Girolamo Ruggieri

Study of a Soldier on Horseback

Inscribed: 3. una Madonna che va in Egitto, verso, and Madonna che va in Egitto, recto Provenance: Private Collection, UK, since 1999 This expressive and boldly executed drawing is the work of Luca...

Inscribed “55” and “218” in the lower right Watermark: Heawood 1351 Laid down on historic Cassiano Del Pozzo mount (Mount Type A, 531 x 402 mm) Provenance: Commissioned by Cassiano dal Pozzo (1588–1637) for his Museo Cartaceo (Paper Museum) and kept in the library of his palazzo, via dei Chiavari, Rome Transferred with the entire dal Pozzo collection by fidecommesso to his younger brother, Carlo Antonio dal Pozzo (1606–1689); by descent to his second son: Gabriele dal Pozzo (d. 1695); by descent to his wife: Anna Teresa Benzoni and after her remarriage in 1697, the Marchesa Lancellotti de’ Ginnetti (d. 1736); by descent to their son: Cosimo Antonio dal Pozzo (d. 1740); by whom sold with the Dal Pozzo library in 1703 to: Pope Clement XI for the Vatican Library; by whom transferred as part of the Museo Cartaceo in January 1714 to his nephew: Cardinal Alessandro Albani (1692–1779), Palazzo ‘alle Quattro Fontane’ in Rome; by whom sold in 1762 to: James Adam, agent for the British Royal Librarian Richard Dalton (1715–1791) King George III of England, Buckingham House Among the sheets of the ‘Museo Cartaceo’ appropriated by Richard Dalton during a reorganization of the drawings, circa 1786-1788; his estate sale, Greenwood’s, London, 11-19 May 1791; where acquired by: John MacGowan...

Provenance: Private Collection, UK After initial training under Justus Suttermans and Vincenzo Dandini, in 1673 Anton Domenico Gabbiani embar...

Provenance: (Possibly) Wilhelm Suida; thence by descent to: Robert L. and Bertina Suida Manning, New York, until 1996 Private Collection, USA Traditionally attributed to the French...

Italian School, 16th Century Provenance: Private Collection, New York This intriguing drawing is a study by an anonymous 16th-century Italian artist after a vignette in Michelangelo’s fresco of The Last Judgement in the Sistine Chapel. The altar wall of the Sistine Chapel was already richly decorated when Pope Clement VII commissioned Michelangelo to paint his Last Judgment...

Provenance: Unidentified collector’s mark “D.G.R,” lower right (Lugt 757b) Wilhelm Suida (1877–1959), New York; by descent to: Robert L. and Bertina Suida Manning, New York, until 1996 Private Collection, USA This impressive drawing of the Assumption of the Virgin is the work of the Genoese artist Giovanni Battista Paggi. The son of a nobleman, Paggi received a humanist education and was a self-taught artist. According to Paggi’s first biographer, Raffaele Soprani, it was only after encountering Luca...

This stunning Baroque study depicts a regatta boat, a type of vessel developed in eighteenth-century Venice for the regattas organized by the Serenissima during visits by royalty and...

This is an original India ink, graphite, chalk, and pen on paper drawing by Hunter Stabler measuring 14.25”h x 20.25”w framed. The piece ships in the pictured frame. Hunter Stable...

The drawings showcase the beauty of the black women on one hand and also reflect the intimacy animals possess with females, especially horses, and princesses in royalty. They are muc...

The drawings showcase the beauty of the black women on one hand and also reflect the intimacy animals possess with females, especially horses, and princesses in royalty. They are muc...

Provenance: Mercedes von Dietrichtein, Buenos Aires. Alexander von Dietrichstein. By descendants Morritz von Diestrichstein. Nicolaes Pieterszoon Berchem (1 October 1620 – 18 February 1683) was a highly esteemed and prolific Dutch Golden Age painter of pastoral landscapes, populated with mythological or biblical figures, but also of a number of allegories and genre pieces. He was a member of the second generation of "Dutch Italianate landscape" painters. These were artists who travelled to Italy, or aspired to, in order to soak up the romanticism of the country, bringing home sketchbooks full of drawings of classical ruins and pastoral imagery. His paintings, of which he produced an immense number, (Hofstede de Groot claimed around 850, although many are misattributed), were in great demand, as were his 80 etchings and 500 drawings. His landscapes, painted in the Italian style of idealized rural scenes, with hills, mountains, cliffs and trees in a golden dawn...

chalk on vintage collaged paper from a book of fables Artwork measures 60 x 32 inches 65. x 35.5 inches framed, deckle edge paper is floated in n...