Maurizio Gracceva

Composition - Drawing by Maurizio Gracceva - 2010

2010s

Abstract Composition is an Original drawing in ink and watercolor realized in 1996 Century by Stefano Alberici. Good conditions. The artwork is depicted through soft strokes in a w...

Per lo più distesi is a beautiful artwork realized by  Maurizio Gracceva  in the 2022. Ink on paper.  Hand signed by the artist. Title, date, techinique and sign on the back. Aut...

Abstract Composition is a beautiful original drawing in china ink and watercolor, realized by an unknown artist and signed "La Cabane". Hand dated 1951. In very good conditions. Sh...

Reunifications (Ricongiungimenti) is a beautiful artwork realized by Maurizio Gracceva in the 2017. Colored mixed ink on paper. Hand signed by the artist. Title, date, techinique...

Composition is an original drawing in ink, realized by Rafael Alberti in 1970s. Hand-signed and dated on the lower right margin. The state of preservation is good except for diffus...

Abstract Composition is an original mixed media drawing in ink and watercolor on paper realized by Peter Dischleit (1940-1993) in 1973. Hand-signed in pencil on the lower right marg...

Provenance: Marlborough Gallery David McKee, Inc. Manny Silverman Gallery Private collection, Los Angeles

"Labyrinth" 2021, 23.5" x 21.5" vertical drawing on paper by Argentine-born artist Karina Gentinetta (featured in Elle Decor, the New York Times, Traditional Home, Veranda Magazine, ...

Original work by Mary Early. Graphite, wax crayon, and sumi ink on Arches paper, 12.25 x 16". "The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available." Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries. Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record. In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space. Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007). Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...

We are pleased to present this event, which will see the exclusive world premiere of Anna Pennati's works entitled The Black Series, that the artist reserved exclusively for 1stDibs ...

"Whisper the Word" is a delicate and evocative watercolor painting that invites viewers into a world of soft whispers and subtle emotions. The dominant colors of pink, fuchsia, and g...

Scarpitta's abstract ink drawing explores movement, similar to his sculptures.