Margo Margolis

Untitled

2015

"Trace #6 " Mixed Media on Denril Paper, 28 x 40 Inches. Lyrical abstraction in shades of yellow, blue, white and orange. Denril paper is closely related to tracing paper and vell...

"Trace #14 " Mixed Media on Denril Paper, 49 1/2 x 42 Inches. Lyrical, vivid abstraction in red, blue, orange, burgundy, yellow, white and purple. Denril paper is closely relate...

"Trace #12 " Mixed Media on Denril Paper, 49 1/2 x 42 Inches. Lyrical, vivid abstraction in shades of yellow, blue, white and purple. Denril paper is closely related to tracing ...

"Aerial #7 " Mixed Media on Denril Paper, 24 x 45 Inches. Lyrical, vivid abstraction in yellow, red, blue, turquoise, pink white and black. This work can be read as a pure ab...

"Trace #13 " Mixed Media on Denril Paper, 49 1/2 x 42 Inches. Lyrical, vivid abstraction in red, yellow, blue, pink, white and purple. Denril paper is closely related to tracing...

"Untitled" Flashe and Charcoal on Paper, 30 x 22 Inches A highly sophisticated series of large and small paintings, drawings and monoprints by Margo Margolis, NY artist who recently...

Provenance: Norman Bluhm to current owner Trained as an architect under Mies van der Rohe, Norman Bluhm created paintings with an abiding sense of structure, balance, and compositio...

Original work by Mary Early. Graphite, wax crayon, and sumi ink on Arches paper, 12.25 x 16". "The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available." Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries. Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record. In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space. Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007). Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...

Jen P. Harris (b. 1977, she/they) is a Los Angeles-based artist working with painting, installation, drawing, collage, and collective projects. Harris holds a B.A. from Yale and an M...

Eggs 2016 Acrilico e grafite su cartoncino CM 49x34 Con la mano e con fuoco, sul metallo. Con la mano e col pensiero sulla carta. Il disegno è inscindibile dalla scultura e non pu...

A meditative suspended calm of color, recalling an iconic theme. Painting through dynamic and oblique forms mixing western and oriental zen colors as the sides of the paintings expan...

I LOVE - I LOVE SCULPTURE 2013 Collage on cardboard CM 70x50 With hand and with fire, on metal. With hand and thought on paper. Drawing is inseparable from sculpture and cannot b...