Items Similar to Modernist Watercolor Painting Peter Goldman American Filmmaker Neo Expressionist
Want more images or videos?
Request additional images or videos from the seller
1 of 6
Peter Emanuel GoldmanModernist Watercolor Painting Peter Goldman American Filmmaker Neo Expressionist2020
2020
About the Item
Shema Yisrael, Hear, O Israel. Jewish Prayer. Judaica piece.
Watercolor painting hand signed by Peter Emanuel Goldman.
Legendary French American Film Auteur, These are recently produced watercolor paintings based on musings and recollections of a life spent in art and film. Scenes of Left bank Paris in the 1950's, Greenwich Village New York in the 1960's with the occasional Judaica work. They are sketch works reminiscent of Philip Guston and the Leon Golub and the Neo Expressionist artists.
Peter Goldman was a celebrated filmmaker of the underground cinema and the only American link to the French New Wave during the sixties. At that time, he also started an intermittent career as a journalist. Later, in the seventies, he composed and recorded music. He spent the next fifteen years as a writer and consultant on foreign affairs. Recently, he became a novelist. in 1962, he began to practice straight photography while he was filming Echoes of Silence, his first movie. Simultaneously, he used his still camera to register the kind of life he shared with his friends and his perceptions of New York City, mainly of his neighborhood, Greenwich Village. In 1966, he settled in Paris temporarily. For almost fifty years, his negatives were forgotten and kept in storage in the US and Paris. Several months ago they reappeared in a box sent to him from Paris.
Goldman’s small and compact vintage negative archive introduces an unknown chapter in the history of American photography from the early to the middle sixties and immediately beyond. Sex, love, desire, passion, drugs, nightlife, sadness, despair, loneliness have its place in this archive. A sensibility that approximates Goldman's would not appear in photography until the following decade with Nan Goldin, the photographer of “sexual dependency.”
Goldman's straight photography
"My straight photos, which miraculously reappeared after 50 years in a box sent from Paris, resemble my films to some extent and differ in others. The photos were mostly made at the time I was shooting Echoes and in the year following, before making Pestilent City, The Sensualists, and Wheel of Ashes in Paris. I would stage some scenes almost like I was directing a film—faces and shots of longing and loneliness, while many other photos were taken of my wives, children and girlfriends, as well as streets of the Village, especially at night. The city is often in the foreground instead of the background, as in the films. The camera is capturing life on the streets."
PETER EMANUEL GOLDMAN
Singled out by Jean-Luc Godard in Cahiers du Cinema in 1967 as a great new American filmmaker an dcalled “a myth . . .an apostle of the unique” by the newspaper Liberation , Peter Goldman once seemed likely to be the next giant of American Cinema.
Had he chosen to go to Hollywood after the great critical success of his first feature, Echoes of silence, his name might well be as recognized today as such of his New York contemporaries as Martin Scorsese and woody Allen. But Peter Goldman went in the opposite direction—to Paris instead of Hollywood—and, in his third feature, Wheel of Ashes, forged a c critical link between new American cinema and the French New Wave.
Goldman’s first feature film, Echoes of Silence, was so stylistically and thematically different that it astounded critics on both sides of the Atlantic. Writer Susan Sontag called Goldman “the most exciting filmmaker in recent years,” and Henri Chapier , writing in Combat, called Echoes of Silence, “ the masterpiece of all , ’new’ and ‘young’ films . . it is the most poignant film ever made about the profound despair of the young.” Newsweek called Echoes of Silence “the quintessence of the avant-garde spirit.”
containing one of the truest subtlest and moving sequences ever filmed.” Roger Ebert wrote: It is interesting, sincere and worthy of serious attention. . there is not a false moment in it.” In 2014, with release of Echoes on video, film critic Philippe Azoury wrote in Les Inrocks, “ Echoes of silence was our favorite film . . Those who had the opportunity to see it formed a secret society,” and Cahiers du Cinema called Echoes of Silence and Wheel of Ashes, Beautiful films . . beautiful Jewels .
brought out from the forgotten.” An on-line critic called Goldman “the forgotten genius of American Cinema.” In his life, Peter Goldman was also a journalist, a writer of fiction and non-fiction, and advisor to prime ministers, senators and congressmen, a baseball player, a musician and a first-class still photographer. Recently thousands of Goldman’s long-forgotten, haunting and powerful still photographs have been rediscovered and are now being made available to the public. He worked in the same period as many celebrated street photographers, Lee Friedlander Eugène Atget, Walker Evans, William Klein, Diane Arbus, Vivian Maier and Robert Frank. His work has been recently rediscovered, although his films have been continuously shown at festivals around thee world.
