Crayon Abstract Drawings and Watercolors

Jim's of Lambertville Fine Art Gallery is proud to present this piece by Burgoyne Diller (1906 – 1965). Born in New York City in 1906, Burgoyne Diller began drawing when he was stri...

Anthony Thomas Triano (1928–1997) was an abstract expressionist painter, sculptor, illustrator and teacher. His works feature natural forms, especially the human form, and tend towar...

Jim’s of Lambertville is proud to offer this artwork by: Burgoyne Diller (1906-1965) Recognized as the first American painter to embrace the tenets of Neo-Plasticism, Burgoyne Dill...

Abstract modern figurative drawing by Native American artist R.C. Gorman. The work features a large group of faceless figures representing the Navajo people who were forcefully remov...

Rem Raymond Coninckx (1904 - 1974) Rem Raymond Coninckx was born on 28th March in Couvin (Belgium) 1904 and died in Dinan 1974. He was a painter, draftsman, engraver and also creat...

Larry Zox Study for Scissors Jack Series, 1965 Mixed media and colored ink drawing on draft paper Hand signed and dated on lower right recto (front). Bears Forager House Collection s...

Rem Raymond Coninckx was born on 28th March in Couvin (Belgium) 1904 and died in Dinan 1974. He was a painter, draftsman, engraver and also created metallic panels and mosaics. Conte...

Drawing on paper without frame Size A4

Jim's of Lambertville Fine Art Gallery is proud to present this piece by Burgoyne Diller (1906 – 1965). Born in New York City in 1906, Burgoyne Diller began drawing when he was stri...

Sonia Gechtoff Flag Icon, 1963 Pastel, graphite and collage Frame included: elegantly framed in hand made wood frame with UV plexiglass Evocative mixed media mid century modern work...

Jim's of Lambertville Fine Art Gallery is proud to present this piece by Burgoyne Diller (1906 – 1965). Born in New York City in 1906, Burgoyne Diller began drawing when he was stri...

