Paper Abstract Drawings and Watercolors

Piccolo studio astratto di figure geometriche. Attribuito a Ivan POUGNY, Iwan Albertovich PUNI Tracce di firma in basso a sinistra Esistono altre opere cer...

John Marin (1870 - 1953) The Coast, 1914 Watercolor and pencil on paper 15 1/2 x 18 1/2 inches Signed and dated lower right: Marin 14 Provenance: Ferdinand Howald, Columbus, Ohio C...

Abstract composition, Russian avant-garde, avant-garde,Constructivism,geometric Interesting Russian opera, attributed to the avant-garde period around 1910/1920 Signed in Cyrillic le...

You are viewing a social realist charcoal drawing by well listed American artist Eugene Higgins entitled "The Nightmare". This piece aptly titled features a man falling out a...

Edmund D. Kinzinger was born in 1888, to an upper-middle class family in Pforzhein, Germany. In Munich he studied at the Kirr Schule and the Staatliche Akademie, and pursued graduate studies at the Academie Modern, Paris. Before serving in the German Army, Kinzinger was a master student of Adolph Holzel at the Staatcliche Akademie, Stuttgart; he returned to study under Henrich Waldschmidt after nearly five years of artillery service. Several of Kinzinger’s fellow students in Germany, such as Johannes Itten, would go on to be associated with the Bauhaus school. Coming into contact with all manner of artistic influences in Europe after World War One, Kinzinger’s work may be viewed as a “synthesis” of modernist styles. The influences of Abstract Expressionist, Cubist, and Futurist styles in Kinzinger’s work at this time are symptomatic of his contact with the likes of Hans Hofmann, Pablo Picasso, and Alexander Archipenko. Philip Van Keuren wrote: “His work closely resembles that of his contemporaries except for the mystical moodiness that seems to lay just under the surface of even the most non-objective works from this period. Their poetic mood springs less from his use of saturated, luminous colors and evocative forms and more from some undeniable power of perception drawn from his sense of the mystery of life. This mystic moodiness has its roots in personal inspirations. In this, Kinzinger drew upon German landscape painting...

An original graphite on paper drawing by Charles E. Burchfield. This work will come with a COA and appraisal. Best known for his romantic, often fantastic depictions of nature, watercolorist Charles Ephraim Burchfield...

An original graphite on paper drawing by Charles E. Burchfield. This work will come with a COA and appraisal. Best known for his romantic, often fantastic depictions of nature, watercolorist Charles Ephraim Burchfield...

An original graphite on paper drawing by Charles E. Burchfield. This work will come with a COA and appraisal. Best known for his romantic, often fantastic depictions of nature, watercolorist Charles Ephraim Burchfield...

Edmund D. Kinzinger was born in 1888, to an upper-middle class family in Pforzhein, Germany. In Munich he studied at the Kirr Schule and the Staatliche Akademie, and pursued graduate studies at the Academie Modern, Paris. Before serving in the German Army, Kinzinger was a master student of Adolph Holzel at the Staatcliche Akademie, Stuttgart; he returned to study under Henrich Waldschmidt after nearly five years of artillery service. Several of Kinzinger’s fellow students in Germany, such as Johannes Itten, would go on to be associated with the Bauhaus school. Coming into contact with all manner of artistic influences in Europe after World War One, Kinzinger’s work may be viewed as a “synthesis” of modernist styles. The influences of Abstract Expressionist, Cubist, and Futurist styles in Kinzinger’s work at this time are symptomatic of his contact with the likes of Hans Hofmann, Pablo Picasso, and Alexander Archipenko. Philip Van Keuren wrote: “His work closely resembles that of his contemporaries except for the mystical moodiness that seems to lay just under the surface of even the most non-objective works from this period. Their poetic mood springs less from his use of saturated, luminous colors and evocative forms and more from some undeniable power of perception drawn from his sense of the mystery of life. This mystic moodiness has its roots in personal inspirations. In this, Kinzinger drew upon German landscape painting...