He was born in New York in 1939, attended Brown University (history major, magna cum laude, phi Beta Kappa), studied a year at the Sorbonne, where he realized he didn’t want to be an academic. Peter took film courses at City college of New York and New York University, made first small films in 8mm and 16mm. In the early 1960’s he discovered that he was very good with a movie camera and made Echoes of Silence, a film about the searching, loneliness, sexuality, despair and oppression of the city, for $1500. The film played at the new York Film Festival and was awarded a special director’s prize at the Pesaro, Italy, Film Festival. In 1965 he made his second feature film, The Sensualists (all copies have unfortunately disappeared) and the 16mm short, Pestilent City, with its powerful and despairing images of the underside of New York, which was shown twice at the new York film Festival.
While making these films in New York, he was acquainted with Andy Warhol, Yoko Ono, Susan Sontag, Carly Simon, Gregory Corso, Jean-Luc Godard (whom he met at the New York. Film Festival), Larry Rivers Brian DiPalma and many others. Goldman and Warhol had a semi-serious, semi comic verbal battle in The Village Voice about cinema.
He was awarded a Fulbright scholarship to Paris for film in 1966 (with the help of Jean-Luc Godard) and made a French-language feature film, Wheel of Ashes, starring French actor, Pierre Clementi. Wheel of Ashes was shown at the Venice film Festival in 1968 and at the Cannes film Festival About Wheel of Ashes, Cahiers du Cinema wrote: “None of us who saw this film could avoid being pierced to the heart . . a cinema fundamentally different. Tages Anzeiger (Germany) echoes this: “We are in the presence of an amazing filmmaker who makes films that are without parallel today.” Irish film critic, Fergus Daley, said that Wheel of Ashes was “one of the most beautiful and formally challenging
works in the history of cinema . . a breathtaking experience. Politiken (Denmark) wrote: “A film which continues in one thoughts long after one has seen it. The film is not a mirror image of reality; it is reality itself.” Professor of Cinema and critic Emeric de Lastens wrote after the video release of Wheel of Ashes, that the film is “the missing link between the New York Underground and the Parisian new Wave . . . Goldman crossed the 1960s like a meteor . . There are few bodies of work as living and enlivening as
that of Peter Emanuel Goldman, the eternal youth of cinema.”
“The intensity, the despair, the haunting images of his films are also captured in his still photos,” said art dealer Aryeh Wuensch. A leading curator and advisor the Getty Museum, Jose-Antonio Navaretti, said that Goldman’s black and white photography “was as good as anything that has ever been done . They are museum quality.”
Goldman served as a Middle East consultant for many senators and representatives as well as being invited to meet with President Reagan and his aides. In the 1980’s he became a Torah-observant Jew. He also did short stints as a journalist, working for the Providence Journal, (1962, NBC Radio News (1985) and writing an art column “Shopping Paris Galleries” for the Paris Herald Tribune(1962.) In 1969 he played third base for the national baseball champions of France, Les Paris Pirates.
Mr. Goldman has three children and has said “that my children are the center of my life.
“Many people say that I have lived a fascinating life,” said Goldman,” this may be so, but it has also been a life of a lot of turmoil—both inner and outer--torment and conflict. My films and photos reflect this.” The rediscovery at the age of 75 of these extraordinary photographs from the 1960s is adding a new chapter to an already fascinating life.
Films
1965, Echoes of Silence (Feature), New York. Pestilent City (Short), New York.
The Sensualists (Feature), New York
1968, Wheel of Ashes (Feature), Paris
Awards and Festivals
Special Director’s Award for Echoes of Silence, Pesaro, Italy, Film Festival, 1966.
Film Festivals: Echoes of Silence: New York, London, Pesaro, Torino, Cannes (Quinzaine) Wheel of Ashes: Venice, Hof (Germany) Pestilent City: New York
Collections
The Museum of Modern Art, New York (Echoes of Silence, Wheel of Ashes)
Centre Pompidou, Paris (Pestilent City)
Menil Collection, Houston (Wheel of Ashes)
Cinématheque Française, Paris (Echoes of Silence)
- Creator:Peter Emanuel Goldman (1939)
- Creation Year:2020
- Dimensions:Height: 11 in (27.94 cm)Width: 8.5 in (21.59 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Surfside, FL
- Reference Number:1stDibs: LU3827331352
About the Seller
4.9
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 1995
1stDibs seller since 2014
1,550 sales on 1stDibs
Typical response time: 1 hour
- ShippingRetrieving quote...Ships From: Surfside, FL
- Return PolicyA return for this item may be initiated within 3 days of delivery.