Drawing on paper without frame Size A4

Drawing on paper without frame Size A4

Chorus Line Oil pastel on paper, c. 1960's Signed (see photo) Provenance: Estate of the Artist Estate of the artist (Estate No. 745) Condition: Excellent Image/Sheet size: 5 3/4 x 4 inches Sam Spanier (1925-2008) Born in Brooklyn New York, Sam Spanier studied painting with Hans Hofmann (1949–50) and also at the Taos Valley Art School (1951). His formative years as a working artist were spent in Paris (1951–52), where he also became involved with the work of G. I. Gurdjieff, through his disciple, Mme. Jeanne de Salzmann. By 1953, Spanier’s work had already begun to meet with critical acclaim. That year, he had his first solo gallery show, and was selected by Milton Avery and Hans Hofmann to receive the prestigious Lorian Fund Award. His second solo exhibition, in 1955, was curated by renowned museum director, Gordon Washburn. Spanier’s early work was reviewed by Dore Ashton, Donald Judd, Fairfield Porter, Stuart Preston, and Irving Sandler, among other significant critics of the period. Spanier’s spiritual path increasingly became the central focus of both his life and his art. In 1960, he was introduced to the teachings of Sri Aurobindo, which led to visits to the Sri Aurobindo Ashram in Pondicherry, India, in 1962 and 1964, during which he was inspired to leave New York City and found Matagiri (in 1968)—a spiritual center in Woodstock, New York—with his lifelong partner, Eric Hughes. The work he embarked upon there bifurcates his life as an artist, separating him from New York’s art world, and radically altering the trajectory of his career. From that point forward, it would be difficult, perhaps impossible, to consider his artistic endeavor apart from the life of dedication he had undertaken, and to which he remained committed. As early as 1954, Dore Ashton had recognized in Sam Spanier a “haptic visionary;” in 1960, Irving Sandler wrote that the people in Spanier’s paintings “seem to have witnessed some transfiguring event.” In his later paintings—usually worked in oil pastel on panel or paper—made during intermittent creative periods, from the mid-1970s to the final years of his life, the artist’s inner life remains always apparent in his subject matter; and from the portraits and abstract Buddha-like figures and heads, to the fantasy landscapes, the paintings are redolent with a rich intensity of color and light that can only be described as inspired. Sam Spanier’s works are in the collections of the Historical Society of Woodstock Museum, and the Woodstock Artists Association & Museum. He received the Woodstock Artists Association Lifetime Achievement Award in 2007. Selected Solo Exhibitions: Urban Gallery, New York (1954, 1955, 1956); Wittenborn Gallery, New York (1958); Gallery Mayer, New York (1958, 1959, 1960); Unison Gallery, New Paltz (1986, 1995, 2009); Limner Gallery, New York (1988); Fletcher Gallery, Woodstock, New York (1999). Selected Group Exhibitions: Salon des Comparaisons, Musée d’Art Moderne, Paris, France (1952); October Exhibition of Oil Paintings, New York City Center Gallery, New York (1954); Salon de Mai, Musée d’Art moderne de la ville de Paris, Centre Culturel de Saint-Germain-en-Laye, Paris, France (1954); Carnegie International, Carnegie Institute, Pittsburgh, Pennsylvania (1955); Les Plus Mauvais Tableaux, Galerie Prismes, Paris (1955); Première Exposition Internationale de l’Art Plastique Contemporain, Musée des Beaux-Arts de la Ville de Paris (1956); Recent Paintings USA: The Figure, The Museum of Modern Art (1960); Winter’s Work, Woodstock Artists Association, Woodstock, New York (1985); Juried Group Show, Woodstock Artists Association, Woodstock, New York (1986); Woodstock Artists, Self-Portraits, Historical Society of Woodstock Museum, Woodstock, New York (1988); Portraits, Albert Shahinian Fine Art, Poughkeepsie, New York (2003); The World We Live In, Upstate Art, Phoenicia, New York (2003); Show of Heads, Limner Gallery, Phoenicia, New York (2004). Selected Writings on the Artist: Dore Ashton, “Sam Spanier,” Art Digest (May 1, 1954) and “Sam Spanier,” The New York Times (March 16, 1960); Cassia Berman, “Sam Spanier: A Divine Calling,” Woodstock Times (February 7, 2008); Lawrence Campbell, “Sam Spanier: Exhibition of Paintings at Urban Gallery,” Art News (April 1, 1954); Sam Feinstein, “Sam Spanier: Exhibition of Paintings at Urban Gallery,” Art Digest (March 1, 1955); Pat Horner, “Big Heart, Timeless Art —Sam Spanier Retrospective at Fletcher Gallery, Woodstock Times (July 1, 1999); Donald Judd, “In the Galleries: Sam Spanier,” Arts Magazine (April 1960); Liam Nelson, “Human Force...

Circa 1968 abstract oil and crayon on board by artist Margo Hoff (1910-2008), estate stamped verso. Abstracted cliff scene painted in shades of red, pink...

Drawing on paper without frame Size A4

Mid-Century Modern abstracted landscape watercolor painting by American artist Toma Tovanovich (1931- 2016). Tovanovich's work is found in many public and private collections all...

Drawing on paper without frame Size A4

Abstract drawing on paper without frame

Drawing on paper without frame Size A4

Drawing on paper without frame Size A4

Clarence Holbrook Carter (American, 1904-2000) People, 1964 Ink and crayon on paper Signed and dated upper right 36.5 x 24 inches Clarence Holbrook Carter achieved a level of nation...

Drawing on paper without frame Size A4

Drawing on paper without frame Size A4

Drawing on paper without frame Size A4

Work on paper without frame

Abstract Landscape Mid 20th Century Work on Paper Hamptons, NY Drawing Pastel. Signed and dated '62 lower right. 9 x 12 inches (sight) and 15. 1/2 x 18 1/2 inches framed. BIO Robert Dash is known for his Hamptons paintings...

Joseph Glasco (American, 1925-1996) Fire Island, 1967 Pastel on paper Signed and dated lower right 20 x 25 inches 23 x 27.5 inches, framed Joseph Glasco was born in Paul’s Valley, O...

Rem Raymond Coninckx was born on 28th March in Couvin (Belgium) 1904 and died in Dinan 1974. He was a painter, draftsman, engraver and also created metallic panels and mosaics. Contemporary with Jean Cocteau, Miro, René Magritte, Marc Chagall, Pierre Alechinsky, Karel Appel, Paul Delvaux, Alberto Magnelli etc ... In his drawings there is a great aesthetic sobriety. Individual exhibition at the Galerie Sisley (Brussels) in 1958, gallery La Proue in 1960, La Galerie 081 in 1977 beside Marc Chagall, Pierre Alechinsky, Karel Appel, Fini, Spiliaert, Yvaral etc. This abstract piece was created using...

