraving

  • Winter Garden
    Located in Santa Fe, NM
    Print color etching on heavy paper Signed, titled, dated on mat 18 x 11 inches; 20.5 x 17 inches framed Provenance: Private collection, Denver, Colorado
    Category

    1950s Abstract Expressionist Abstract Paintings

    Materials

    Paper, Color, Etching

  • To Be or Not To Be
    By Paul Burlin
    Located in Santa Fe, NM
    Casein on board, signed lower right. 22 x 29.5 inches; 33 x 39.5 inches framed. Provenance: Paul Burlin Art Trust Hollis Taggart Galleries, New York, ...
    Category

    1940s Abstract Expressionist Abstract Paintings

    Materials

    Casein, Board

  • Abstract Sketch
    By Hugo Weber
    Located in Santa Fe, NM
    20 x 30 inches; 22.125 x 32.0625 inches framed Provenance: Private collection, Denver, CO Exhibition History: Exhibition label on stretcher, "Elmhurst Art Museum, Hugo Weber, Septemb...
    Category

    1950s Abstract Abstract Paintings

    Materials

    Canvas, Oil

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    Delightful petite abstract work by American abstract artist Vaclav Vytlacil. About this artist: Born in 1892 to Czechoslovakian parents in New York, Vaclav Vytlacil and his parents ...
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  • "#186 – WOUNDED WERE COMING", ink, pencil, gouache, found vintage book, poetry
    By Amy Williams
    Located in Toronto, Ontario
    "#186 – WOUNDED WERE COMING" is from Amy Williams' series A Farewell to Arms – wherein the artist works directly onto pages of a found copy of Ernest Hemingway's WWII romance novel. The artist selects certain words and phrases from page 186 to isolate as a poem, and then draws, inks, redacts and paints the rest of the page according to the text. The resulting poem reads "The wounded were coming / men that were scared / I felt the rain in my face / It was getting dark." – Hemingway's novel is a doomed romance between a wounded American soldier and an Italian nurse – note the feminine form on the page, with a "dress" or apron that looks skeletal, bloody and rained upon, all at once. From Amy Williams – "My recent work is focused on making treated book pages using a found vintage...
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    21st Century and Contemporary Abstract Mixed Media

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  • "#227 – I WAS AFRAID", ink, pencil, gouache, found book, poetry, coronavirus
    By Amy Williams
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    "#227 – I WAS AFRAID" is from Amy Williams' series A Farewell to Arms – wherein the artist works directly onto pages of a found copy of Ernest Hemingway's WWII romance novel. The art...
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  • "#224 – ABANDONED, SEPARATED", ink, pencil, gouache, found book, poetry, virus
    By Amy Williams
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    "#224 – ABANDONED, SEPARATED" is from Amy Williams' series A Farewell to Arms – wherein the artist works directly onto page 224 of a found copy of Ernest ...
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    21st Century and Contemporary Abstract Mixed Media

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    Paper, Found Objects, Ink, Gouache, Pencil

  • "#71 – THEN IT'S HOPELESS?", ink, pencil, gouache, found vintage book, poetry
    By Amy Williams
    Located in Toronto, Ontario
    "#71 – THEN IT'S HOPELESS?" is from Amy Williams' series A Farewell to Arms – wherein the artist is working directly onto page 71 of a found copy of Ernest Hemingway's WWII romance novel. The artist selects certain words and phrases from the page to isolate as a poem, and then draws, inks, redacts and paints the rest of the page according to the text of the poem. Here the poem reads: "Then it's hopeless? / But sometimes I cannot hope. / I cannot." Note the poem is outlined in dark red and purple radiating lines, while outside there are lighter violet, blue and white lines. From Amy Williams – "My recent work is focused on making treated book pages using a found vintage...
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  • "#56 – BOTH WOUNDED A LITTLE", ink, pencil, gouache, collage, found text, poetry
    By Amy Williams
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    "#56 – BOTH WOUNDED A LITTLE" is from Amy Williams' series A Farewell to Arms – wherein the artist is working directly onto page 56 of a found copy of Ernest Hemingway's WWII romance...
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