Jonathan Higgins

Untitled II

2021

This piece by Jonathan Higgins is a contemporary metalpoint drawing on white acrylic ground on paper. The drawing was made using silver, copper, graphite and sanding. The artist's si...

Jonathan Higgins' contemporary metalpoint drawing on tinted acrylic ground on wood panel was executed in silver and copper. Metalpoint is a Renaissance drawing technique that was use...

This piece by Jonathan Higgins is a contemporary metalpoint drawing on warm tinted acrylic ground on paper. The drawing was made using silver, copper and sanding. The artist's signat...

This piece by Jonathan Higgins is a contemporary metalpoint drawing in silver and copper on dark blue acrylic ground on cradled wood panel. The reflective qualities of the metals are...

Jonathan Higgins' contemporary metalpoint drawing on blue-tinted acrylic ground on paper was executed in silver and copper. Metalpoint is a Renaissance drawing technique that was use...

Jonathan Higgins' contemporary metalpoint drawing on blue-tinted acrylic ground on paper was executed in silver and copper. Metalpoint is a Renaissance drawing technique that was use...

Shire (2022), surreal abstract dream-like landscape, blue, silver, pink, black "Shire" by Shamona Stokes portrays a dreamy, inviting, surreal landscap...

Lightning My Load (2020), surreal abstract dream-like landscape, sky, skyscape, blue and orange "Lightning My Load" by Shamona Stokes portrays a dream...

Circle Drawing: 10 Layers, graphite on paper with gouache, gold and silver, by Carali McCall (2019). Consisting of a collection of durational-drawing artworks in which McCall draws with graphite on paper for hours at a stretch, these time-based works have been compiled and then carefully measured to explore the depth and sculptural means of drawing materials. Each layer is hand-cut in the shape of a circle, unveiling and superseding the work that came before. As cutaways, excitingly, this new work advances the elaboration of McCall’s contemporary art practice. In new condition. The artwork has been recently framed in walnut with non-reflective museum glass. Signed by the artist on the rear of the work. About the Artist: Carali McCall is an emerging artist whose works are internationally recognised. A Canadian born in 1981, she is based in London, UK. McCall was awarded a PhD from Central Saint Martins, University of the Arts, London, and her work is featured in the upcoming publication by Bloomsburg Publishing, 'Performance Drawing: New Practices since the 1960s'. A finalist in the 2017 Jerwood Drawing Prize, McCall’s work is currently touring the United Kingdom and is situated in private and public collections curated alongside artworks by Picasso and Damien Hirst. Other notable exhibitions include: Again and Again and Again: Serial Formats and Repetitive Actions, Vancouver Art Gallery, Canada, (2012), Kenny Schachter’s Rove Gallery, Hoxton Square, London (2008), Folkestone Fringe Festival (2014), Woolff Gallery, London UK (2017) and EMPIRE II...

'The Sap is Rising!' Original Artwork, Unframed _________________ Capturing the pulse and flush of fleeting youth, the maples are dressed in their iridescent finery. 'The Sap Is Ris...

Robert Petersen May 1987, 1987 Pure pigment collage, gold leaf, acrylic painting and drawing Signed, titled and dated on the front. The back of the frame bears the label of Castelli ...

Monet Blue by Lélia Pissarro (b. 1963) Tempera and gold on paper 21 x 14.7 cm (8 ¹/₄ x 5 ³/₄ inches) Signed lower right, Lélia Pissarro Executed in 2023 This work is accompanied by ...