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Ethan Murrow
Pierpont Spent Hours Ironing His New Signal Captain Uniform

2006

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  • Signal Captian Must Never Shirk His Duties, But Pierrpont Flagrantly Ignored
    By Ethan Murrow
    Located in Culver City, CA
    "Signal Captian Must Never Shirk His Duties, But Pierrpont Flagrantly Ignored That Advice" by Ethan Murrow 2006 graphite on paper 54" x 36"
    Category

    Early 2000s Figurative Drawings and Watercolors

    Materials

    Archival Paper, Graphite

  • Switch
    By Ethan Murrow
    Located in Culver City, CA
    "Switch" by Ethan Murrow 2011 graphite on paper 36" x 48" $19,500
    Category

    2010s Figurative Drawings and Watercolors

    Materials

    Graphite, Archival Paper

  • Casino
    By Ethan Murrow
    Located in Culver City, CA
    Graphite on paper.
    Category

    21st Century and Contemporary Figurative Drawings and Watercolors

    Materials

    Graphite, Paper

  • Got diamonds for our leaky boat
    By Ethan Murrow
    Located in Culver City, CA
    Graphite on paper, from the 2017 series "Failed Ballads". Framed.
    Category

    2010s Contemporary Landscape Drawings and Watercolors

  • Promises
    By Ethan Murrow
    Located in Culver City, CA
    Graphite on Paper, from the 2017 series "Failed Ballads". Framed.
    Category

    2010s Contemporary Landscape Drawings and Watercolors

  • Charm School Love Team Test Pilot Candidate Program
    By Ethan Murrow
    Located in Culver City, CA
    Graphite on archival paper, from the 2017 series, "Failed Ballads". Framed.
    Category

    2010s Contemporary Figurative Drawings and Watercolors

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    Rick Sindt's knowledge of the male physique is evident in this exquisite drawing of a nude male. The subject sits on the ground with his body twisted away from the viewer. We see the defined musculature of his posterior. The artwork is framed in white wood with a black mat. Rick Sindt The Body is a History graphite on archival paper 12h x 9w in 30.48h x 22.86w cm RIS026 Shifting the historic male gaze into a male-on-male gaze, this body of work anchors its exploration of queer culture in relationships and introspection. Beginning with a survey of several photo archives, I overwhelmingly encountered pictures that fit into two distinct categories: spectacular demonstrations or public displays of sexuality. All of these images were overtly political. Then, I began to find a subset of more intimate images. Typically, these were images submitted by loved ones or donated to foundations after someone’s death. These images depicted common, tender scenes. Working my way through these images, I reflected on D. A. Miller’s assertion that gay identity, to which we have entrusted our politics and ethics, stands in an essentially reductive relation to the queer desires on which it is based. And David Halperin’s argument that, “identity has become the preferred category for thinking about homosexuality. Moreover, it has been promoted at the direct expense of pleasure or feelings or subjectivity.” This left me asking the questions: how is queer culture transmitted if not genealogically? Is there a universal queer experience? What is queer sensibility and subjectivity and can it be visually represented? Rick Sindt b. 1990, Hastings, MN, EDUCATION 2013 North Park University, Chicago, IL - BFA Magna Cum Laude SOLO EXHIBITIONS 2016 Two Countries, Rogue Philanthropy, Chicago, IL 2013 Tides, Erosion or Catch, Pull, Recover; The-One-Right-Now, North Park University; Chicago, IL GROUP EXHIBITIONS 2016 Are We Not of Interest to Each Other, Uptown Arts Center, Chicago, IL Reinventing Ourselves From Another Point-of-View, Contemporary Gallery at Zhou B. Arts Center, Chicago, IL Collective: Process, Beans and Bagels, Chicago, IL 2015 Collective: for(a)ging, Hammond Art Center; Hammond, IN How We Make It, The Arts of Life, Chicago, IL Collective: One, Albany Park...
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