Drawing on paper without frame Size A4

Original pastel drawing signed and dated by Aubrey Penny. Structure Series No. 2 1518-13, 1962 Aubrey Penny (American 1917-2000) was an innovative California abstract artist who wor...

Abstract drawing on paper without frame

Abstract drawing on paper without frame

Abstract drawing on paper without frame

Abstract drawing on paper without frame

Bold mid century modern abstracted pastel on paper still life of several terra cotta jugs and vessels distilled down to their most basic shapes and ar...

Drawing on paper without frame Size A4

Jules Olitski (1922-1977) is one of the most collected and accomplished artists associated with the color-field movement, if not 20th-century American abstraction. Created in the m...

Original drawing signed and dated by Aubrey Penny. Aubrey Penny (American 1917-2000) was an innovative California abstract artist who worked in a variety of mediums. Owner of the No...

Drawing on paper without frame Size A4

Drawing on paper without frame Size A4

Original drawing signed and dated by Aubrey Penny. Aubrey Penny (American 1917-2000) was an innovative California abstract artist who worked in a variety of mediums. Owner of the No...

Original drawing signed and dated by Aubrey Penny. Biological Information Series Genetic Code DNA 10-1834 Aubrey Penny (American 1917-2000) was an innovative California abstract art...

Original drawing signed and dated by Aubrey Penny. Aubrey Penny (American 1917-2000) was an innovative California abstract artist who worked in a variety of mediums. Owner of the No...

Untitled Collage and crayon drawing, 1967 Signed and dated lower center (see photo) Condition: Small imperfections from the creative process Small tear on the left sheet edge (repai...

Mid-Century Modern abstracted landscape watercolor painting by American artist Toma Tovanovich (1931- 2016). Tovanovich's work is found in many public and private collections all...

"Untitled" by noted Chicago painter William Jacobs (1897 - 1973) is an abstract expressionist pastel on paper created in 1969. The artwor...

In this composition, Sylvia Spiczza works in the manner of color field artists like Mark Rothko and Helen Frankenthaler, presenting a gradation of colors shifting from yellow to red ...

"Out of the Bowels of the Earth (Sorti des Entrailles de la Terre)" by Belgian artist Benoît Gilsoul an abstract gouache, charcoal and pastel on paper. It is signed on the lower rig...

Stunning modernist avant-garde figurative abstract pastel in deep royal blue, with red and yellow accents by Henry Elinson (Californian/Russian 1935-2010), 1996. Signed and dated "H....

This is an original drawing realized by Cesare Peverelli in 1965. Hand signed and dated at the bottom. Very good conditions. Peverelli created this pastel artwork...

Original pastel on paper. Hand signed on front and authenticated on verso by the artist. Framed. Artwork is in excellent condition. Certificate of authenticity included. All reasonab...

MAGIC CASEMENT, Abstract Non-Objective Mid-Century Pastel Color Field Drawing "Magic Casement," 16 x 20 ¾ inches, Initialed JD and dated February 22, 1967 lower left, Titled lower right. Pastel on paper. The framed work measure 18 x 23 inches. Provenance: James Daugherty...