More From This SellerView All
- Modernist Watercolor Painting Peter Goldman American Filmmaker Neo ExpressionistBy Peter Emanuel GoldmanLocated in Surfside, FLBased on a poem or song. Poetry piece Watercolor painting hand signed by Peter Emanuel Goldman. Legendary French American Film Auteur, These are recently produced watercolor paintin...Category
21st Century and Contemporary American Realist Abstract Drawings and Wat...
MaterialsPaper, Watercolor
- Modernist Watercolor Painting Peter Goldman American Filmmaker Neo ExpressionistBy Peter Emanuel GoldmanLocated in Surfside, FLBilbouquet sporting painting Watercolor painting hand signed by Peter Emanuel Goldman. Legendary French American Film Auteur, These are recently produced watercolor paintings based ...Category
21st Century and Contemporary American Realist Abstract Drawings and Wat...
MaterialsPaper, Watercolor
- Modernist Watercolor Painting Peter Goldman American Filmmaker Neo ExpressionistBy Peter Emanuel GoldmanLocated in Surfside, FLMoMA, Museum of Modern Art, New York Watercolor painting hand signed by Peter Emanuel Goldman. Legendary French American Film Auteur, These are recently produced watercolor painting...Category
21st Century and Contemporary American Realist Abstract Drawings and Wat...
MaterialsPaper, Watercolor
- Modernist Watercolor Painting Peter Goldman Judaica Filmmaker Neo ExpressionistBy Peter Emanuel GoldmanLocated in Surfside, FLSynagogue interior. reading the Torah. Jewish Prayer. Judaica piece. Watercolor painting hand signed by Peter Emanuel Goldman. Legendary French American Film Auteur, These are recen...Category
21st Century and Contemporary American Realist Abstract Drawings and Wat...
MaterialsPaper, Watercolor
- Modernist Watercolor Painting Peter Goldman American Filmmaker Neo ExpressionistBy Peter Emanuel GoldmanLocated in Surfside, FLLast Metro to Bleeker Street. Watercolor painting hand signed by Peter Emanuel Goldman. Legendary French American Film Auteur, These are recently produced watercolor paintings base...Category
21st Century and Contemporary American Realist Abstract Drawings and Wat...
MaterialsPaper, Watercolor
- Abstract Expressionist Rabbi Watercolor Painting Jewish American Modernist WPABy Ben-Zion WeinmanLocated in Surfside, FLWatercolor painting of standing prophet or Rabbi, Judaica artwork Born in 1897, Ben-Zion Weinman celebrated his European Jewish heritage in his visual works as a sculptor, painter, and printmaker. Influenced by Spinoza, Knut Hamsun, and Wladyslaw Reymont, as well as Hebrew literature, Ben-Zion wrote poetry and essays that, like his visual work, attempt to reveal the deep “connection between man and the divine, and between man and earth.” An emigrant from the Ukraine, he came to the US in 1920. He wrote fairy tales and poems in Hebrew under the name Benzion Weinman, but when he began painting he dropped his last name and hyphenated his first, saying an artist needed only one name. Ben-Zion was a founding member of “The Ten: An Independent Group” The Ten” a 1930’s avant-garde group, Painted on anything handy. Ben-Zion often used cabinet doors (panels) in his work. Other members of group included Ilya Bolotowsky, Lee Gatch, Adolf Gottlieb...Category
Mid-20th Century Expressionist Abstract Drawings and Watercolors
MaterialsPaper, Watercolor
You May Also Like
- Ontological IILocated in London, GBEmbark on a journey through the captivating allure of "Ontological II" (2023), a small artwork that radiates a powerful presence. Blurring the boundaries between conceptual art, Amer...Category
2010s Neo-Expressionist Figurative Drawings and Watercolors
MaterialsWatercolor, Archival Paper
- The Braid -line drawing figure and red circleBy Mila AkopovaLocated in Fort Lee, NJInterior design paintings. The work was done with ink and watercolor in black and red color on watercolor paper 300g. The work is 11 by 15 inches in size. This is the "Many thoughts...Category
2010s Minimalist Figurative Drawings and Watercolors
MaterialsPaper, Ink, Watercolor, Mulberry Paper
- Coral Shark Peony - line drawing woman figure with flowerBy Mila AkopovaLocated in Fort Lee, NJInterior design paintings. The work was done with ink and watercolor on watercolor paper 300g. The work is 11 by 15 inches in size framed (gold) with a glass on a double mat board in...Category
2010s Minimalist Figurative Drawings and Watercolors
MaterialsPaper, Ink, Watercolor
- Madame PeleBy Shamona StokesLocated in Jersey City, NJWatercolor, oil pastel, charcoal, ink, salt and Black 3.0 on watercolor paper, 22.25" high x 29.75" wide Pink, red, peach, orange, purple, black Framing available COA available upon...Category
2010s Contemporary Figurative Drawings and Watercolors
MaterialsPaper, Oil Pastel, Ink, Watercolor, Charcoal, Archival Ink, Archival Paper
