Corne Akkers

Golden Cubism - 21-02-21, Drawing, Pastels on Paper

2021

Color Addition This pastel drawing ‘Free Floating Blue Wave Nude – 10-02-21’ is based on a previous graphite pencil drawing ‘Roundism – 19-07-16’. In my art statement to...

Soft pastel on paper 11/ 15in . paper paspartou , lokation Poland redy to send. :: Drawing :: Illustration :: This piece comes with an official certificate of authenticity signed b...

Early morning on a winter's day at Marsh View Meadow Park in Pittsfield Township, Michigan. :: Drawing :: Expressionism :: This piece comes with an official certificate of authentici...

In my pictures I try to combine the visual and the conceptual. For me, drawing is a medium of knowledge which, beyond direct expression, makes visible material and immaterial forces,...

Lost and Found Again It has been a while since I wandered through the Hatert Meres (Hatertse Vennen). In 2014 to be precise. Hatert Meres 09 (2014) was my last pastel of that series...

"A well spent day brings happy sleep." "” Leonardo da Vinci I really enjoy the freedom working with soft pastels brings. Their very nature, ie a blunt stick, dictates that you sh...

James Tissot was among the most successful and critically acclaimed artists of the Victorian era. Although the artist is celebrated for his elegant scenes of fashionable life in Paris and London, this work is a fascinating rarity within his oeuvre. In this monumental pastel, Tissot depicts a prehistoric woman draped in a tiger skin, presented with a striking pose and heroic air. His delicate portraiture, combined with his fascination with conveying texture, demonstrates why he was one of the most revered artists of his generation, and La femme préhistorique illustrates the remarkable technique for which he was renowned. This work was completed in preparation for a series of works exploring the Old Testament undertaken by Tissot from 1899-1902 that remained unfinished at the time of his death. A portion of this series focused on illustrations of Adam and Eve, and among these sketches were images of a nude Eve partially draped in animal furs. Towards the end of his life, following his conversion to Catholicism, biblical subjects became important to the artist. A few years before this work was completed, Tissot embarked upon a highly ambitious group of nearly 300 watercolors illustrating the New Testament, presenting the illustrated epic in its entirety at the Paris Salon of 1894. Both of these series were a critical artistic departure for the artist, stemming from a desire to create works separated from his typical images of modern society. This pastel imagines Eve as the prototype of womanhood in the guise of a prehistoric woman. Tissot rarely painted the nude, and his skill as a draftsman highlights the figure's natural beauty, contrasting it with the stark landscape surrounding her. Although a study, this monumental work is incredibly well-finished and highly engaging, with the statuesque model commanding the majority of the canvas. Her pose is strong and theatrical, and she addresses the viewer with a direct, confident gaze. The imagined historical subject of this drawing is grounded by Tissot’s exceptional attention to detail. A master of conjuring an array of textures, Tissot showcased this ability in this work by juxtaposing many types of fabrics and natural elements within one composition. The tiger skin with which the woman partially covers herself was a favorite studio prop of Tissot’s, appearing in many of his most influential works from the period, including several paintings of his partner and favorite model Kathleen Newton. It, in particular, showcases the artist’s understanding of texture, yet it also serves as an exotic element that elevates the sensuality of the scene when placed against the woman’s bare skin. Born in 1836 in the port town of Nantes, Tissot traveled to Paris at the age of 20 in order to join the studios of Hippolyte Flandrin and Louis Lamothe. During this period, he became close with James Abbott McNeill Whistler, Edgar Degas and Edouard Manet, and the impact of these friendships is reflected in his portraits of modern life. Having enjoyed considerable success in Paris during the 1860s, Tissot fought in the Siege of Paris, and after the fall of the Commune in 1871, he went to London, where he stayed for the next ten years. He was met with incredible success there, and he also met the love of his life, Kathleen Newton, a divorcée, with whom he lived from about 1876 until her death in 1882. Today he is regarded among the great masters of Belle Époque painting, and his works can be found in important collections worldwide, including the Metropolitan Museum of Art, the Brooklyn Museum, the National Gallery of Art, the Musée d’Orsay, the Tate Gallery and many others. This pastel remained in Tissot's private collection until his death in 1902 and is referenced in the posthumous 1902-3 valuation of Tissot's home at 64 avenue du Bois...

The drawing perfectly conveys the individual originality of the character of the king's favorite with a lively mind and a kind heart, as evidenced by the royal mantle thrown over the naked body from above. The grace of the pose and the cold courtesy of the lady's smile indirectly reflected her playful temperament and refined coquetry. The drawing is built on the harmony of colors used by the artist. By an unidentified professional painter, vintage pastel drawing...

A lady with a porcelain-delicate toasty face, enchants with playful and refined coquetry. The lively movability of the artist's stroke conveys with all tangibility the reflections and the play of light on the surface of the blue satin, and the airiness of the underwear. The professionalism of this work captures with its imagination, grace and harmony of colors. By an unidentified professional painter, vintage pastel drawing...

Paul MADELINE 1863-1920 Naked woman, study Drawing, pastel on paper Stamp of the signature "P. Madeline" lower right On the back: stamp of the Paul Madeline's sale, 05/11/1978, 3rd s...

Contemporary realistic figurative mixed media drawing PROVENANCE Exhibited at Katarzyna Napiorkowska Gallery. The Gallery is a primary representative for this artist. The Gallery o...

Gabryela Wasowicz is a Polish painter born in 1947. She studied at the Academy of Fine Arts of Warsaw and then at the Gerrit Rietveld Akademie in Amsterdam. Once she graduated in 197...