Items Similar to Decorative Illustration for Saturday Evening Post, April 17th, 1920
Want more images or videos?
Request additional images or videos from the seller
1 of 2
Guernsey MooreDecorative Illustration for Saturday Evening Post, April 17th, 19201919
1919
About the Item
Signature: Initialed Lower Right
Originally published in Saturday Evening Post December 20th, 1919 issue. Repeated in April 17th, 1920 issue of Saturday Evening Post as an insert decoration with no story tied to the illustration.
- Creator:Guernsey Moore (1874 - 1925, American)
- Creation Year:1919
- Dimensions:Height: 9.5 in (24.13 cm)Width: 17 in (43.18 cm)
- Medium:
- Period:
- Condition:
- Gallery Location:Fort Washington, PA
- Reference Number:1stDibs: LU38435747542
About the Seller
5.0
Recognized Seller
These prestigious sellers are industry leaders and represent the highest echelon for item quality and design.
Gold Seller
These expertly vetted sellers are highly rated and consistently exceed customer expectations.
Established in 1995
1stDibs seller since 2016
107 sales on 1stDibs
Typical response time: 5 hours
- ShippingRetrieving quote...Ships From: Fort Washington, PA
- Return PolicyA return for this item may be initiated within 14 days of delivery.
More From This SellerView All
- "Nell Gwyn" Movie PosterLocated in Fort Washington, PAMedium: Watercolor, Pen and Ink on Board Signature: Unsigned Contact for exact dimensions. Vintage Paramount Picture Movie Poster Illustration.Category
20th Century Figurative Drawings and Watercolors
MaterialsWatercolor, Ink, Pen
- (untitled)By Grace G. DraytonLocated in Fort Washington, PAMedium: Watercolor and Ink on Paper Dimensions: 28.00" x 19.50" Signature: Signed CenterCategory
Early 20th Century Figurative Drawings and Watercolors
MaterialsWatercolor, Paper, Ink
- Cream of Wheat AdBy James Montgomery FlaggLocated in Fort Washington, PASigned Lower LeftCategory
1910s Figurative Drawings and Watercolors
MaterialsBoard, Watercolor
- Easter, Saturday Evening Post Cover April 19, 1930By Joseph Christian LeyendeckerLocated in Fort Washington, PAMedium: Oil on Canvas Signature: Signed Lower Right Saturday Evening Post Cover, April 19, 1930Category
1930s Figurative Drawings and Watercolors
MaterialsCanvas, Oil
- "Fine Manners" Movie PosterLocated in Fort Washington, PAMedium: Watercolor, Pen & Ink on Board Dimensions: 16.25" x 11.25" Paramount Pictures Movie Poster Illustrated American ArtistCategory
20th Century Figurative Drawings and Watercolors
MaterialsInk, Watercolor, Board, Pen
- Raggedy Ann and Andy, Original Drawing and Puzzle DiptychLocated in Fort Washington, PADate: 1960s Medium: Watercolor on Paper Dimensions: 9.50" x 7.50" Signature: UnsignedCategory
1960s Figurative Drawings and Watercolors
MaterialsPaper, Watercolor
You May Also Like
- Italian Mixed Media Gouache Tempera Theatre Set Costume Silhouette PaintingLocated in Firenze, ITThis set of four antique 19th century Italian mixed media painting on paper hand made with gouache, tempera and watercolor, features several characters silhouettes acting in a theater play. These fine artworks are very unusual, they probably were sketches for theatrical costumes and sets. A rare example of Venetian 19th century theatrical figures in the scenery of Italian opera or characters of the Italian Commedia dell'arte. These four paintings featuring costume design figurines, with the characters acting in a theatrical set, are rendered through the decoupage technique mixing watercolor painting or gouache with tempera on paper. Each tiny figurine is made of paper hand-colored in watercolor, then cut and applied to an antique sheet...Category
19th Century Rococo Mixed Media
MaterialsPaper, Tempera, Watercolor, Gouache
- 1854 Funeral of R. Williams at Gyokusen-ji Temple, Shimoda, with Commodore PerryLocated in Amsterdam, NLWilhelm Heine (Dresden 30 January 1827-Löbnitz 5 October 1885) ‘Funeral of Robert Williams in the cemetery of the Temple Gyokusen-ji at Shimoda in April 1854’ With a sticker on the reverse of the frame by Coupil & Co. 1855 Watercolour on paper, H. 57 x W. 92 cm Depicted is the Bay of Shimoda with seven American ships including the two paddle-wheel warships USS Mississippi and Susquehanna. On the Gyokus- en-ji temple grounds on the right is the coffin in the middle with the remains of US marine Robert Williams, ready to be lowered into the grave. Looking on from the left are the Buddhist monks and Japanese officials who joined the first Christian funeral on Japanese soil. Around the grave are US marines, Commodore Perry...Category
Mid-19th Century Figurative Drawings and Watercolors
MaterialsPaper, Ink, Watercolor, Gouache
- Two Balinese Beauties (Mapeed), circa 1945By Johan Rudolf BonnetLocated in Amsterdam, NLRudolf Bonnet (1895-1978) 'Mepèèd' (Mapeed) Signed lower right Titled upper right Pastel on gouache pigmented paper, 57 x 34 cm In original carved ebo...Category
1940s Nude Drawings and Watercolors
MaterialsPaper, Crayon, Pastel, Gouache, Pencil
