Li Xia Yang

Abstract Composition - Tempera and Watercolor by Li Xia Yang - 1989

1989

Paysage d'Alsace is a beautiful mixed-media artwork, tempera and watercolor on paper. Hand-signed by the artist on the lower left. Micheline Frouin was born in Paris on 7 September...

Venice is an original drawing realized by Francesco Zanin in the 1877 Origina china ink, watercolor and tempera on cardboard. The artwork is glu...

St Mark's Square, Venice is an original drawing realized by Francesco Zanin in the 1877. China ink, watercolor and tempera on cardboard. The art...

Winter Landscape is an original artwork, realized by Sergio Barletta in the 1970s. Watercolor and tempera. Includes frame: 38 x 3.5 x 48 cm Hand-signed on the lower margin Sergi...

Landscapes View is an original Modern artwork realized by Jean-Raymond Delpech (Hanoi, 1916 – 1988). Good conditions. This painting was made with tempera and watercolor. Image Dime...

Lourdes is al watercolor and tempera drawing on ivory-colorated paper, realized by Anonymous Artist of the 20th Century. In very good conditions. Illegible signature on the back of...

EMI (Spirit): Mother Earth was created using Watercolour on 300gsm paper MOTHER-EARTH is considered a living being and the provider of all that is on Earth. Shipping Procedure Ship...

Trapped In The Mind Of The Religious was created using Watercolour on 300gsm paper This painting depicts the story of a girl going through a spiritual journey toward enlightenment b...

Kurt Herrmann 10x11” (26x28 cm) unframed watercolor on paper 2022 Artist Watercolor statement: I went to Siberia in 1994 for the adventure and to paint. I came home with my first ...

Kurt Herrmann 10x11” (26x28 cm) unframed watercolor on paper 2022 Artist Watercolor statement: I went to Siberia in 1994 for the adventure and to paint. I came home with my first ...

Kurt Herrmann 10x11” (26x28 cm) unframed watercolor on paper 2022 Artist Watercolor statement: I went to Siberia in 1994 for the adventure and to paint. I came home with my first ...

Artist: Merton Clivette (American, 1868-1931) Title: Landscape II Year: Circa 1925 Medium: Gouache Paper: Watercolor Size image: 17.35 x 22.65 inches Size paper: 17.35 x 22.65 inches Signature: Signed lower left by the artist Condition: Excellent Frame: Unframed About the artist. Clivette was born in Portage, Wisconsin, in 1868 as Merton Clive Cook, the youngest of five (four sons and one daughter). His father was a retired British sea captain, and his mother was an American of French, Scottish and Iroquois Indian stock. He stayed with a circus for about five years, traveling all over the Western United States, Canada and Mexico. They did shows for the army forts, for railroad workers and on Indian Reservations. Clivette settled in San Francisco in 1886, when he was offered a job as a reporter and theatrical writer for the San Francisco Call. He met Frederic Remington during this period. He was the first serious artist Clivette had met and he was an inspiration to him. Clivette had done some drawing and painting on the road during his vaudeville years, he had a natural facility for it, and he had had some formal art training as well. He had had some training in Europe and was aware of the modern art movement in Europe. Later in New York he participated in symposiums and workshops at the Art Students League. Around 1910 he gave up his stage career and began to paint full time. He was about 40 years old and was to continue to paint vigorously and prolifically for the remaining 22 years of his life, His style can be identified with the Expressionist Movement, His subjects include portraits (some quite realistic, others more generalized) Indians and horsemen, laborers, gentlemen and vamps, jungle animals and birds, fish, seascapes and landscapes. He was an active participant in the art world of New York. He was a member of the Society of Independent Artists. In 1923 he showed at the Ainslee Art Gallery at 677 Fifth Ave., in 1925 at the Spanish Society in Brooklyn and in 1927 he had a solo show at the New Gallery, 600 Madison Ave. That same year there was also a solo show of his work in Paris at the Bernheim-Jeune Gallery, which included a catalogue. In 1929 he exhibited at the Art Center of the Roerich Museum in a group show of work from the collection of George Hellman. In 1930 he was in a show at the Museum of Modern Art in New York, "Painting and Sculpture by Living Americans" which also included the work of Stuart Davis, Arthur Dove, William Glackens, Marsden Hartley, Childe Hassam, George Luks and Mark Tobey and sculptors Gaston Lachaise and William Zorach among others. A description and critical analysis of his work in included in the book by Henry Rankin Poore...