A Memory of the Breeze - Contemporary Abstract w/ Incredible Texture & Blues
View Similar Items
Katherine FiliceA Memory of the Breeze - Contemporary Abstract w/ Incredible Texture & Blues2020
2020
About the Item
- Creator:Katherine Filice (1963)
- Creation Year:2020
- Dimensions:Height: 22 in (55.88 cm)Width: 30 in (76.2 cm)Depth: 1 in (2.54 cm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:Gilroy, CA
- Reference Number:1stDibs: LU129827272342
Katherine Filice
Katherine Filice allows you to pull out of her works what you see and does not layer any expectations on her viewers. Filice's works are all deeply personal works, ones she pours hundreds of hours into. She is an internationally awarded and collected artist, participating in art fairs in Hong Kong, Belgium, New York and LA. Her most recent fair was “ArtCan,” where she exhibited a six-foot tall layered work, whose studies on for sale. Filice is best known for her unique approach to meditative line making. Using primarily a fine-point Rapidograph technical pen, she explores the human experience with a provocative and unexpected dialogue. Filice pushes the technical possibilities of a simple curved line while asking us to think more deeply and share more openly as she exposes not only the creative zeitgeist of her inner world but our collective spiritual awakening. Filice's background features traditional fine art education in conjunction with a long career as a creative director, graphic artist and designer. She has received over 100 national and international awards, personally and with her team, for commercial work in design, painting, writing and photography. Additionally, Filice holds a BS degree in organizational leadership from the University of San Francisco and is an Alpha Sigma Nu Honor Society lifetime member. Her education and work experience have driven much of her exploration of human relationships. After decades of quietly creating, Filice's contemporary art career exploded when she was selected to exhibit at the prestigious ArtRooms London exhibition in 2018. Shortly thereafter, her highly provocative series “The Secrets We Keep” was featured in a two-month solo exhibit at the Gilroy Center for the Arts. Filice also participated as an invited exhibitor in the “Asia Contemporary Art Show” in Hong Kong in October 2018, with her work Birth featured as one of the top ten outstanding artworks. In early 2019, Filice’s works Birth and I Remember were selected as finalists for the 2019 International Artist Grand Prize Art Revolution show in Taipei, juried from over 4,200 submissions. She was also awarded the 2019 Startup SF Best Artist 3rd Place Award and received an Apero Curator Review Award for I Remember.
- Fragments of Memory III - Contemporary Abstract Work on Paper Black, White TealBy Katherine FiliceLocated in Gilroy, CA"Fragments of Memory III" is a new abstract work by award-winning artist Katherine Filice. This piece is sculptural in its form, mounted in a shadow box frame to enhance the ebbs an...Category
2010s Contemporary Abstract Drawings and Watercolors
MaterialsChalk, Sumi Ink
- Calm Before - Text Based Contemporary Abstraction, Red and BlackBy Vivian LiddellLocated in Gilroy, CA"Calm Before," is a text based contemporary abstraction by artist Vivian Liddell. This piece is built with washes of ink layered up leaving detailed forms through the piece inviting viewers to take it in up close. Liddell often walks the line between contemporary art and craft. Working to bring materials that are traditionally labeled as "craft" and lesser into the contemporary conversation. Mixing craft with one of the most respected and oldest forms of fine art, painting, really encourages the viewer to view the two on the same playing field. The idea of craft is settled into these gestural, layered works, constantly critiquing contemporary culture. This piece is currently unframed, but framing options are available. For more works follow our storefront at Gallery 1202. "As a painter, I often work on large, raw canvas. My abstract paintings merge formal painting and “bad” craft to challenge the high-low separation of materials (and related gender hierarchies) that have traditionally been present in the art world. The monotypes are like a calligraphic