- Two Seated MenBy Henri LebasqueLocated in New York, NY“Two Seated Men” by Henri Lebasque (1865-1937) Pencil and watercolor on paper 6 x 5 inches unframed (15.24 x 12.7 cm) Signed on bottom right Description: In ...Category
20th Century Figurative Drawings and Watercolors
MaterialsPencil, Watercolor
- Judith and Salome, a pair of oil paintings on canvas by Francesco ContiLocated in PARIS, FRThis widely referenced pair of paintings is one of Francesco Conti’s most successful productions. Francesco Conti is one of the finest painters of 18th-century Florence. In the shimmering colors typical of his best work, he represents two opposite characters from the Bible: the virtuous Judith, whose courage saves her people by cutting off the head of the invader Holofernes, and the depraved Salome, who under the influence of her mother becomes responsible for the beheading of the prophet John the Baptist. The artist's talent lies in his ability to treat these two macabre subjects with a light touch, presenting us with two attractive women who seem to twirl with glee amidst the severed heads... 1. Francesco Conti, the “Florentine Tiepolo” Francesco Conti is a major painter of the Florentine school of the 18th century; he can even probably be considered, along with Giovanni Domenico Ferretti (1692-1768), as one of the two main painters of the second quarter of the Florentine 18th century. Born in Florence in 1682, Francesco Conti began his apprenticeship in the workshop of Simone Pignoni (1611 - 1698), a disciple of Francesco Furini; he was also influenced by the Venetian Sebastiano Ricci. A protégé of Marquis Riccardi, he accompanied him to Rome between 1699 and 1705, where he frequented Carlo Maratta's studio. He settled permanently in Florence in 1705. Painted exclusively on canvas, the majority of his work consists of religious subjects, altarpieces or private devotional works. It is likely that Conti himself was a devout churchgoer, as evidenced by his affiliation, in the third decade of the eighteenth century, to the Society of the Disciples of Saint-John-the-Baptist, and his entry, at the end of his life, into the fraternity of the Venerable Society of the Holy Trinity. In Florence, Conti worked for the Grand Duchy's major patrons, including the last Medici - in particular Giangastone and Annamaria Luisa, Electress Palatine - and confirmed his role as a reference painter under the Lorraine Regency, as master of the Public Drawing School, which was closely linked to the institute responsible for the manufacture of semi-precious stone mosaics, then located in the Uffizi complex. Matteo Marangoni, an art critic of the early 20th century, praised his "brushwork full of elegance and true spirit of the 18th century", pointing out that Conti was "probably one of the best colorists" of the Florentine school of his time. These two characteristics led the art historian Paolo dal Poggetto to nickname him the "Florentine Tiepolo". 2. Judith and Salome, two biblical characters opposing each other These two paintings form a pair presenting two biblical episodes, which have in common the depiction of a "heroine" carrying the severed head of a man. While the Salome episode might at first appear to be an echo of the Old Testament story of Judith, each character is the exact opposite of the other. Judith, whose story is told in the Book of Judith, is a beautiful young widow from Bethulia who, accompanied by her maid, went into the camp of the invading Assyrians and won the confidence of Holofernes, the general commanding the enemy army. Invited to a great feast on the fourth evening, she took advantage of Holofernes' drunkenness to cut off his head. “She went up to the bedpost near Holofernes’ head, and took down his sword that hung there. She came close to his bed, took hold of the hair of his head, and said, “Give me strength today, O Lord God of Israel!” Then she struck his neck twice with all her might, and cut off his head. Next she rolled his body off the bed and pulled down the canopy from the posts. Soon afterward she went out and gave Holofernes’ head to her maid, who placed it in her food bag...Category
1710s Old Masters Figurative Drawings and Watercolors
MaterialsCanvas, Oil
- Gerald L. Brockhurst British 1890-1978, Botticelli ‘s Liberal Arts Aquarell 1915By Gerald Leslie BrockhurstLocated in Meinisberg, CHGerald Leslie Brockhurst (British/American, 1890-1978) In the Circle of the liberal Arts After Alessandro Botticelli's Fresco: ' A Young Man being introduced to the Seven Liberal Arts ' • Water colour on paper mounted behind old stained mount, this one then laid under a modern clean mount and presented in an antique glased...Category
1910s Pre-Raphaelite Figurative Drawings and Watercolors
MaterialsWatercolor, Cardboard
Recently Viewed
View AllMore Ways To Browse
Antique Illustrations
Evening Post
1920 Illustrations
1910 Illustration
Saturday Evening
Saturday Evening Post
Painting In Saturday Evening Post
Saturday Evening Post Illustration
Filipino Woman
Vintage Cherokee
C W Anderson
Chinese Horse Watercolor
Intaglio Woman
Antique Lead Pencil
Antique Lead Pencils
Vintage Anatomical Drawings
Ancient Egypt Watercolor
Audrey Anastasi