French School

Four Orange Kittens Watercolour Painting

'Nature Love' by Paddy McCormack (Irish, contemporary) signed to the reverse watercolour/acrylic/oil on canvas 16 x 13 inches unframed provenance: private collector, UK The painting ...

The March Hare by Paddy McCormack (Irish, contemporary) signed to the reverse watercolour on artist paper 15 x 18 inches unframed provenance: private collec...

'Forever Love'' by Paddy McCormack (Irish, contemporary) signed on front and to the reverse watercolour/acrylic/oil on canvas 15 x 18 inches unframed provenance: private collector, U...

The March Hare by Paddy McCormack (Irish, contemporary) signed to the reverse watercolour on artist paper 15 x 18 inches unframed provenance: private collec...

French School, late 19th century gouache painting on artist paper, unframed 15 x 21 inches private collection, France the painting is in overall good and sound condition though with...

The Anatomy of a Horse by Robert Ladou (French 1929-2014) original drawing stuck on card/ thick paper, unframed size: 11.25 x 15.5 overall size: 12....

Charles Frederick de Brocktorff (1775–1850) ‘Camelopard – a present from the Pacha of Egypt to the King – at Malta on its way to England’ Signed and dated C.F. de Brocktorff. / 1827. lower right, inscribed as titled in the painted margins lower centre. Pencil and watercolour heightened with gold paint and gum arabic on paper, 36.8 x 27.9 cm A gift so majestic, it made kings blush, and a gift so grand, it would startle Europe into a craze. Pasha Muhammad Ali of Egypt (1805-1848) did it in 1827: he sent to Europe three magical spotted, horned creatures, each with a neck reaching the skies and legs as long as a house is high. One giraffe to King Charles X of France, one to Francis I of Austria and the most fabled one to King George IV of England. A curious sight for Europeans, who had not seen such a beast since the Medici giraffe in 1487. Few animals created more of a stir in Europe than these royal...

Follower of Zacharias Wagener (1614-1688) Tamanuâguasû (Giant Anteater) On Italian 17th or 18th-century paper, H. 28 x W. 43.5 cm ​The present painting is a copy after Wagener’s painting of the anteater, Tamanduá-bandeira, which is illustrated in his “Thier Buch”, with 109 drawings of Brazilian fish, birds and mammals, published in Amsterdam c. 1641, in German. ​ Zacharias Wagener, or Wagenaer in Dutch, (Dresden 1614 – Amsterdam 1668) was a real adventurer who became Opperhoofd on Deshima and Governor of the Cape of Good Hope in the service of the VOC. During the Thirty-Year War in Germany Wagener tried his luck in Amsterdam where he worked for the map-maker Willem Blaeu. In 1634 he joined the WIC and left for Dutch Brazil where he worked as writer and painter, together with Frans Post...

This Watercolor drawing shows a noble hunting society. The duke (?) on horse and several noble ladies accompanying the soctiety. The duke (?) gestures towards a group of hunters on h...

John Aldrich Ruthven American Painter Bison in a Snow Blizzard Watercolor and Gouache on Paper signed lower left

I've been drawing Snoopy as a subject in my painting for decades now. It is a satisfying shape to draw. Many people from my generation drew Snoopy when they were kids, thus there's a...

This is a 6 x 9 ink work on paper from the "Snoopies" series. Drawing Snoopy as a kid was common in my generation. Cloning this dog into a team who operate on instinct, gives levity,...