practice. I use them as a warm up to allow me to feel confident with a gesture before committing it to a larger scale. I work in layers, often sewing or incorporating fabric into the finished piece, and incorporate chance into each stage of my process. The text/titles often come from song lyrics, local radio commercials, and news headlines. I edit these snippets and piece them together to reflect my interpretation of current politics and social norms, especially as they relate to gender. Liddell often walks the line between contemporary art and craft. Working to bring materials that are traditionally labeled as "craft" and lesser into the contemporary conversation. Mixing craft with one of the most respected and oldest forms of fine art, painting, really encourages the viewer to view the two on the same playing field. The idea of craft is settled into these gestural, layered works, constantly critiquing contemporary culture. Vivian Liddell is an interdisciplinary artist in Athens, Georgia who works with painting, fiber and craft techniques, sculpture, printmaking, photography, animation and sound. Born in Memphis, Tennessee, she received her BFA from the University of Georgia and her MFA from the Pratt Institute in Brooklyn. Liddell’s work has been featured in solo and curated exhibitions throughout the United States, including at the Wiregrass Museum of Art, the Macon Museum of Arts and Sciences, and Trestle Gallery in Brooklyn. In 2019 she had two solo exhibitions of her “Men” series at the Versa Gallery in Chattanooga and 621 Gallery in Tallahassee, with a review of the Versa exhibition in BURNAWAY and was recently picked by Berlin curator Tina Sauerlaender as a featured artist on Foundwork. Liddell hosts a podcast (Peachy Keen) as an extension of her art practice, interviewing women on art and the South. She is an Assistant Professor of Painting and Drawing at the University of North Georgia...Category
2010s Contemporary Abstract Paintings
MaterialsInk, Monotype, Paper, Spray Paint
$281 Sale Price25% Off - Breakfast at Night - Abstract Spray Paint and Fiber on Paper, Black and PurpleBy Vivian LiddellLocated in Gilroy, CALiddell often walks the line between contemporary art and craft. Working to bring materials that are traditionally labeled as "craft" and lesser into the contemporary conversation. M...Category
2010s Contemporary Abstract Paintings
MaterialsInk, Watercolor, Paper, Spray Paint, Yarn
- Green Glow - Work on Paper Contemporary Neon Abstraction, Green and BlackBy Vivian LiddellLocated in Gilroy, CA"Green Glow" is a neon work on paper contemporary abstraction by artist Vivian Liddell. Similar to other works, Liddell uses a subtraction method of removing paint to create the path...Category
2010s Contemporary Abstract Paintings
MaterialsSpray Paint, Monotype, Oil Pastel
- Star Fuckers - Abstract Oil Paste, Ink, and Spray Paint Painting, GreenBy Vivian LiddellLocated in Gilroy, CA"Star Fuckers," is an abstract expressionist multi media colorful work by Vivian Liddell. In this piece she explores different techniques of adding and subtracting paint to create th...Category
2010s Contemporary Abstract Paintings
MaterialsOil Pastel, Spray Paint, Monotype
- SSRI'S SIRIS - Abstract Oil Pastel and Spray Paint on Monotype, Green and YellowBy Vivian LiddellLocated in Gilroy, CALiddell often walks the line between contemporary art and craft. Working to bring materials that are traditionally labeled as "craft" and lesser into the contemporary conversation. Mixing craft with one of the most respected and oldest forms of fine art, painting, really encourages the viewer to view the two on the same playing field. The idea of craft is settled into these gestural, layered works, constantly critiquing contemporary culture. This piece is not framed, but we are able to work with a framer local to you in order to have it framed and ready to hang. We can also frame it before shipment. For new listings, more work by Liddell and sales, please follow our storefront at Gallery 1202. "As a painter, I often work on large, raw canvas. My abstract paintings merge formal painting and “bad” craft to challenge the high-low separation of materials (and related gender hierarchies) that have traditionally been present in the art world. The monotypes