Dave Darraugh

Floating Crown #15

2016

Julie Bozzi "Two Tone Building Next to Newly Graded Lot" 2009 Gouache on paper 7 x 10 inches Framed

Mark Fox Untitled, 2018 Acrylic ink and wax crayon on paper 50 x 38 inches Framed

Mark Fox Hoodwinked, 2018 Acrylic, ink, watercolor, marker, graphite, and color pencil on paper 49 x 60 inches

Mark Fox To be titled, 2017 Acrylic and acrylic ink on paper, PVA glue 21 x 18 1/2 inches Each "drip" in this work is individually cut out and collaged

Mark Fox Shallow Field Sluggo (black in a void), 2014 Oil on paper, PVA glue 50 x 87 inches

Gary Stephan Untitled, 1990 Oil and acrylic paint on linen 18 x 14 inches

(Comes framed in a maple floater frame, ready to hang.) This is one of a series we have posted on 1stDibs. The first got more clicks and saves on its first day than any of the many hundreds of artworks we have ever posted. If you search on "G. Campbell Lyman" on 1stDibs you can see others in this series. Here's a recent message from a 1stDibs buyer of a painting in this series, a seasoned collector: "Love your work. We collect colorists like Wolf Kahn and Jennifer Bartlett, whom I commissioned a piece from that is in the entrance of Mayo Clinic. We are old fans...

(Comes framed in a maple floater frame, ready to hang.) This is one of a series we have posted on 1stDibs. The first got more clicks and saves on its first day than any of the many hundreds of artworks we have ever posted. If you search on "G. Campbell Lyman" on 1stDibs you can see others in this series. Here's a recent message from a 1stDibs buyer of a painting in this series, a seasoned collector: "Love your work. We collect colorists like Wolf Kahn and Jennifer Bartlett, whom I commissioned a piece from that is in the entrance of Mayo Clinic. We are old fans...

Artist's Statement: "I had been making some very colorful paintings based on rings or circles that have been very well received and much of that series is already sold, but my forms ...

Artist's Statement: "I had been making some very colorful paintings based on rings or circles that have been very well received, but my forms and brushstrokes began to tighten and feel a little restrained. So I decided to change both the forms and the strokes, and lose a lot of the color, and do something different for awhile. I stayed with simple forms as in general I am much more interested in surface and color anyway. With this painting, after I had finished the central piece, I felt it lacked gravitas due mostly to size, and so I decided to affix the canvas to an underlying canvas painted in a very flat black color, with texture to it (I actually used house paint for this, which is perfect for what I wanted). So the painting is actually a canvas attached to another, and has three-dimensionality to it. You can see in the close-ups the "strokiness" I was after. I think this painting has a sort of Rothko-ish, iconic quality to it, but without the gravitas." Recent message from a 1stDibs buyer and seasoned collector about a painting in the prior "ring" series: "Love your work. We collect colorists like Wolf Kahn and Jennifer Bartlett, whom I commissioned a piece from that is in the entrance of Mayo Clinic. We are old fans...

Artist's Statement: "I had been making some very colorful paintings based on rings or circles that have been very well received, but my forms and brushstrokes began to tighten and fe...

Zygmund Jankowski (1925–2009) painted traditional subjects with exuberant irreverence for traditional rules of color, composition, and perspective. He disparaged imitation and deligh...