Fat Lady from “Parade Triple Bill”
View Similar Items
David HockneyFat Lady from “Parade Triple Bill”1980
1980
About the Item
- Creator:David Hockney (1937, British)
- Creation Year:1980
- Dimensions:Height: 22 in (55.88 cm)Width: 30 in (76.2 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:London, GB
- Reference Number:1stDibs: LU306370852
David Hockney
The art of David Hockney is always engaging in its pleasant ambiguities: his prints, drawings and paintings are warm but somehow aloof; filled with light yet often dark and brooding in subject; simple, frank and mundane, but also ethereal and complex. The artist’s stature in the contemporary art world is such that, in a 2011 survey of one thousand British painters and sculptors, he was named the most influential British artist of all time.
Hockney grew up in Bradford, in the northern English county of Yorkshire, studying at the Bradford School of Art from 1953 to ’57, and at the Royal College of Art in London from 1959 to 1962. Though he was educated in art at a time when abstraction dominated the field, Hockney stuck resolutely to figurative painting and drawing.
Hockney's early paintings suggest a search for a style, veering from Expressionism to a grotesquerie suggestive of James Ensor. But Hockney found himself almost the moment he arrived in Los Angeles, in 1963. The move from the gray and rainy Britain to a world of bright sunshine and sparkling water brought Hockney a sense of freedom and an artistic epiphany. He would spend most of the next five years in L.A., painting luminous pictures, such as A Bigger Splash (1967), of things that made him happy: swimming pools, manicured lawns, palm trees, stucco buildings and luxuries like shower stalls. Hockney also painted people, almost always his friends. His California portraits such as Beverly Hills Housewife (1966) are considered to be his finest work. They are at once grandly scaled, intimate and poetic.
In the 1970s, Hockney moved back to Britain and spent much of his time on photography and printmaking. He returned to painting in the 1980s, and to subjects like still lifes, seascapes and portraits. Hockney has always been fascinated by the use of technology in art — he’s credited with inventing the technique of joining Polaroid photos in a collage to form a panoramic picture — and has been using the Brush app to paint on an iPad. Because he is prolific and works in a wide range of mediums, Hockney’s art is available at many price points. His consistently striking and provocative work should have a place in any comprehensive collection of contemporary art.
Find original David Hockney art on 1stDibs.
- Ruffled Kimono (Orange, Teal, and Purple)By Patricia A. PearceLocated in Soquel, CADelicate kimono by Patricia A. Pearce (American, b. 1948). This piece has an iridescent quality to the coloration. This piece is unsigned, but was acquired with a collection of other...Category
1980s Realist Abstract Drawings and Watercolors
MaterialsPaper, Pen, Color Pencil, Gouache
$700 Sale Price20% Off - Andrew (Sitting), Mixed media on Pergamenata parchmentBy Howard TangyeLocated in London, GBHoward Tangye (b.1948, Australia) has been an influential force in fashion for decades. Lecturing at London’s Central Saint Martins for 35 years, including 16 years as head of BA Wom...Category
2010s Contemporary Figurative Drawings and Watercolors
MaterialsIndia Ink, Mixed Media, Oil, Acrylic, Watercolor, Gouache, Archival Pape...
- Rituals #1 Hélène Duclos, 21st Century Contemporary figurative art, orange greenBy Hélène DuclosLocated in Paris, FRGouache, color pencil and graphite on paper Signed lower right Unique work 1 / Hélène DUCLOS, 2016 – Artist Statement “Questioning the human condition and the position of being ali...Category
21st Century and Contemporary Contemporary Figurative Drawings and Water...
MaterialsPaper, Gouache, Color Pencil, Graphite
- Disappearances / Extinctions #1 Hélène Duclos 21st Century drawing landscape artBy Hélène DuclosLocated in Paris, FRThis drawing is part of the current exhibition entitled "The fantastic story of the liquid mountain" at Claire Corcia Gallery in Paris. The liquid mountain is populated by living be...Category
2010s Contemporary Landscape Drawings and Watercolors
MaterialsColor Pencil, Graphite, Paper, Gouache
- Art deco mixed media on paper - Panther in a forest of bamboos by Gaston SuisseLocated in Carouge GE, GEPanthère dans les bambous, 1926 Gouache, or et traits de crayon sur papier Signé et daté en bas à droite 15 x 15 cm (sujet) Panther in the bamboos, 1926 Gouache, pencil and gold on paper Signed and dated to the lower right Provenance Collection particulière, France - Private collection, France Bibliographie/Literature : Emmanuel Bréon "Gaston Suisse, splendeur du laque art déco", Somogy Editions d'art, Paris 2013, oeuvre décrite et reproduite page 104. (l’oeuvre décrite et reproduite est la lithographie tirée d'après l’oeuvre originale que nous présentons.) Nous présentons ici l'oeuvre originale à la gouache, or et crayon de la panthère noire. L’artiste en réalisa une gravure sur bois dont il tira lui-même une vingtaine d’épreuve. Ces épreuves ne furent pas commercialisées telles quelles, Gaston Suisse reprit chacune des épreuves en utilisant des lavis d’encre de Chine et des ors de différentes couleurs, afin d’obtenir des effets différents pour chaque épreuve, qui sont donc des œuvres originales uniques. We present here the original work in gouache, gold and pencil of the black panther. From this original, the artist made a wood engraving of which he made about twenty prints himself. These proofs were not marketed as they were, Gaston Suisse reworked each of the proofs using Indian ink washes and golds of different colors, in order to obtain different effects for each proof, which are thus unique original works. Born in 1896 in a family of artists, his father Georges was a close friend of Siegfried Bing and a great lover of Japanese art and a bibliophile. He passed his taste for art to his son whom he often took to draw at the Botanic Garden . Around 1910, Gaston Suisse, who hasn't entered yet the artistic school, met Paul Jouve, then 18 years his elder, who was already famous. In 1911, at the age of 17, he entered the National School of Decorative Art where he followed the teachings of Paul Renouard. Thanks to his knowledge and taste for the Japanese art, he chose lacquer painting as his specialty. His practice of this noble and demanding subject were so much appreciated that he was awarded with two gold medals in 1913 and 1914. Mobilized during the war , he joined the army and go in Salonika where he found his friend Jouve. In 1918, he finished his studies at the School of Applied Arts in order to perfect his training. He learned in particular the techniques of gilding and oxidation of metals. The first productions of Gaston Suisse, furniture and objects in lacquer with geometrical patterns, were an instant success and Suisse was appointed as member of Salon d'Automne in 1924, the very year of his first exhibition. Considered as an artist-decorator, his sincere and deep friendship with Jouve linked him in parallel with the groups of the animaliers of the Jardin des Plantes and became a close friend of Edouard-Marcel Sandoz. When travelling to Maghreb and Middle-East between 1923 and 1925, he produced numerous drawings representing antelopes, apes and fennec foxes...Category
1920s Art Deco Animal Drawings and Watercolors
MaterialsGold
- Nashville is an EnigmaBy Katherine PorterLocated in New York, NYKatherine Porter Country Music (Nashville is an Enigma), 1986 Mixed media; colored pencil, gouache, and graphite on paper, uniquely signed and inscribed with Nashville dateline Hand ...Category
1980s Abstract Abstract Drawings and Watercolors
MaterialsMixed Media, Gouache, Color Pencil, Graphite