are like a calligraphic practice. I use them as a warm up to allow me to feel confident with a gesture before committing it to a larger scale. I work in layers, often sewing or incorporating fabric into the finished piece, and incorporate chance into each stage of my process. The text/titles often come from song lyrics, local radio commercials, and news headlines. I edit these snippets and piece them together to reflect my interpretation of current politics and social norms, especially as they relate to gender." Vivian Liddell is an interdisciplinary artist in Athens, Georgia who works with painting, fiber and craft techniques, sculpture, printmaking, photography, animation and sound. Born in Memphis, Tennessee, she received her BFA from the University of Georgia and her MFA from the Pratt Institute in Brooklyn. Liddell’s work has been featured in solo and curated exhibitions throughout the United States, including at the Wiregrass Museum of Art, the Macon Museum of Arts and Sciences, and Trestle Gallery in Brooklyn. In 2019 she had two solo exhibitions of her “Men” series at the Versa Gallery in Chattanooga and 621 Gallery in Tallahassee, with a review of the Versa exhibition in BURNAWAY and was recently picked by Berlin curator Tina Sauerlaender as a featured artist on Foundwork. Liddell hosts a podcast (Peachy Keen) as an extension of her art practice, interviewing women on art and the South. She is an Assistant Professor of Painting and Drawing at the University of North Georgia...Category
2010s Contemporary Abstract Paintings
MaterialsOil Pastel, Spray Paint, Monotype
- Biogram of the Kansas City ZooBy Kory TwaddleLocated in Kansas City, MOArtist : Kory Twaddle Title : Biogram of the Kansas City Zoo Materials : Pastel, oil pastel, acrylic, watercolor, gouache, tempera, glitter glue, foam stickers, paper, marker, color...Category
2010s Abstract Mixed Media
MaterialsNewsprint, Graphite, Color Pencil, Paint, Cardboard, Watercolor, Tempera...
Price Upon Request - Blue Springs Semi Upper LevelBy Kory TwaddleLocated in Kansas City, MOArtist : Kory Twaddle Title : Blue Springs Semi Upper Level Materials : Colored pencil, marker, tempera, gouache, stickers, tape, glitter glue, pastel, oil pastel, acrylic, graphite...Category
2010s Abstract Geometric Mixed Media
MaterialsPencil, Graphite, Color Pencil, Paint, Newsprint, Cardboard, Watercolor,...
Price Upon Request - Basement SystemsBy Kory TwaddleLocated in Kansas City, MOArtist : Kory Twaddle Title : Basement Systems Materials : Acrylic, tempera, gouache, and glitter glue on cardboard drawing pad back Date : 2019 Dimensions : 18 x 12 x .2 in. Kory ...Category
2010s Abstract Expressionist Mixed Media
MaterialsNewsprint, Graphite, Color Pencil, Paint, Cardboard, Watercolor, Tempera...
Price Upon Request - Autumn Biogram of the NelsonBy Kory TwaddleLocated in Kansas City, MOArtist : Kory Twaddle "Autumn Biogram of the Nelson" Newsprint, graphite, conté crayon pastel, charcoal, beeswax, cardboard, paper, gingko leaves, stickers, and Mixed Media on drawi...Category
2010s Abstract Mixed Media
MaterialsPaint, Paper, Conté, Charcoal, Cardboard, India Ink, Newsprint, Acrylic,...
- Musiciens Sur Fond Multicolore By Marc ChagallBy Marc ChagallLocated in New Orleans, LAMarc Chagall 1887-1985 Russian Musiciens sur fond multicolore (Musicians on a multicolored background) Signed 'Chag' (on the sleeve of the right figure); stamped with the signature 'Marc Chagall' (lower right) Tempera, gouache, colored ink and India ink and pastel on paper “The fact that I made use of cows, milkmaids, roosters and provincial Russian architecture as my source forms is because they are part of the environment from which I spring and which undoubtedly left the deepest impression on my visual memory of the experiences I have." - Marc Chagall Marc Chagall’s 1981...Category
20th Century Post-Impressionist Figurative Drawings and Watercolors
MaterialsPaper, Pastel, Ink, India Ink, Tempera, Gouache
- Holy Fire, Abstract Expressionist Figurative PastelLocated in Soquel, CAA unique abstract expressionist pastel drawing by an unknown artist. Depicting a mans face as the focal point with what appears to be chu...Category
Mid-20th Century Neo-Expressionist Abstract Paintings
MaterialsPaper, Pastel, Cardboard