- "TRANSFIGURATION", abstract watercolor, landscape, trees, water, green, blue skyBy Fleur ThesmarLocated in Toronto, OntarioTRANSFIGURATION is a new watercolor on Fabriano paper by Fleur Thesmar. The artwork measures 30x22", and is a structured composition in tones of green, blue, umber, rose and teal. Bordering on abstraction and figuration, a landscape of trees and water and sky appears to open up symmetrically, possibly revealing a spirit. From Fleur Thesmar – "Inspired by a mathematical model, I painted this abstraction which slowly took on the form of a person. The shivering brushstrokes create a textured relief, while the person seems to emerge from and recede into the background." Having moved her family from France to America, artist Fleur Thesmar closely observed the changes in her world – from the seemingly obvious such as surrounding landscapes, the light of day and weather, the flowers, trees and shorelines – to the smaller less obvious shifts, such as how one behaves in a new world, in a new home, how one cherishes certain belongings and certain memories. Her artistic practice is borne out of that close observation and shift in perspective, and has led to a number of successful gallery shows in the U.S. and internationally. Fleur Thesmar has shown at Beacon Gallery in Boston MA, 440 Gallery, Brooklyn NY, Old West Museum, Cheyenne WY, Belmont Art Gallery, Belmont MA...Category
21st Century and Contemporary Contemporary Abstract Drawings and Waterco...
MaterialsArchival Paper, Watercolor
- Mother Nature, Lyrical Surrealist Abstract Watercolour on Paper.Located in Cotignac, FRMid-century lyrical surrealist abstract watercolour on paper by French artist Jean Clerté, signed and dated bottom right. Presented in mid-century frame. Jean Clerté , born in 1930 in Saint-Savin-sur-Gartempe in Vienne, is a French painter, engraver, draftsman, watercolourist and sculptor . This work is a great example of his more humorous and expressive work influenced by Alechinsky from the late 1960s onwards. There is a light playfulness and yet the watercolours are more vivid than his previous palette. Jean Clerté works in series. His sequential narrations testify both to a youthful spontaneity and to a perfect mastery in the distribution of forms and images on the painted surface. The narration is not only an accumulation of juxtaposed fragments and symbols, it forms a whole, it takes on and gives meaning. In general, we can say of Clerté that he practices an “eco-art” that feeds on primary hungers: the feeling of being united with nature, the vegetable, the mineral, the aquatic. In his colourful canvases, his inks, his boxes, his objects, like a shaman on the path of his dreams, the painter Clerté mounts an assault on beasts and demons, elves and gnomes. From the Poitevin marshes to the tropical forests emerges a fauna caught in the meanders of a design that marvels at the appearance of these grotesque idols. Jean Clerté began to draw and paint at a very young age, and at the age of 15 he enrolled at the École des Beaux-Arts in Poitiers. Then in 1949, curious about the capital, he moved to Paris. Having very few financial resources, he could not continue his studies at first, worked as a model to survive, and met other artists; he was then admitted to the studio of Ossip Zadkine and, from 1952, he was also able to study engraving at Atelier 17 of Stanley William Hayter, an English engraver and printer living in Paris associated in the 1930s with surrealism. At the end of the 1960s, he worked alongside Pierre Alechinsky, founding member of the Cobra movement, engraving Alechinsky's originals, benefiting from his advice, and discovering acrylic as a medium. From 1976, Jean Clerté became associate professor at Hayter. Clerté had taught previously, in 1971 at the Salzburg Summer University and in 1972 he gave courses at the Paris-Sorbonne University . In 1981, he was appointed professor at the School of Decorative Arts , where he had Maïlys Seydoux-Dumas as a student and, from 1983 to 1988, he was Alechinsky's assistant professor at the Paris School of Fine Arts. His first works are part of the current of lyrical abstraction, and are nourished by impressions of nature (landscape motifs, e.g. forest fires, waterscapes), then around 1968, encouraged by Alechinsky, he rejects abstraction, and his work becomes more figurative with expressive and humorous elements. From this period his colours are more subdued, often with pastel tones, he works on series. Jean Clerté has created a world in a space where drawing, painting, objects participate in a playful figuration. From his drawings were born sculptures and sometimes mobiles (Le Moulin à dessin). If it is the artist who makes astonishing, polychrome, whimsical “toys”, it is the painter who appeals to adults through his caustic and satirical humour. His first exhibitions in France took place at the Galerie Massol , then at the Galerie Pascal...Category
Mid-20th Century Surrealist Figurative Drawings and Watercolors
MaterialsPaper, Watercolor