He was born in Paris, the son of a conversation though open-minded middle-class family. His father runs the family business of optical equipment but he's also a theatre lover, an author and a poet. He gives his son a strict education and the boy will feel closer to his mother. Pierre De Maria will become a honest, straightforward man, uncompromising to himself and the others. He is very particular about his appearance and, as a child of the "Belle époque" takes up to a kind of dandysm. A cousin of his, Jacques Camoreyt (a pupil of Albert Maignan) teaches him how to master pictorial techniques along with the rather academic education in Arts he is going through. From 1907 to 1914 he is a student at the Lycée Condorcet, first graduates in science and languages, then at the Engineering College just before World War 1. The sight of atrocities will leave a deep scar in his memory. He has a miraculous escape from the war and finds a job in the family firm. He soon realizes he hates everything related to engineering and decides to launch on into painting. He works as a scene painter with Ronsin and Laverdet workshop and on stage with "avant-garde" drama companies. In the same time, he shows his work at the "Salon d'Automne" in 1923 an gets a honour prize in the modern painting department. In 1925 he takes up to boxing and creates some polychromatic facades with Djo Bourgeois, then gets into the Art Deco trend as an architect and a decorator. Henri-Pierre Roché, a writer (Jules et Jim) a painter and an art collector close to the cubists has already discovered talents ( Brancusi, Wols…) and takes an in interest in Pierre De Maria. Autoportrait Environ 1960 In 1926 (the "Années Folles "in Paris) Pierre De Maria meets Marcel Duchamp, Brancusi and the surrealist gang he enjoys but never joins. « They were friends and I was curious but I never liked the hint of complaisance I saw in their work. » He then starts some technical research an collages as shown in his first exhibition of "pasted gouaches" in Princess'Murat 's gallery in Paris. (« Fermé la nuit ») « I never thought I'd make money with my paintings. I took to painting as I would have taken holy orders » He works as a journalist for Marianne and Vu magazines (1932-1933) and writes a detailed report about the Maelström in Norway and the soviet Movies. He has the opportunity to meet Eisenstein and Poudovkine in Sovietic Russia and thinks of making a name for himself in the Movie industry. In 1939 Pierre De Maria meets Germaine Pellegrino who becomes his wife a year later. They'll have two sons : Jacques born 1942 and François born 1943. The family settle in Geneva at the end of 1943. During those years he writes an unpublished autobiographical novel («Tir à volonté») as well as a collection of thoughts about various topics such as war. He also writes poems and a play (as his father had done) «Cornelius'death», in a rather humorous manner. « He who conveys the opinion of fools makes certain to get the majority of votes ». In 1944 he is back in Paris, leaving his wife. He'll settle in Nice in 1953 and starts there his mechanical period with the recurrent theme of machinery in his painting. In 1958 he has his second exhibition in Paris (JC de Chaudun's gallery) and shows a series of lino-engravings done after some drawings of his: he then begins being acknowledged by his contemporaries, his fellow-painters and the Parisian artistic circle. Jacques Prévert even dedicated him a poem. («Les Machinoutis») Henri Pierre Roché, Henri-Pieyre de Mandiargues, Yves Taillandier contribute to the catalogue, well received by the press. In the meantime, he has his works exhibited at the Salon d'Automne, the Salon de Mai, and the Salon Comparaison. In 1963, Flemish wood-engraver Frans Masereel, and Professor Gowa, the curator of the Offenbach Fine Arts, both introduce Pierre De Maria successfully in Germany, allowing him to become famous abroad. The Homo Atomicus Exhibition gathers 45 paintings, recounting the artist'progress over the past ten years. He's then nicknamed the «Atomic age Hyperonymus Bosch» ! In 1964, Greek gallery owner Iris Clert finds him out and helps him into a new career. He is then 68. Iris Clert, as a specialist in Contemporary Art has contributed to the coming out of the New Realism movement through her most spectacular and mediatical exhibitions. She takes a fancy to Pierre De Maria 's work : « The visit of his studio turned my love at first sight into a cutainty : he uses the technique from the Ancients to express Future. » Afterwards, both get into intense collaboration so that the painter is allowed to use the gallery owner's european and international net. In 1966, his work's dedicated a research published in Connaissance des Arts Magazine n° 70 : » A foreground study of Pierre De Maria in this month issue ». Later an article in International Art. In 1969 he turns 73 and he can see his first retrospective exhibition in Nice at the Ponchettes Gallery (about 60 paintings). At 76, he meets artist Hélène Bottet, from then on allowing humour to take over violence in his art. Machines don't frighten him anymore, he's now able to mock them even through they remain at the core of his paintings, in spite of the mechanical Art...

Fusain on paper, signed lower right

Fusain on paper, signed lower right.

Composition is an artwork realized by Carlo Montesi in 1966.  33 x 48 cm with frame. Crayons on cardboard Handsigned and dated lower right side. Good conditions!

Artist: Joan Miro, Spanish (1893 - 1983) Title: Ruthven Todd Poem Year: 1966 (1970) Medium: Ink and Crayon on Guarro laid paper, signed l.r. Size: 14.5 x 10 in. (36.83 x 25.4 cm) Fra...