Mark Lembo

Rollerskate - Matrix

2021

Artist commentary: Imagine the music behind the rhythm of these textural colors and shapes. Words that describe the piece: colorful, rhythm, graphic, music, colorful, abstract,

Artist commentary: It's Spring and time to get out into the landscape. These shapes and textures remind me of our recent hike in the California desert. Words that describe the piec...

Artist commentary: I am fascinated by the history of textiles. Dying and weaving going back for thousands of years; sometimes a fragment is found in a desert excavation that has sur...

Sunset Afternoon, Abstract Digital Manipulation Print on Paper, 2021 16" x 12" (HxW) printed on archival paper This work features an abstract expressionist composition of gesturally...

Artist commentary: The title refers to a famous ambient music work. I often listen to ambient music when I work. The layers of shapes and colors convey joy and light. The movement a...

Shibuichi, Abstract Digital Manipulation Print on Paper, 2021 16" x 12" (HxW) printed on archival paper This work features an abstracted, digitally manipulated image in shades of or...

Provenance: Norman Bluhm to current owner Trained as an architect under Mies van der Rohe, Norman Bluhm created paintings with an abiding sense of structure, balance, and compositio...

Original work by Mary Early. Graphite, wax crayon, and sumi ink on Arches paper, 12.25 x 16". "The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available." Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries. Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record. In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space. Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007). Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...

Eggs 2016 Acrilico e grafite su cartoncino CM 49x34 Con la mano e con fuoco, sul metallo. Con la mano e col pensiero sulla carta. Il disegno è inscindibile dalla scultura e non pu...

Mito 2015 Collage e acrilico su carta CM 70x50 Con la mano e con fuoco, sul metallo. Con la mano e col pensiero sulla carta. Il disegno è inscindibile dalla scultura e non può esse...

Anyway 2012 Collage on cardboard CM 70x50 Artwork featured in the "Drawings" section of the monograph on Alex Corno published by Silvia publishing. With hand and with fire, on me...

Texas 2014 Collage e acrilico su carta CM 70x50 Con la mano e con fuoco, sul metallo. Con la mano e col pensiero sulla carta. Il disegno è inscindibile dalla scultura e non può es...