Dale Nichols

Ink on Paper Drawing of "The Tree of Knowledge, Science", Dale Nichols, ca. 1940

Marguerite Zorach, 1887-1968 The Card Game, 1912 Ink on paper 9 ¼ x 12 inches Signed and inscribed (on verso): Marguerite Zorach Playing Cards/Calif./1912.” ZoraM-02

Everett Shinn, 1876-1953 Water Nymphs, n.d. Pen and ink with gesso on paper 20 x 18 ½ inches Signed (lower left)

John Sloan, 1871-1951 Shine, Washington Square, 1923 Etching 5 X 7 inches Sloan-5 Signed lower right: “John Sloan” and Titled by the artist lower center: “Shine, Washington Square” Recorded: Peter Morse. John Sloan’s Prints...

William Glackens, 1870-1938 Criticizing Ernest Lawson’s Art Class, ca. 1907 Watercolor and pencil on paper Signed (at lower left): Glackens Inscribed ...

Reginald Marsh, 1898 – 1954 Monseigneur News Theatre, 1925 Signed and dated at lower right: 'Reginald Marsh 1925' Watercolor on card 8 x 11 inches Born in Paris to parents who were American artists, Reginald Marsh became an adept illustrator at an early age. His family returned to the United States in 1900. Upon graduating from Yale University, Marsh moved to New York and in 1922 took a job as an illustrator at the New York Daily News. For the paper he provided cartoons of vaudeville and burlesque shows. In 1925 Marsh went to work for a new magazine -- The New Yorker -- as one of its original cartoonists. That same year he married Betty Burroughs, daughter of the paintings curator at the Metropolitan Museum of Art. Later that year they traveled to Europe where Marsh discovered the work of the old masters at the Louvre in Paris and British museums. With a sketchbook always on hand, he wandered the streets of Europe and began depicting bums or what he called figures of failure. Upon the couple’s return, Marsh, now with a serious interest in pursuing art, enrolled at the Art Students League where he studied under George Luks, John Sloan, and Kenneth Hayes Miller. This work, Monseigneur News Theatre, is accompanied by a letter from Marsh Scholar Professor Norman Sasowsky, University of Delaware...

Sloan, John, 1871-1951 The New Hat, c. 1912 graphite on paper 12 X 10 inches signed l.l. “John Sloan (per HFS)” inscribed by Helen Farr Sloan. Sloan-1 Provenance: The artist, Priva...

Enrique Chagoya Ghostly Meditations (martyrs of the arts academy) , 2012 acrylic and India ink on de-acidified 19th century paper (facing pages of etchings from a 19th century book) ...

Enrique Chagoya Ghostly Meditations (perpetual anarchist church), 2012 acrylic and India ink on de-acidified 19th century paper (facing pages of etchings from a 19th century book) 11...

Enrique Chagoya Ghostly Meditations (meditations on el ser y la nada), 2012 acrylic and India ink on de-acidified 19th century paper (facing pages of etchings from a 19th century boo...

Enrique Chagoya Ghostly Meditations (memories of oblivion) , 2012 acrylic and India ink on de-acidified 19th century paper (facing pages of etchings from a 19th century book) 16" x 1...

Unique work made from handprinting and printed collage on paper.

Lester Johnson Self Portrait 1969 drawn with ink, crayon, and spray enamel on paper. Measuring 14 by 11 inches, this drawing was recently professionally framed.