Margaret Neill

Gamut, Gray, White, Graphite Waves Undulating Lines Pattern

2018

In carefully drawn dots and lines in deep shades of cobalt and indigo blue with teal, yellow and dusty rose pink details, this intricate composition is inspired by patterns in nature...

Meticulously intricate patterns and little vignettes with tiny ringed planets and galactic cosmos reach outward from the center of this circular mandala. Two perfectly balanced Ying ...

In carefully drawn dots and lines in soft shades of indigo blue with pink, green, yellow and dark red details, this intricate composition is inspired by patterns in nature. This draw...

In carefully drawn dots and lines in soft shades of indigo blue with yellow, teal and dark burgundy red details, this intricate composition is inspired by patterns in nature. This dr...

A meticulously rendered trio of whales, a mother whale and its two children, are at the center of this drawing and the prominent feature of this mandala. Many cultures associate whal...

In carefully drawn dots and lines in soft shades of indigo blue with pink, green, yellow and dark red details, this intricate composition is inspired by patterns in nature. This draw...

This graphite and acrylic painting on canvas is from a series called "Lovers and Assassins." Here you can see Bhatt playing with the idea of seduction, self-sacrifice, persecution, belief systems, and radicalization. Amita Bhatt received her BFA from the Maharaja Sayajirao University, Vadodara, India and her MFA from the Maryland Institute College of Art, Baltimore, Maryland. Bhatt’s work has been exhibited at noteworthy venues such as the Bluestar Contemporary Art Center, Walters Art Museum, The Station Museum of Contemporary Art, and The Project Row Houses, all in the United States as well as Museo Pedro de Osma in Peru. Amita Bhatt has also been the recipient of several prestigious awards and recently served as a Grant Panelist on the National Endowment for the Arts. Bhatt's works are included in many important private and public collections. Bhatt digs deep into world philosophies and mythologies to answer questions pertaining to our political as well as personal belief systems. Unafraid to explore uncomfortable territories, Amita mines from a range of sources to create hybrid creatures that are often symbolic of man’s psychological condition in an angst-ridden zeitgeist. In exploring issues of identity and violence, Bhatt’s research led her to the beginnings of mankind. Most ancient creation myths claim chaos to be the central truth marking the beginnings of the world. Should turbulence then be viewed as essential to new beginnings? Bhatt’s characters are packed with irony, humor and indifference, and navigate intense color fields, all in search of wisdom and truth. They mirror the tumultuous times we live in, yet they know that there are deep Karmic mysteries that need to be understood and that HOPE in the end is what will sustain them. Amita Bhatt "Be Born From...

This graphite and acrylic painting on canvas is from a series called "Lovers and Assassins." Here you can see Bhatt playing with the idea of seduction, self-sacrifice, persecution, b...

This is an original paper, charcoal, pastel, graphite, and acrylic on wood panel artwork by Seth Clark measuring 40”h x 30”w. Seth Clark grew up in Seekonk, Massachusetts and stud...

Roger Allan Cleaves Blue Portrait #6 22” x 27” framed acrylic, charcoal, graphite, spray paint 2021

"Replay 4" is a unique hand-painted monoprint. The artist's ink drawing made on translucent film was etched into a copper plate using the technique of photogravure. The plate became ...

Robert Longo Pressure, 1983 Acrylic and Graphite on Paper Signed and dated 'Robert Longo 83’ (lower right) in graphite Frame included: Floated and framed in a museum quality frame with UV plexiglass This is a unique painting "Pressure " [on God], Robert Longo's unique acrylic and graphite work on paper, was created during the same period as his iconic work, simply labeled "Pressure", now in the permanent collection of the Museum of Modern Art in N.Y. Whereas the latter depicts a young man, the present work, titled "Pressure on Heaven", then deliberately changed to "Pressure on God", is more ethereal in subject matter, though the lone youth's image is still present in the composition. From Lexander magazine: "In the excerpt from Neal Benezra’s article about 1980s art in the previous post, he writes, “Robert Longo’s Pressure might well be the most representative work of art of the 1980s.” I would go further and state that it is the definitive work of the 1980s—the penultimate visual anthem of the era—and most especially the period between 1979—1987, during which the musical genres of gothic rock and deathrock flourished and achieved their greatest artistic successes through the work of a variety of diverse bands including Bauhaus, Siouxsie and the Banshees...