ROA

Contemporary street art drawing - "Wild Animals" framed - enamel and ink, ROA

2022

This is a 1/1 original ROA on wood and metal substrate found and constructed by the artist who then painted on the face. French cleat. Signed

Ryan Thomas Monahan hails from Yorkville, Illinois. Utilizing a combination of physical and imaginative exploration Ryan creates miniaturized three dimensional portraits of urban lan...

This is a hand made piece - No Props, it has a LED light and switch. (it can hang on the wall or sit as sculpture) Ryan Thomas Monahan hails from Yorkville, Illinois. Utilizing a ...

Hand Carved Basswood 17x8x8 inches Paul Kaptein Artist Statement: Paul Kaptein is one of only a few artists I know that has been in Hatched (the national survey of recent graduate...

Mute Figure #2 Hand Carved Basswood 14x10x6 inches Paul Kaptein Artist Statement: Paul Kaptein is one of only a few artists I know that has been in Hatched (the national survey of...

Bespoke Metal bodied fire extinguisher in deep glass fronted case. Mixed media, Edition of 50. - Easy wall mount with French cleat. Signed and numbered. Plastic Jesus: Born : London (United Kingdom) Current Location: Los Angeles Huffington Post - Best street art of 2012 Complex art and Design : top 10 street artist to watch (2013) referred to “The Banksy of LA” Feature artist in forthcoming Bonham Auction in LA (June 6th) in aid of Arts project Los Angeles. ____ Plastic Jesus grew up in the London Suburbs. (UK). After a brief career in engineering he pursued his life long passion to become a photojournalist. During a highly productive and eventful career that took to him to around 50 countries, covering world news events including war, civil unrest, crime, natural disasters and entertainment he became increasing frustrated by the selective focus of mainstream media. He turned his visual skills to street art as a way tackling issues he felt passionate about using his experience as an image maker and story teller to create bold, emotive art. With a mix of stenciled acrylic spray images and surreal oversized & often controversial installations that both amaze and amuse, his work combines humor, irony, criticism and unique opinion to create art that engages on many levels. Often questioning the norms in society Plastic Jesus confronts our compliance of culture and current affairs. The artist uses scale and contradiction as a means to highlight issues and opinions that often go unquestioned. The aesthetic appeal of his work combined with the engagement produces an addictive mix that challenges our acceptance. Worldwide appreciation for his work has grown organically but at a incredible pace, he is now one of the most talked about street artists having gained international media attention for a number of high profile pieces including his March 2015 Cocaine snorting oscar statue, his “No Kardashian Parking” signs...

Enamel paint on cardboard. Signed, titled, and dated on overleaf. Authenticity certificate by Fondazione Pablo Echaurren.

"Smoko" (2021) by SarahGrace Watercolor tip ink on watercolor paper Hand-signed by artist Certificate of Authenticity Included Framing Available Watercolor / Pop and Contemporary Pop...

Watercolor, flashe, color pencil, ink, silver paint, matte medium and Black 3.0 on watercolor paper, 55" high x 77" wide Vivid matte blue, red, gray, silver and black Framing availa...

"Thylacines with Prickly Pear Cacti" is an original watercolor and ink work by Emily White representing the extinct Tasmanian Tiger. The piece ships i...

A woman tilts her head towards the viewer, one eye peaking around the edge of the frame in this small etching by Juan Barragán. It is enhanced by the bl...

SWAN IN LOVE (TEOREMA 50), 2012  ink, watercolor, airbrush paint, graphite on paper  37.5 x 52 inches / 952 x 1320 mm unframed Christina McPhee’s expansive abstract paintings, drawings, photographs, and videos test or query how can we know, and who is we? Moving from within a matrix of measurement, observation and contingent effects, her work resists characterization as product, and continually accesses fields outside itself. For her, process equals trial. Her work emulates potential forms of life, in various systems and territories, from a perspective of the non-self– a world beyond identity. McPhee’s dynamic, performative, physical engagement with materials, in both her analogue and digital works, is a seduction into surface-skidding calligraphic gestures and mark-making. The tactics of living are in subterfuge, like the ‘dazzle ships...